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The Reader (2008)

 -  Drama | Romance  -  30 January 2009 (USA)
7.6
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Ratings: 7.6/10 from 168,738 users   Metascore: 58/100
Reviews: 352 user | 296 critic | 38 from Metacritic.com

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

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Won 1 Oscar. Another 23 wins & 42 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
...
Alissa Wilms ...
...
Friederike Becht ...
Matthias Habich ...
Frieder Venus ...
Marie-Anne Fliegel ...
Hanna's Neighbour (as Marie Anne Fliegel)
Hendrik Arnst ...
Woodyard Worker
Rainer Sellien ...
Torsten Michaelis ...
Sports Master
Moritz Grove ...
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Storyline

THE READER opens in post-war Germany when teenager Michael Berg becomes ill and is helped home by Hanna, a stranger twice his age. Michael recovers from scarlet fever and seeks out Hanna to thank her. The two are quickly drawn into a passionate but secretive affair. Michael discovers that Hanna loves being read to and their physical relationship deepens. Hanna is enthralled as Michael reads to her from "The Odyssey," "Huck Finn" and "The Lady with the Little Dog." Despite their intense bond, Hanna mysteriously disappears one day and Michael is left confused and heartbroken. Eight years later, while Michael is a law student observing the Nazi war crime trials, he is stunned to find Hanna back in his life - this time as a defendant in the courtroom. As Hanna's past is revealed, Michael uncovers a deep secret that will impact both of their lives. THE READER is a story about truth and reconciliation, about how one generation comes to terms with the crimes of another. Written by The Weinstein Company

Plot Summary | Plot Synopsis

Taglines:

Unlock the mystery. See more »

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some scenes of sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

30 January 2009 (USA)  »

Also Known As:

O Leitor  »

Filming Locations:

 »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

£671,064 (UK) (2 January 2009)

Gross:

$34,180,954 (USA) (1 May 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In 2005, Kate Winslet appeared on the English TV comedy series "Extras" as a bawdy, irreverent version of "herself." In that guise, she made fun of actors who do movies about the Holocaust specifically to try to win Oscars. Her "Kate Winslet" character denies that she is making a Holocaust movie for noble reasons like using her profile to keep the message alive about the Holocaust: "And I don't think we really need another film about the Holocaust, do we? It's like, how many have there been? You know, we get it - it was grim, move on. No, I'm doing it because I've noticed that if you do a film about the Holocaust - guaranteed Oscar! I've been nominated four times. Never won. The whole world is going 'why hasn't Winslet won one?'...That's it. That's why I'm doing it. Schindler's Bloody List. The Pianist. Oscars coming out of their arse." Three years later, Winslet made The Reader (in which she played a guard at the Auschwitz Concentration Camp) and did win an Oscar for Best Performance by an Actress in a Leading Role. See more »

Goofs

In a 1976 scene, the Calculator seen on the desk when Michael is reading "The Odyssey" at night is presumably an OEM-Version of the Casio LC-403B. This calculator came on the market around 1985. See more »

Quotes

[first lines]
Brigitte: You didn't wake me.
Michael Berg: You were sleeping.
Brigitte: You let me sleep because you can't bear to have breakfast with me.
See more »

Crazy Credits

There are no opening credits, other than the studio logo. See more »

Connections

Referenced in Youth in Revolt (2009) See more »

Soundtracks

Don't Look Back
Written by Jackson C. Frank
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Reader is a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions.
8 January 2009 | by (El Paso, Texas) – See all my reviews

There's an urgency in human nature to understand. When it comes to the Holocaust, history's bleak, unsettling period, it doesn't matter what book you've read, film you've seen or account you've heard; in the end, your response it halted by its incomprehensible conclusion. How could humanity course its way towards such a violent, destructive path? How could people knowingly send men, women, and children to their impending doom? Most puzzling, how could the world allow it? Even though its been 63 years since the blood-drenched annals of World War II, its aftermath today is still bone chilling.

After a six year celluloid dry spell, Stephen Daldry returns to the director's chair in a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions. Adapted from Bernhard Schlink's best-selling German novel, "The Reader," Daldry's visual translation is a powerful, emotionally absorbing film that is one of the year's best. It's superbly crafted.

With World War II over, Germany, in 1958, is still recovering. Deep within Heidelberg, Germany, Michael (David Kross), a young pubescent teenager haven fallen ill, is comforted by Hanna (Kate Winslet), a hard working woman who is twice his age. Taken by her generosity, Michael revisits Hanna to offer his gratitude. What begins as an awkward reunion escalates into a seductive, forbidden affair that intensifies when Michael begins reading to the distant, empty Hanna, who is deeply awakened by Michael's spoken literature. Too young to understand love's complicated implications, Michael is emotionally devastated when Hanna suddenly disappears. Nearly a decade later, unable to forget his passionate summer while studying law, he attends a Nazi trail, and to his dismay, hears Hanna's distant voice.

"The Reader" is a complex film; maybe a little too complex for some. Though the film pertains to Nazism and the "sins of our fathers," in essence, "The Reader" is a film that reflects the emotions inside all of us. During a lecture, Michael's professor comments, "Societies like to think they operate on morality but they don't." In this cynical age, how far from reality is that statement? During Hanna's trial, she's questioned why she participated in the Nazi party's horrendous war crimes, broken she replies, "It was my job." Oddly enough, that seems to be the justification most people use. Surprisingly, though, "The Reader" isn't about her exposure as a war criminal, but an exposure on an individual who took the wrong path. She's not a bad person; she's simply made wrong choices. However, when it comes to having involvement in the Nazi's liquidation of the Jews, how "wrong" can you get? "You ask us to think like lawyers," cries on student, "what are we trying to do?" A distraught Michael replies, "We are trying to understand!" But, just who exactly is trying to grasp a deeper understanding: the court or Michael? How can Hanna's past be forgiven? Director Stephen Daldry brings the much needed emotional layer that a character such as Hanna Schmitz desperately needs. Although her actions are beyond unforgivable, strangely, we sympathize with her. Maybe it's her other shameful secret. Maybe it's superb character development.

"The Reader" is a film that is driven by it's raw performances. In one of her finest hours, Kate Winslet gives the performance of a lifetime. It's a haunting and heart-breaking. David Kross, who's only 18, is impressive as the teenager with raging hormones; it's such a daring performance. Winselt and Kross bring this picture together. Their performances are jaw-droppingly brilliant. Completing the role of Michael, as the tortured grown man, is Ralph Fiennes, who balances Michael's despair through his melancholic emotion when he encounters a grown Jewish woman, played by Lena Olin, who was also at Hanna's trail. Although her scenes clock in less than 10 minutes, Olin, too, is breathtaking.

When "The Reader's" credits rolled, I sat quietly shaken by what I had witnessed. It's a film that is impossible to forget. When a grown Michael asks Hanna, "Have you spent much time thinking about the past?" Heartbroken, she replies, "It doesn't matter what I think. It doesn't matter what I feel. The dead are still dead." She's right.


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Question about the chronology iammariian
Why didn't Michael tell someone she couldn't have written the report? icefairy88
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Hanna confesses that she wrote the report henriksemailskriv
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