In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Scenes set in Alfred Hitchcock's Paramount suite of offices were filmed in Hitchcock's actual office on that studio's lot. See more »
When Hitch is finished being shaved in the barber's chair we see shaving cream residue on his cheeks. When he looks at his reflection in the hand mirror, the residue is gone, but when we see him from the front again, the residue is back. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
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After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in profile in a large empty movie theatre. See more »
The odds were against it, let's face it. Then after that TV film about the obsession of Hitch for Tippi Hedren, what was it called? something like "The Girl" Brrrr. I thought, what a pity. But then, I went to see it and I was not merely thoroughly entertained but delighted. Anthony Hopkins and Helen Mirren make a formidable pair. Mirren, in spite of her glamour, I've never seen Alma Reville, as glamorous, Mirren truly captures the essence of the woman and makes that marriage not just feasible but ideal in so many ways. The script, smart and witty and gives a glimpse into what might have really happened. Janet Leigh (a terrific Scarlett Johansson)thanking Hitch and kissing him on the cheek. Look at Hitch/Hopkins's face when that happens. A child. I believed it. So, considering the odds against it, a triumph.
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