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Hitchcock (2012) More at IMDbPro »


2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011

16 items from 2017


Exclusive Interview: Daniel Espinosa, director of Life

24 March 2017 8:00 AM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Amon Warmann chats with Life director Daniel Espinosa (spoilers follow)…

When we caught up with Daniel Espinosa to talk to him about Life – the Swedish director’s sixth feature – we asked him about how his latest movie differs from Alien, working with Ryan Reynolds post-Deadpool, and playing music on set while the actors were filming.

I really liked that there was none of the dumb decision making you sometimes see in movies like these…

Yes! For me that was very important. These are not high school students in a campus who have no idea what to do. They’re astronauts who have been trained to make the correct decision in difficult situations, and I wanted them to do that as much as possible.

This film has inevitably been compared to Alien – was there ever any worry on your part in terms of doing a mean alien is loose on »

- Amie Cranswick

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Great Job, Internet!: An old Hitchcock interview reveals why he found humor in horror

9 March 2017 11:14 AM, PST | avclub.com | See recent The AV Club news »

Fans of the legendary Alfred Hitchcock know that the acclaimed suspense director was known for his sense of humor and for poking fun at himself. His introductions to his 1950s to 1960s CBS and NBC series Alfred Hitchcock Presents, for example, were full of macabre in-jokes, as was this promo for one of his later efforts, 1972’s Frenzy:

His eloquence and wit also made Hitchcock a valuable interview. The PBS Digital Studios series Blank On Blank recovers interview footage from notables like Frank Lloyd Wright, Jacques Cousteau, and Stephen King and pairs the dialogue with delightful accompanying animation. This latest installment from the Pacifica Radio Archives has Hitchcock chatting with Cullen Edwards in 1957 about his death-obsessed reputation, saying, “If I did a story about Cinderella, they would be waiting for the body to turn up.” He also comments on why he finds graveyards humorous and why making movies ...

»

- Gwen Ihnat

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Vertigo Screens at The Hi-Pointe Saturday Morning – Here are Alfred Hitchcock’s Ten Best Movies

7 March 2017 5:59 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Article by Jim Batts, Dana Jung, and Tom Stockman

Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s  Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5

This gives us a perfect excuse to re-run this top ten list so here, according to We Are Movie Geeks, are Alfred Hitchcock’s ten best films:

Frenzy

Frenzy, Hitchcock’s next to last feature film from 1972, represented a homecoming of sorts since it was the first film completely shot in his native England since his silents and early ” talkies ” in the 1930’s. By dipping into the then somewhat new territory of serial killers, he took full advantage of the new cinema freedoms and truly earned his ‘ R ‘ MPAA rating. »

- Tom Stockman

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Alfred Hitchcock’s Vertigo Screens at The Hi-Pointe This Saturday Morning

5 March 2017 6:01 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

“You shouldn’t keep souvenirs of a killing. You shouldn’t have been that sentimental.”

Alfred Hitchcock’s Vertigo screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s  Saturday, March 11th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, Mo 63117. The film will be introduced by Harry Hamm, movie reviewer for Kmox. Admission is only $5

Let’s state this right from the top: Vertigo is one of the greatest films ever made. It’s not simply hyperbole that notables such as Leonard Maltin and Martin Scorsese have called the film Hitchcock’s masterpiece. To paraphrase Scorsese, rarely have we seen the complexity of a man’s thoughts and feelings portrayed so beautifully and compellingly onscreen. Everything in Vertigo – from the costumes to the location scenery to the performances of its lead actors is quite simply, perfect. Hitchcock »

- Tom Stockman

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Making ‘Feud’ a Visual Feast: On the Set With Bette and Joan

28 February 2017 1:08 PM, PST | Variety - TV News | See recent Variety - TV News news »

Feud: Bette and Joan,” which premieres on FX March 5, tells the tangled story of the rivalry between Hollywood icons Bette Davis and Joan Crawford. As its eight episodes unfold, it depicts many of the sordid, amusing and difficult things that transpire as the actresses make “What Ever Happened to Baby Jane,” as well the events that followed the release of the 1962 film that returned them to prominence.

