The Reader (2008)

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

Director:

Stephen Daldry

Writers:

David Hare (screenplay), Bernhard Schlink (book)

Stars:

Ralph Fiennes, Jeanette Hain, Kate Winslet

Won 1 Oscar. Another 16 wins & 33 nominations.

Cast

Cast overview, first billed only:
Ralph Fiennes	...	Michael Berg
Jeanette Hain	...	Brigitte
David Kross	...	Young Michael Berg
Kate Winslet	...	Hanna Schmitz
Susanne Lothar	...	Carla Berg
Alissa Wilms	...	Emily Berg
Florian Bartholomäi	...	Thomas Berg
Friederike Becht	...	Angela Berg
Matthias Habich	...	Peter Berg
Frieder Venus	...	Doctor
Marie-Anne Fliegel	...	Hanna's Neighbour (as Marie Anne Fliegel)
Hendrik Arnst	...	Woodyard Worker
Rainer Sellien	...	Teacher
Torsten Michaelis	...	Sports Master
Moritz Grove	...	Holger

Storyline

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another.

---

Plot Keywords:

trial | law student | war crime | law | student | 

---

Taglines:

How far would you go to protect a secret?

---

Genres:

Drama | Romance

---

Motion Picture Rating (MPAA)

Rated R for some scenes of sexuality and nudity

Details

Official Sites:

Official site [de] Official site [fr]

Country:

USA Germany

Language:

English German Greek Latin

Release Date:

30 January 2009 (USA)

Also Known As:

O Leitor

Filming Locations:

Berlin, Germany

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

£671,064 (UK) (2 January 2009)

Gross:

$34,180,954 (USA) (1 May 2009)

Company Credits

Production Co:

Weinstein Company, The, Mirage Enterprises, Neunte Babelsberg Film

Technical Specs

Runtime:

124 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Before Kate Winslet accepted the role of Hanna, Nicole Kidman, Marion Cotillard and Naomi Watts were considered for the part.

---

Goofs

In a 1976 scene, the Calculator seen on the desk when Michael is reading "The Odyssey" at night is presumably an OEM-Version of the Casio LC-403B. This calculator came on the market around 1985.

---

Quotes

[first lines]
Brigitte: You didn't wake me.
Michael Berg: You were sleeping.
Brigitte: You let me sleep because you can't bear to have breakfast with me.

---

Crazy Credits

There are no opening credits, other than the studio logo.

---

Connections

Featured in The 14th Annual Critics' Choice Awards (2009)

---

Soundtracks

"Making Time"
Written by Edwin Phillips, Kenneth Pickett
Performed by Creation
Courtesy of Polydor Records Ltd. (U.K.)
Under License from Universal Music Enterprises

User Reviews

A victim's guilt

The film is a series of profound moral dilemmas—while contrived by the author, they are fair questions—that resonate deeply in the 21st Century: The role of guilt in victims, perpetrators, individuals and collectively, as well as justice, forgiveness, redemption, shame and, of course, literacy and its role in Western thought.

All this is a pretty heady mix for a film, but Stephen Daldry (as with "The Hours" ) makes literary conceit play very naturally here. David Hare's screenplay and the remarkable cinematography of the always remarkable Roger Deakins together with a sensitive score by Nico Muhly, this is indeed rarefied film-making.

But the actors are what drag the audience into this story. David Kross is amazing as the young Michael who has to play a range of virginal innocent to wizened and bitter. It's the key role in the film, and we're all lucky he was found to play this role. And the ever confounding Kate Winslet. What an amazing career for this young actress! Running through a list of her credits, she has some of the best performances of the last decade: "Holy Smoke," "Eternal Sunshine…," "Iris," "Finding Neverland," "Little Children." But here she does something very different. Playing what amounts to a monster, we see that they too are human. Not many actresses could bring this off, but it may be her greatest accomplishment to date.

Ralph Fiennes brings a continuity to the work David Kross begins, and there's a brief appearance by Lena Olin who commands the dignity the role deserves.

I'm puzzled at the lukewarm reception to this film. I almost missed seeing it. And it turned out to be one of my favorite and the most heart-rending films of the year. All involved should be very proud.