| Photos (See all 70 | slideshow) | Videos (see all 21) |
Directed by | |||
| Burr Steers | |||
Writing credits(WGA) | ||
| Jason Filardi | (written by) | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| Tim Suhrstedt | |||
Film Editing by | |||
| Padraic McKinley | |||
Casting by | |||
| Lisa Beach | |||
| Sarah Katzman | |||
Production Design by | |||
| Garreth Stover | |||
Art Direction by | |||
| Tom Reta | |||
Set Decoration by | |||
| Natalie Pope | (as Natali Kendrick Pope) | ||
Costume Design by | |||
| Pamela Withers | (as Pamela Withers-Chilton) | ||
Makeup Department | |||
| Donna J. Anderson | .... | hairdresser | |
| Cheryl Eckert | .... | hair stylist | |
| Kim M. Ferry | .... | hair stylist | |
| Kimberly Greene | .... | makeup department head | |
| Amy Harmon | .... | makeup artist | |
| Heather Koontz | .... | makeup artist | |
| Marie Larkin | .... | key hair stylist | |
| Amy Lederman | .... | makeup artist | |
| Edward Morrison | .... | hair stylist | |
| Rita Troy | .... | additional hair stylist | |
| Erin Wooldridge | .... | key makeup artist | |
| Melissa A. Yonkey | .... | hair department head | |
Second Unit Director or Assistant Director | |||
| Efrain Cortes | .... | additional second assistant director | |
| Peter Dress | .... | second second assistant director | |
| Adam Ben Frank | .... | additional second second assistant director | |
| Jessica Lowrey | .... | second second assistant director | |
| David Mendoza | .... | second second assistant director | |
| Lisa M. Rowe | .... | second assistant director | |
| Lisa C. Satriano | .... | first assistant director | |
Art Department | |||
| Alan Alvarado | .... | propmaker | |
| Jeff Barnett | .... | assistant property master | |
| Tom Benardello | .... | paint foreman | |
| Michael R. Blaich | .... | paint supervisor | |
| Chris Brewster | .... | set dresser | |
| Allen Brostowicz | .... | additional set dresser | |
| Lorrie Campbell | .... | set designer | |
| Randy L. Childs | .... | propmaker gangboss | |
| Skip Crank | .... | props | |
| Monica Fedrick | .... | graphic designer | |
| Neil Garland | .... | propmaker gangboss | |
| Edward A. Giron | .... | labor foreman | |
| Greg Gootsan | .... | assistant property master | |
| Darryl Henley | .... | storyboard artist | |
| Karen Higgins | .... | construction coordinator | |
| Mats Holmberg | .... | propmaker | |
| Gary Isbell | .... | leadman | |
| Steven Kissick | .... | general foreman | |
| Jennifer Moller | .... | art department coordinator | |
| Charlie Nicholson | .... | on-set dresser (as Charles E. Nicholson) | |
| Roger Prater | .... | stand-by greens foreman | |
| Jenny Quam | .... | art department assistant | |
| Kim Richey | .... | assistant property master | |
| Shane Sankey | .... | construction production assistant | |
| Ronald F. Savini Jr. | .... | plaster foreman (as Ron Savini) | |
| Fred Seibly | .... | signwriter | |
| Michelle Spears | .... | property master | |
| Casey Stoll | .... | painter | |
| Robert Stover | .... | buyer | |
| Brian Tipton | .... | shop foreman | |
| Brett Tyler | .... | painter | |
| Steven Valenzuela | .... | toolman | |
| Jason Vanover | .... | master greensman | |
| Liz Wilson | .... | additional set dresser | |
| Doug Anderson | .... | on-set plasterer (uncredited) | |
Sound Department | |||
| Kyle Billingsley | .... | foley mixer | |
| Barney Cabral | .... | adr editor | |
| Rick Canelli | .... | adr recordist | |
| Sanaa Cannella | .... | foley artist | |
| Steve Cantamessa | .... | sound mixer | |
| Mark DeSimone | .... | adr mixer: New York | |
| Laura R. Harris | .... | dialogue editor | |
| Frederick Howard | .... | sound effects editor | |
| Kaspar Hugentobler | .... | re-recording recordist | |
| Thomas Jones | .... | dialogue & adr editor | |
| Michael Keller | .... | sound re-recording mixer | |
| Scott La Rue | .... | boom operator | |
| Kimaree Long | .... | dialogue editor | |
| Cynthia Merrill | .... | foley artist | |
| Nick Neutra | .... | foley supervisor | |
| Beauxregard Neylon | .... | adr mixer | |
| Thomas J. O'Connell | .... | adr mixer | |
| Perry Robertson | .... | supervising sound editor | |
| John Ross | .... | sound re-recording mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Peter Staubli | .... | sound effects editor | |
| Bruce Tanis | .... | sound effects editor | |
| Gary Thomas | .... | boom operator | |
| Hugh Waddell | .... | supervising sound editor | |
| Kevin Zimmerman | .... | first assistant sound editor | |
Special Effects by | |||
| Donald Myers | .... | special effects foreman | |
Visual Effects by | |||
| Jennifer Avery | .... | visual effects coordinator | |
| Alison Middaugh Barger | .... | digital effects artist: R!ot (as Alison Middaugh) | |