But one of the many ironies of “Feud” is that, no matter how ugly the events or emotions on screen, the show itself is gorgeous to look at. Much of it is a celebration of Old Hollywood glamour, and even the “Feud’s” version of the ramshackle house at the center of “Baby Jane” was re-created with exacting care.

The luscious jewel tones of Joan’s wardrobe, the fastidious plastic coverings on her chairs, the earth-toned, New England feel of Bette’s homey interiors and her preference for capri pants »

- Maureen Ryan

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The Manchurian Candidate and Jonathan Demme's filmmaking style

17 February 2017 4:18 AM, PST | Den of Geek | See recent Den of Geek news »

Ryan Lambie Feb 20, 2017

Thriller remake The Manchurian Candidate is a great showcase for director Jonathan Demme's use of the camera to evoke fear and empathy...

Iraq War veteran Ben Marco wakes up on a train with a jolt. For a second, he sees an apparition from the past sitting directly opposite him. Marco blinks, and the figure vanishes.

See related  Looking back at the BBC's House Of Cards House Of Cards season 4 spoiler-free review House Of Cards season 4 spoiler-filled review

Jonathan Demme’s remake of The Manchurian Candidate is full of small yet jarring sequences like this: moments which take place in a familiar setting, but with something strange or somehow out of place thrown in. Not long after Marco wakes up on the train, he strikes up a begrudging conversation with a young woman, Rose (Kimberly Elise), who says she's seen him around. Rose appears to have taken »

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What a Way to Go!

31 January 2017 11:22 AM, PST | Trailers from Hell | See recent Trailers from Hell news »

What a Way to Go!

Blu-ray

Kl Studio Classics

1964 / Color B&W / 2:35 enhanced widescreen 1:37 flat Academy / 111 min. / Street Date February 7, 2017 / available through Kino Lorber / 29.95

Starring Shirley MacLaine, Paul Newman, Robert Mitchum, Dean Martin, Gene Kelly, Robert Cummings, Dick Van Dyke, Reginald Gardiner, Margaret Dumont, Fifi D’Orsay, Maurice Marsac, Lenny Kent, Marjorie Bennett, Army Archerd, Barbara Bouchet, Tom Conway, Peter Duchin, Douglass Dumbrille, Pamelyn Ferdin, Teri Garr, Queenie Leonard.

Cinematography: Leon Shamroy

Film Editor: Marjorie Fowler

Original Music: Nelson Riddle

Written by: Betty Comden, Adolph Green story by Gwen Davis

Produced by: Arthur P. Jacobs

Directed by: J. Lee Thompson

Want to know what the producer of Planet of the Apes was up to, before that milestone movie? Arthur P. Jacobs was an agent for big stars before he became a producer, which positioned him well for his first show for 20th Fox, What a Way to Go! »

- Glenn Erickson

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Blu-ray Review – Raising Cain (1992)

30 January 2017 3:25 AM, PST | Flickeringmyth | See recent Flickeringmyth news »

Raising Cain, 1992.

Directed by Brian De Palma.

Starring John Lithgow, Lolita Davidovich, Steven Bauer, Frances Sternhagen, Gregg Henry, Tom Bower, Mel Harris, and Amanda Pombo.

Synopsis:

The wife of a respected child psychologist starts to suspect that her husband’s obsession with their daughter’s behaviour may not be very healthy.

Returning to the well of Brian De Palma movies to give their meticulous treatment the wizards at Arrow Video have turned their attention to his 1992 thriller Raising Cain, a movie sandwiched between the disappointing The Bonfire of the Vanities and the brilliant Carlito’s Way in the director’s filmography and a film that was possibly his most blatant nod to Hitchcock – and Psycho in particular – since Dressed to Kill back in 1980.

John Lithgow (Cliffhanger/Blow Out) stars as Dr. Carter Nix, a child psychologist who is married to nurse Jenny (Lolita DavidovichGods and Monsters) and who dotes »

- Amie Cranswick

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Sundance: Dogwoof picks up UK, international rights to '78/52'

27 January 2017 9:44 AM, PST | ScreenDaily | See recent ScreenDaily news »

Exclusive: Company to commence sales of ‘Psycho’ documentary at Efm next month. IFC Midnight takes Us rights.

