A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
In 1959, Alfred Hitchcock and his wife, Alma, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho, over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by
Kenneth Chisholm (email@example.com)
Alfred Hitchcock biographer, Patrick McGilligan, noted several fictions created by the movie for artistic reasons. These included that in real-life: Hitchcock never re-mortgaged his house to help finance Psycho (1960)'s production; Hitchcock's wife Alma Reville never directed any scenes in the movie; Hitchcock's marriage was nowhere near as tumultuous as depicted; Hitchcock never got involved during the production of the shower scene, and certainly never scared Janet Leigh. See more »
In the on-set scene in which Arbogast (Martin Balsam in the original Psycho) is about to be stabbed, Anthony Perkins' character is seen sitting nearby in drag as Norman-as-Mrs.-Bates. In reality, Anthony Perkins was not even on set this day (Alfred Hitchcock used a female "little person" as a double so audiences wouldn't be tipped off to the murderer's true identity by Perkins' height.) In fact, the only time Perkins actually appeared onscreen as Mrs. Bates was during the big-reveal climax in the fruit-cellar. Doubles and stand-ins were also used during the shower murder for reasons of convenience and deception. See more »
It's lucky it didn't reach the house.
You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
You can't leave us, Henry. She needs us both.
Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...] See more »
After the end credits, there is a brief shot of Anthony Hopkins as Hitchcock standing in profile in a large empty movie theatre. See more »
When I first saw the preview for Hitchcock, I knew it would be right up my alley. I mean its about Alfred Hitchcock and what he went through to produce easily one of the greatest horror films of all time. And to top it all off Anthony Hopkins Plays Hitch himself, and when it comes to Hopkins, he brings his A-game to every single role. This movie blew me away, the acting is spot on, the cinematography is excellent, almost shot like an early horror movie in my opinion, lighting is precise and the music fits the mood and the story perfectly. I don't remember the last time I had so much fun watching a movie. Watch this one, its a gem!
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