The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another. Written by
The Weinstein Company
The film's original cinematographer was Roger Deakins. From September to October 2007, he shot scenes that didn't feature the character Hanna. After filming was shut down (to give Nicole Kidman, who had been cast as Hanna, time to finish filming Australia (2008) before joining the production), Deakins left to shoot Doubt (2008) and begin pre-production on A Serious Man (2009). Once Kidman withdrew from the film and was replaced by Kate Winslet, filming resumed in March 2008; the new cinematographer, Chris Menges, shot all of Winslet's scenes. See more »
When Michael visits New York in 1988, the cab he is in is being followed by a 2000's GMC SUV. See more »
Very well acted and presented and a faithful representation of the main points of the novel on which it is based. This film encourages us to look closely at very difficult issues surrounding the atrocities of World War II. I am at a loss to understand why so many critics have been so damning of it. Perhaps it is too subtle for them to understand. It seeks to outlaw the false and intellectually lazy theory to explain the holocaust, namely that the horrors were committed by monsters. In its place we are offered contextualization, not as excuse but as explanation of how quite ordinary people were able to do extraordinarily dreadful things. We avoid these uncomfortable facts at our peril.
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