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The Reader (2008)

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Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

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Writers:

(screenplay), (book)
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Popularity
711 ( 143)
Won 1 Oscar. Another 25 wins & 47 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Carla Berg
...
Emily Berg
...
Thomas Berg
Friederike Becht ...
Angela Berg
...
Peter Berg
Frieder Venus ...
Doctor
Marie-Anne Fliegel ...
Hanna's Neighbour (as Marie Anne Fliegel)
Hendrik Arnst ...
Woodyard Worker
...
Torsten Michaelis ...
Sports Master
Moritz Grove ...
Holger
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Storyline

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another. Written by The Weinstein Company

Plot Summary | Plot Synopsis

Taglines:

Behind the mystery lies a truth that will make you question everything you know. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some scenes of sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

30 January 2009 (USA)  »

Also Known As:

O Leitor  »

Filming Locations:

 »

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Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend USA:

$168,051, 14 December 2008, Limited Release

Gross USA:

$34,194,407

Cumulative Worldwide Gross:

$113,019,290
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Anthony Minghella snapped up the film rights before the novel was published with the intention of writing and directing the film himself. David Hare was very keen to adapt the novel but Minghella refused. Eight years later Minghella went to Hare and asked him to write the screenplay as he simply couldn't find the time to do it himself. Ironically, Minghella died prematurely following an operation during the film's production. See more »

Goofs

During the cycling holiday, when arriving at the church, Hanna gets off her bike on the right hand side of the bike and walks towards the church. When she parks the bike against the wall in the next shot she is standing on the left of the bike. See more »

Quotes

[first lines]
Brigitte: You didn't wake me.
Michael Berg: You were sleeping.
Brigitte: You let me sleep because you can't bear to have breakfast with me.
See more »

Crazy Credits

There are no opening credits, other than the studio logo. See more »

Connections

Featured in The 66th Annual Golden Globe Awards (2009) See more »

Soundtracks

Musik liegt in der Luft
Written by Heinz Gietz, Kurt Feltz
Performed by Caterina Valente
Courtesy of M.A.T. Musice Theme Licensing Ltd.
See more »

Frequently Asked Questions

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User Reviews

 
A thoughtful and plausible examination of guilt.
9 January 2009 | by See all my reviews

Very well acted and presented and a faithful representation of the main points of the novel on which it is based. This film encourages us to look closely at very difficult issues surrounding the atrocities of World War II. I am at a loss to understand why so many critics have been so damning of it. Perhaps it is too subtle for them to understand. It seeks to outlaw the false and intellectually lazy theory to explain the holocaust, namely that the horrors were committed by monsters. In its place we are offered contextualization, not as excuse but as explanation of how quite ordinary people were able to do extraordinarily dreadful things. We avoid these uncomfortable facts at our peril.


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