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The Reader (2008)

 -  Drama | Romance  -  30 January 2009 (USA)
7.6
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Ratings: 7.6/10 from 166,943 users   Metascore: 58/100
Reviews: 352 user | 295 critic | 38 from Metacritic.com

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

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Title: The Reader (2008)

The Reader (2008) on IMDb 7.6/10

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Won 1 Oscar. Another 23 wins & 42 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
Alissa Wilms ...
...
Friederike Becht ...
Matthias Habich ...
Frieder Venus ...
Marie-Anne Fliegel ...
Hanna's Neighbour (as Marie Anne Fliegel)
Hendrik Arnst ...
Woodyard Worker
Rainer Sellien ...
Torsten Michaelis ...
Sports Master
Moritz Grove ...
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Storyline

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another. Written by The Weinstein Company

Plot Summary | Plot Synopsis

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Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some scenes of sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

30 January 2009 (USA)  »

Also Known As:

O Leitor  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

£671,064 (UK) (2 January 2009)

Gross:

$34,180,954 (USA) (1 May 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Producers Sydney Pollack and Anthony Minghella both died before the completion of the movie. As the film was nominated for Best Picture at the Academy Awards, the Academy made an exception from their rules not to name more than three producers as nominees because of this rare circumstance. In the end the two producers Donna Gigliotti and Redmond Morris who took over duties were nominated as well as the posthumously honored Minghella and Pollack. See more »

Goofs

When Michael visits New York in 1988, the cab he is in is being followed by a 2000's GMC SUV. See more »

Quotes

[first lines]
Brigitte: You didn't wake me.
Michael Berg: You were sleeping.
Brigitte: You let me sleep because you can't bear to have breakfast with me.
See more »

Crazy Credits

There are no opening credits, other than the studio logo. See more »

Connections

Featured in 15th Annual Screen Actors Guild Awards (2009) See more »

Soundtracks

Don't Look Back
Written by Jackson C. Frank
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A victim's guilt
4 January 2009 | by (San Francisco) – See all my reviews

The film is a series of profound moral dilemmas—while contrived by the author, they are fair questions—that resonate deeply in the 21st Century: The role of guilt in victims, perpetrators, individuals and collectively, as well as justice, forgiveness, redemption, shame and, of course, literacy and its role in Western thought.

All this is a pretty heady mix for a film, but Stephen Daldry (as with "The Hours" ) makes literary conceit play very naturally here. David Hare's screenplay and the remarkable cinematography of the always remarkable Roger Deakins together with a sensitive score by Nico Muhly, this is indeed rarefied film-making.

But the actors are what drag the audience into this story. David Kross is amazing as the young Michael who has to play a range of virginal innocent to wizened and bitter. It's the key role in the film, and we're all lucky he was found to play this role. And the ever confounding Kate Winslet. What an amazing career for this young actress! Running through a list of her credits, she has some of the best performances of the last decade: "Holy Smoke," "Eternal Sunshine…," "Iris," "Finding Neverland," "Little Children." But here she does something very different. Playing what amounts to a monster, we see that they too are human. Not many actresses could bring this off, but it may be her greatest accomplishment to date.

Ralph Fiennes brings a continuity to the work David Kross begins, and there's a brief appearance by Lena Olin who commands the dignity the role deserves.

I'm puzzled at the lukewarm reception to this film. I almost missed seeing it. And it turned out to be one of my favorite and the most heart-rending films of the year. All involved should be very proud.


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Message Boards

Recent Posts
Question about the chronology iammariian
Why didn't Michael tell someone she couldn't have written the report? icefairy88
Why wouldn't Hanna confess to being iliterate? FrauMachina
A Librarian's Take jeberkin
What was wrong with Hanna? fer_sm90
Hanna confesses that she wrote the report henriksemailskriv
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