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Hitchcock (2012)

PG-13 | | Biography, Drama | 14 December 2012 (USA)
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The relationship between Alfred Hitchcock and his wife Alma Reville during the filming of Psycho (1960) in 1959 is explored.

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(screenplay), (book)
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Nominated for 1 Oscar. Another 4 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Whitfield Cook
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Barney Balaban
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Geoffrey Shurlock
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Joseph Stefano
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Hilton Green
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Saul Bass
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Storyline

In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

Behind every Psycho is a great woman. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images, sexual content and thematic material | See all certifications »

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Details

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Release Date:

14 December 2012 (USA)  »

Also Known As:

Alfred Hitchcock and the Making of 'Psycho'  »

Box Office

Opening Weekend:

$287,715 (USA) (21 November 2012)

Gross:

$6,002,708 (USA) (8 March 2013)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Coincidentally, in this film Helen Mirren portrays the wife of a famous film director when, in reality, she's married to a famous film director, namely, Taylor Hackford. See more »

Goofs

As Alfred Hitchcock is reading the London Times over his breakfast you can clearly see a news report of "The King Speaks to all Britons". Great Britain has had Elizabeth II as monarch since 1952. See more »

Quotes

[first lines]
Henry Gein: It's lucky it didn't reach the house.
Ed Gein: Yeah.
Henry Gein: You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
Ed Gein: You can't leave us, Henry. She needs us both.
Henry Gein: Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Alfred Hitchcock: Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...]
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Crazy Credits

After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in profile in a large empty movie theatre. See more »

Connections

References Topaz (1969) See more »

Soundtracks

You're the Only One for Me
Written by Alan Ett and William Ashford
Performed by and Courtesy of The Music Collective
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Frequently Asked Questions

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User Reviews

 
Goes off without a Hitch
16 February 2014 | by (Lake District, England) – See all my reviews

Neither a forensic study of the making of Psycho nor an incisive examination of the man himself, "Hitchcock" is a long, rambling, boring essay that serves only to raise a single question: why on earth was it made? Slavish in its adoration of a director who, on a good day, could be amongst the best in the business and on a bad one, just about the worst ("Torn Curtain", anyone?) it plods along without a shiver of suspense nor even a whisper of credibility: "it wuz the wife wot did it, guv", seems to be the writer and director's joint explanation for everything ol' Alfred achieved -- as if Mrs H was in some unfathomable way responsible for her husband's sense of timing, humor, irony and individuality of vision.

What utter tosh. Absent anything substantial to hang onto -- and there's no greater indictment of this dross than that it should feature Hollywood's fattest man yet be entirely weightless itself -- Hopkins does what he can to save being confused with the Hindenberg whilst Mirren plays Mirren in much the same way that Britain's other grand dame is notable for one over-wrought performance after another of Dench playing Dench.

At its daftest when dragging the spectre of the eponymous psycho into Hitchcock's dreams -- the screenplay here is at its most desperate to explain. . . something, anything -- and most boring when purporting to represent a so-what-who-could-care-less liaison between Alma and some bloke whose presence doesn't even register, this really is movie-making of the worst kind: flaccid, fatuous and facile. It may have Hitchcock's name as its title, but of the man himself in the actual movie, there's no sign at all.

Verdict: not worth even 1 out of 10.


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