Exclusive, Updated: The company has acquired UK distribution and international sales rights to Alexandre O Philippe’s documentary. Later in the day it emerged IFC Midnight had taken Us rights.

78/52 deconstructs Alfred Hitchcock’s notorious and ground-breaking Psycho shower scene and investigates its influence upon the landscape of film and pop culture.

The Midnight selection premiered in Park City on Monday and immediately earned acclaim as an anticipated festival and cult hit.

Dogwoof plans to introduce the film to international buyers at the Efm in Berlin next month and a UK release date is forthcoming.

The Exhibit A Pictures production’s title references the number of set-ups (78) and the number of cuts (52) in the shower scene from Psycho.

Hitchcock took an entire week out of the four-week shoot to get what he wanted from the shower scene. The film features »

- jeremykay67@gmail.com (Jeremy Kay)

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‘Psycho,’ Analyzed: Hitchcock’s Famous Shower Scene Gets Scrutinized In the Perceptive ’78/52′ — Sundance Review

26 January 2017 3:08 PM, PST | Indiewire | See recent Indiewire news »

The shower murder in Alfred Hitchcock’s “Psycho” sits alongside the opening of “Citizen Kane” and the climax of “2001: A Space Odyssey” as one of the most famous movie scenes in history, but the reasons are both obvious and elusive. Alfred Hitchcock’s 1960 proto-slasher film jarred audiences with the sudden death of leading lady Janet Leigh midway through, in a grisly, taboo-shattering bout of nudity and knifing at the ends of a shadowy, cross-dressing Norman Bates. As a complex narrative strategy and a subversive stunt, it kickstarted decades of conversations, so it’s surprising it took so long for someone to make a movie about it.

Enter “78/52,” the latest film-history deep-dive from Alexandre O. Phillipe (“Doc of the Dead,” “The People vs. George Lucas”). A compendium of appreciations, close readings, and reminiscences on the bloody death scene and its lasting impact, Phillipe’s brisk cinematic essay consolidates the enthusiasm »

- Eric Kohn

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Sundance 2017 Interview: Director Alexandre O. Philippe Discusses Exploring One of Cinema’s Most Iconic Scenes Ever for 78/52

25 January 2017 2:53 PM, PST | DailyDead | See recent DailyDead news »

Documentarian Alexandre O. Philippe has tackled a variety of topics over his career, including zombies (Doc of the Dead) and the fickleness of Star Wars fans (The People vs. George Lucas), but it’s his latest project, 78/52, which thoughtfully examines the shower scene in Alfred Hitchcock’s Psycho, that might be his most ambitious project to date. The documentary took Philippe three years to complete, and features a cavalcade of fantastic interviews with numerous notable folks, including Jamie Lee Curtis, Guillermo del Toro, Peter Bogdanovich, Bret Easton Ellis, Danny Elfman, Mick Garris, Karyn Kusama, Oz Perkins, Richard Stanley, Elijah Wood, and many more.

Daily Dead caught up with Philippe on the eve of 78/52’s premiere at the 2017 Sundance Film Festival to discuss the long road to getting the project made, his approach to making sure 78/52 would be accessible to everyone (even those who may not be Psycho fans), some of »

- Heather Wixson

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Sundance 2017 Review: 78/52 is a Thoughtful Look Back at Psycho’s Iconic Shower Scene & the Genius Behind It All

24 January 2017 7:16 AM, PST | DailyDead | See recent DailyDead news »

In this day and age, when we’ve seen a lot of brilliant horror movie-related documentaries released over the last few years, it’s sometimes hard for me to get too excited about new ones, just because I wonder what on earth is still out there to explore at this point. Then comes along Alexandre O. Philippe’s 78/52, which presents us with a thoughtful and entertaining re-examination of the iconic shower scene from Alfred Hitchcock’s Psycho, peeling back some unexpected and wholly new layers about this often discussed moment in cinema.

