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Hitchcock (2012)

PG-13  |   |  Biography, Drama  |  14 December 2012 (USA)
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Ratings: 6.9/10 from 57,350 users   Metascore: 55/100
Reviews: 208 user | 392 critic | 40 from Metacritic.com

A love story between the influential filmmaker Alfred Hitchcock and his wife Alma Reville during the filming of Psycho (1960) in 1959.



(screenplay), (book)
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Nominated for 1 Oscar. Another 3 wins & 25 nominations. See more awards »



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Cast overview, first billed only:
Whitfield Cook
Barney Balaban
Geoffrey Shurlock
Joseph Stefano
Hilton Green
Saul Bass


In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis


Good evening. See more »


Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images, sexual content and thematic material | See all certifications »

Parents Guide:






Release Date:

14 December 2012 (USA)  »

Also Known As:

Alfred Hitchcock and the Making of 'Psycho'  »

Box Office

Opening Weekend:

$287,715 (USA) (21 November 2012)


$6,002,708 (USA) (8 March 2013)

Company Credits

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Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
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Did You Know?


Anthony Hopkins is one of a number of several top British and American actors who actively pursued the role of Alfred Hitchcock. See more »


Dean Martin's recording of "Ain't that a Kick in the Head" plays when Janet Leigh meets the Hitchcocks prior to the start of filming. Filming on Psycho ended on February 1, 1960. The song wasn't recorded until May 10, 1960. See more »


[first lines]
Henry Gein: It's lucky it didn't reach the house.
Ed Gein: Yeah.
Henry Gein: You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
Ed Gein: You can't leave us, Henry. She needs us both.
Henry Gein: Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Alfred Hitchcock: Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
See more »

Crazy Credits

After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in profile in a large empty movie theatre. See more »


Featured in The EE British Academy Film Awards (2014) See more »


Petite Four Four
Written by Peter Robert Vince
Courtesy of APM Music
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Frequently Asked Questions

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User Reviews

Calamitous for Hitchcock fans
20 February 2013 | by (United States) – See all my reviews

Marketed as an amuse-bouche blending Hitchcock's macabre humor with the making of 'Psycho', inspired by Stephen Rebello's fine 1990's book, it veers off course as it tackles the marriage of Alfie and Alma Hitchcock, his wife and collaborator. Daughter Pat has disappeared from the story altogether; kicked to the sidelines are Bernard Herrmann, Hilton Green, Rita Riggs, John Gavin, Universal, Revue Studios, and, notably, the Bates Motel and the brooding Victorian behind it, one of the most famous still-standing sets in Hollywood. Hitchcock's restless artistry, his challenge to late-50's mores, his pre-production design and planning process, and the almost accidental genius of the final product, now widely regarded as one of the great American movies, are abandoned in favor of Ed Gein fantasies and dull scenes of marital discord. A too-old Ralph Macchio plays Tony Stefano, whose script is entirely rewritten by Alma (which didn't happen): the genius of Stefano inspired Hitchcock to smash barriers (e.g.: the showing of the toilet was Stefano's idea). A few seconds of audience mayhem near the end approaches the reality of the era; otherwise a dull mess, brimming with lies.

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