A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Grieving after the death of her young son Joseph, novelist Betty Fisher enters a dark depression. Hoping to bring her out of it, her mother Margot arranges to kidnap another child, Jose, to... See full summary »
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
Based on the real life of Dr. Marcel Petiot: During world war II Petiot, an MD living in occupied Paris, promised to help wealthy Jewish people among his patients to flee occupied France ... See full summary »
Christian de Chalonge
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
Set in the early 1910s at a time of passionate artistic experimentalism, and based on biographical fact, this is the story of Vaslav Nijinsky, the young and brilliant but headstrong premier... See full summary »
George De La Pena,
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love ... See full summary »
In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by
Kenneth Chisholm (email@example.com)
The screenplay for this film was featured in the 2007 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
At two occasions we see the famous Bates Mansion in the background, facing the right side of the house, opposite of how it appears in Psycho. Originally the house was constructed with only 2 walls - the left and front facade. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
As Hitch addresses his audience at the end of the picture, he tells us that he is bereft of ideas for his next picture... then a large, black bird lands on his shoulder. See more »
Hitchcock's biopic particularly developing his relationship to Alma Reville and the shooting of Psycho
A love story between influential filmmaker Alfred Hitchcock (Anthony Hopkins) and wife Alma Reville (Alma Reville) during the filming of Psycho (1960) in 1959 . As Alfred decides his next film will adapt the lurid horror novel, Psycho by Robert Bloch , but the novel's inspiration haunts his dreams , including the series killer Ed Gein (Michael Wincott) , then Alma finally loses patience .
The film mainly deals with filming ¨Psycho¨ , Hithcock masterpiece and his most accomplished and perfect movie . Psycho was not only Hitchcock's biggest successful movie,but was a phenomenon in its own right , the picture is a magnum opus of the terror genre and its immediate impact and its future influence was enormous and cannot be over emphasised . It also concerns on the relationship between Hitch and his wife Alma Reville , perfectly played by Anthony Hopkins and Helen Mirren respectively . Helen Mirren had met the real Alfred Hitchcock when he approached her for a part as a murder victim in his penultimate film, Frenzi (1972) ; Mirren turned down the role, a decision she later regretted. Although many reviewers criticized the film for inventing an intimate relationship between Alma Reville and Whitfield Cook, the facts are documented by more than one Hitchcock scholar, as exemplified by Patrick McGilligan in his biography of Alfred Hitchcock. There are developed various scenes about ¨Psycho ¨shooting as when Marion (Scarlett Johansson as Janet Leigh) leaves her fiancée and heads with her car toward California , when is caught in a storm she leaves the highway and enter to Bates hotel . The hotel with twelve rooms (and 12 showers) is managed by a strange young named Norman (James D'Arcy as Anthony Perkins) who seems to be submitted by his overbearing mother . The shower images are well recreated , these scenes are one of the most studied ,copied and analysed sequences in cinema history and has obtained a notoriety what exceeds of the movie itself. The character of Ed Gein was included in the original screenplay. In subsequent drafts, the role of Gein was either eliminated completely or reduced in importance. Terrific acting by Anthony Hopkins as Hitch and sensitive performance by Mirren as Alma , in fact , this movie is a perceptive homage to a great screenwriter , and Hitch's supporter , Alma Reville . The movie has a fine support cast playing notorious characters who had an important role on Hitch films such as Jessica Biel as Vera Miles , Toni Collette as Peggy Robertson , Michael Stuhlbarg as Lew Wasserman , Ralph Macchio as screen writer Joseph Stefano , Wallace Langham as Saul Bass , Paul Schackman as Bernard Herrmann and Spencer Garrett as George Tomasini . Nice production design , as scenes set in Alfred Hitchcock's Paramount suite of offices were filmed in Hitchcock's actual office on that studio's lot.
Colorful as well as evocative cinematography by Jeff Cronenweth . Lively and atmospheric musical score by Danny Elffmann . The picture was well directed by Sacha Gervasi ; it was shot in 36 days with exquisite taste and intelligence by the master Hitchcock who makes an impeccable control of every scene and maneuvers your emotions, infusing with a deliciously wit and ironic
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