Filmed in stunning black and white, and featuring several Psycho-related re-enactments to help set the tone throughout its 91-minute runtime, 78/52 takes a comprehensive look back at the moment cinema changed forever in 1960, when Hitchcock dared to take audiences into a roadside motel bathroom to bear cinematic witness to the murder of a young woman by the name »

- Heather Wixson

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Sundance Film Review: ’78/52′

24 January 2017 1:44 AM, PST | Variety - Film News | See recent Variety - Film News news »

For a long time now, Alfred Hitchcock’s “Psycho” has been two movies, and the hypnotic film-geek documentary “78/52” is an ingenious and irreverent master class in both of them. There is, of course, the “Psycho” that shocked audiences to their souls when it was released in 1960: the one that made people scream with primal terror, that slashed a knife through the rules of popular storytelling — and, arguably, through the entire culture — by killing off its main character in the most savage way possible after just 40 minutes. That “Psycho” is the “Psycho” of legend. For those of us who were born too late to experience it, we can only guess what it felt like to have a horror thriller yank the rug out from under every sacred moviegoing expectation you’d ever had.

The other “Psycho” is the one that a lot of us have come to know and love and fetishize and live inside. »

- Owen Gleiberman

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Jessica Biel Anthology Thriller Gets Ordered to Series

18 January 2017 1:02 PM, PST | Women and Hollywood | See recent Women and Hollywood news »

Jessica Biel in “Bleeding Heart

Jessica Biel is returning to the small screen. She’s set to topline “The Sinner,” an anthology series that USA Network just ordered to series, the La Times reports. The thriller marks Biel’s first gig as a series regular since she played Mary Camden on the WB/CW’s ensemble family drama “7th Heaven.” Since then, she’s made a career on the big screen and turned up for guest spots on “BoJack Horseman,” “Family Guy,” and most notably, “New Girl.”

“Based on Petra Hammesfahr’s bestselling book of the same name, the first installment of the close-ended crime thriller follows a young mother, played by Biel, who is overcome with a fit of rage and commits an act of violence that she can’t explain,” the source details. Bill Pullman (“The Equalizer”) costars, playing an investigator trying to determine the motive for the crime.

In a statement announcing the series, USA Network President Chris McCumber revealed that the show’s “unique perspective intrigued [the network] from the very beginning.”

The pilot was penned by Derek Simonds (“When We Rise”) and directed by Antonio Campos (“Christine”).

In addition to starring in “The Sinner,” Biel will serve as one of its executive producers, as will her Ocean Films banner partner Michelle Purple.

Biel’s film credits include “A Kind of Murder,” “Hitchcock,” “Total Recall,” “Valentine’s Day,” and “The Illusionist.”

“There are always going to be the roles where you play the arm candy or girlfriend or wife; sometimes those are actually great parts, too, but I think it’s important to fight for the roles that really mean something to you, that say something,” Biel has said. “To tell stories that inspire you. You have to find those parts that are fewer and far between.” It sounds like “The Sinner” is going to offer Biel a solid, meaty — and meaningful — role.

Jessica Biel Anthology Thriller Gets Ordered to Series was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Laura Berger

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Best Actress Conundrum – Blunt, Bening, Huppert, or Negga or Henson for Fifth Slot

18 January 2017 11:01 AM, PST | AwardsDaily.com | See recent AwardsDaily news »

In 2012 Helen Mirren was nominated for a Golden Globe, a SAG and a BAFTA for her work in Hitchcock. She is one of a half-dozen since 2000 to earn all three nominations and miss the Oscar. »

- Sasha Stone

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The Best Of The Best: The Greatest Movie Actors and the roles that made them great

13 January 2017 3:49 AM, PST | HeyUGuys.co.uk | See recent HeyUGuys news »

Author: Dave Roper

The prospective candidates for admission to MiB were hand-picked because they were the best of the best of the best. That’s a lot of superlatives. Eric Roberts and Chris Penn were two of the more unlikely members of a Tae Kwon Do team that took on Korea in The Best of the Best and across pretty much every athletic and artistic theatre of endeavour you can think of, debate rages as to who is the best of the best. Today we look at the greatest movie actors.

This new series of articles is not intended to lay such arguments to rest. Instead it will hopefully prompt some discussion and (polite) debate as we consider, within certain film-making disciplines, who might be considered to be the best and what is their best work. Highly subjective, of course, but that is whence springs healthy debate. We’ll get to actresses, »

- Dave Roper

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011

16 items from 2017


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