A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by
Kenneth Chisholm (email@example.com)
In his scene with composer Bernard Herrmann, Hitchcock addresses him as "Bernie." Virtually no one called him that; those who were close to him called him "Benny." See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
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After the credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in profile in front of an empty screening room. See more »
Hitchcock follows Alfred Hitchcock's strenuous quest to complete a picture to which everyone deemed awful. Also incorporated into the storyline is the love story of Alfred and his wife. And the strain the picture was putting on it.
I had high hopes for Hitchcock. Alfred Hitchcock may not be my favorite director but he was most defiantly light years ahead of his time and undeniably a genius. On top of that Psycho is one of my favorite films ever made. So far this film was shaping up to be fantastic, it appealed to me in all the right ways, trailer was good, Anthony Hopkins as Hitchcock and it was about the making of Psycho. To which, aspiring filmmakers as well as the average movie goer can really appreciate. So why only a 7/10?
Well, the film delved too deeply into the love story, I personally think. The film is very enjoyable and to that aspect of the film, I don't mind as much as you may perceive but withholding that aspect and indulging on the actual making of Psycho could have really benefited this film. It's not the film Hitchcock or Psycho fans will love, it will be a film where you walk out and remark, "that was good," but not a very solid good. And normally I would be inclined to agree with you, but for some reason I still did like this film.
It contains fantastic acting including Hopkins, albeit certain scenes he may have overacted a tad bit, it's interesting and is enjoyable. In addition it also contains great references albeit not very subtle, the complete opposite of subtle to Psycho and a few other Hitchcock films which work to its advantage in my opinion. I also rather liked the inclusion of Ed Gein and the conversations that took place between him and Hitchcock.
Basically this film will appeal to everyone. But, unfortunately it isn't the film it could have been or should have been, but ultimately it is enjoyable, funny and above all entertaining. If you're a fan of Hitchcock and Psycho though, don't get your hopes up too high.
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