Alfred Hitchcock biographer, Patrick McGilligan, noted several fictions created by the movie for artistic reasons. These included that in real-life: Hitchcock never re-mortgaged his house to help finance Psycho (1960)'s production; Hitchcock's wife Alma Reville never directed any scenes in the movie; Hitchcock's marriage was nowhere near as tumultuous as depicted; Hitchcock never got involved during the production of the shower scene, and certainly never scared Janet Leigh.
Helen Mirren, who plays Hitchcock's wife Alma Reville, had also met the real Alfred Hitchcock when he approached her for a part as a murder victim in his penultimate film, Frenzy (1972). Mirren turned down the role, a decision she later regretted.
When Hitchcock is being driven home by Janet Leigh, when she questions his eating of the candy corn (which is not as posh and refined as his usual taste), he says "needs must when the devil drives". This is an old British phrase used in several William Shakespeare plays that means when one is in a desperate situation, one must do things they don't normally do. This line and scene are meant to imply that he is agitated and his mental state is not what it normally is.
Hitchcock was offered "Casino Royale" to direct. It would have preceded "Dr. No" as the first James Bond film by two years if if it was made at that time. "Casino Royales"'s screen rights were sold separately from the other Ian Flemimg classics. It was first made into a TV drama with Barry Nelson and later Charles K. Feldman produced the first screen version in 1967 as a satire with Peter Sellers, David Niven and Woody Allen
Alma Reville suggests to Hitchcock that Marion Crane (Janet Leigh) be killed 30 minutes into Psycho (1960). Scarlett Johansson, who plays Janet Leigh here, first appears 30 minutes into Hitchcock (2012).
A director's chair with the words "Mrs. Bates" can be seen in the background. The chair can be seen in publicity shots with Hitchcock sitting in it. Mrs. Bates doesn't appear in the film "Psycho" in an alive state.
Although many reviewers criticized the film for inventing an intimate relationship between Alma Reville and Whitfield Cook, the facts are documented by more than one Hitchcock scholar, as exemplified by Patrick McGilligan in his biography of Alfred Hitchcock. That writer accessed Cook's private diaries available in the screenwriter/playwright/author's papers donated to the Howard Gotlieb Archival Research Center, Boston, Massachusetts.
When Alma visits Whitfield Cook's beach house, both start to work on a book called "Taxi to Dubrovnik". This book is real and it was published by Cook in 1981. It is about three vacationing Americans who travel by hired car from Athens, Greece to Dubrovnik, in Yugoslavia (modern day Croatia).
The trivia items below may give away important plot points.
In the end scene, a crow lands on Hitch's shoulder, indicating that his next project will be The Birds (1963). That film, and Alfred Hitchcock's obsessive relationship with leading lady Tippi Hedren were the basis for a television-film about Hitchcock, The Girl (2012), broadcast the same year as this movie was released in cinema.
Over the course of the movie, whether on purpose or not, Hitch is subtly starting to take over habits from Norman Bates. For example, he accepts candy corn from Janet (which Norman habitually eats in Psycho (1960)), and at one point he is listening to Ludwig van Beethoven's Third Symphony ('Eroica') in his house (which Norman had on his record player). Although not addressed in the movie, Alfred Hitchcock also had a difficult relation with his mother, just as Norman did.