| Andy Barrios | .... | sequence supervisor | |
| David Beedon | .... | digital effects artist | |
| Kelly Bumbarger | .... | digital effects supervisor: Riot | |
| Del DePierro | .... | digital integration lead | |
| Mark Edwards | .... | visual effects producer: R!OT | |
| Lindsay Hallett | .... | visual effects executive producer: R!OT (as Lindsay Burnett) | |
| David Jones | .... | visual effects supervisor: R!OT | |
| Chris LeDoux | .... | digital compositor: R!OT | |
| Sean Looper | .... | pipeline architect: R!OT | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Marla Neto | .... | visual effects production assistant: R!OT | |
| Hiroyuki Okubo | .... | visual effects artist | |
| Michael Ross-Lang | .... | digital compositor | |
| Cat Rowe | .... | digital colorist assist | |
| Michael Taylor | .... | production executive: RIOT | |
| Matt von Brock | .... | digital artist | |
| Shane Christopher Wicklund | .... | digital compositor: R!OT | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Shuichi Suzuki | .... | cg modeler (uncredited) | |
Casting Department | |||
| Charla Bowersox | .... | casting associate | |
| Beth Lipari | .... | casting associate | |
Costume and Wardrobe Department | |||
| Tiana Aiello | .... | costumer | |
| Alyssa Kim | .... | set costumer | |
| Michelle Kurpaska | .... | costume supervisor | |
| Marylou Lim | .... | set costumer | |
| Ann Miller | .... | costumer | |
| Jason M. Moore | .... | costumer | |
| Valerie T. O'Brien | .... | costumer | |
| Jennifer Starzyk | .... | assistant costume designer | |
Editorial Department | |||
| Rick J. Brown | .... | co-colorist (as Rick Brown) | |
| Gary Burritt | .... | negative cutter | |
| Banner Gwin | .... | first assistant editor | |
| Jason Joseph | .... | first assistant editor | |
| John Potter | .... | high definition preview timer | |
| Matthew Woolley | .... | post-production assistant | |
Music Department | |||
| Tony Blondal | .... | orchestrator | |
| Richard Bronskill | .... | orchestrator | |
| Paul Broucek | .... | executive in charge of music: New Line | |
| Stephen Coleman | .... | additional orchestrator | |
| Buck Damon | .... | music supervisor | |
| Audrey DeRoche | .... | score supervisor | |
| Ross DeRoche | .... | music preparation | |
| Rolfe Kent | .... | conductor | |
| Janet Ketchum | .... | orchestra contractor | |
| Padraic McKinley | .... | musician | |
| Massimo Ruberto | .... | music editor | |
| Erin Scully | .... | music executive | |
| Skywalker Symphony Orchestra | .... | orchestra | |
| Alistair South | .... | music assistant | |
| Nick South | .... | music editor | |
| Greg Townley | .... | scoring mixer | |
Transportation Department | |||
| Rupert Cole | .... | transportation dispatcher | |
| Eric Compton | .... | driver | |
| Ken Day | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Dave Haldeman | .... | driver | |
| Margo Hunt | .... | driver | |
| John Orlebeck | .... | transportation coordinator | |
| John Siedenburg | .... | transportation | |
| Hector Solano | .... | driver | |
| John F. Teeple | .... | driver | |
Other crew | |||
| Sam Alvelo | .... | additional set production assistant | |
| Jimmy Badstibner | .... | assistant: Mr. Shankman (as Jim Badstibner) | |
| Cassandra Barbour | .... | rights and clearances | |
| Lucie Bourgeau | .... | production secretary | |
| Jody Braun | .... | assistant: Mr. Steers | |
| Lisa Breitman | .... | adr voice | |
| J.M. Brown | .... | assistant production office coordinator | |
| Kris Bunting | .... | assistant location manager | |
| Meghan Burchfield | .... | additional set production assistant | |
| Christopher Ciketic | .... | assistant accountant | |
| Kyle Cooper | .... | title sequence: executive producer | |
| Leon Dudevoir | .... | production executive | |
| Angie Edgar | .... | assistant: Mr. Barrett | |
| Ryan Faust | .... | additional second assistant accountant | |
| Kristi Frankenheimer | .... | location manager | |
| Damiano Fusca | .... | production assistant | |
| Megan Galiber | .... | accounting assistant | |
| Matthew J. Gannon | .... | additional set production assistant | |
| Steve Gehrke | .... | script supervisor | |
| Mark Hochman | .... | computer/video playback engineer | |
| Galen Hooks | .... | choreographer | |
| Jeff Hunt | .... | production assistant | |
| Colette Kadrnka-Abramson | .... | production attorney | |
| Adam Knapp | .... | body double | |
| Sunja Knapp | .... | assistant: Mr. Shankman | |
| Kristofer Kolpek | .... | set production assistant | |
| John C. Kruize | .... | production accountant | |
| Tom Kuljurgis | .... | assistant to Ms. Gibgot | |
| Kelly Lane | .... | additional set production assistant | |
| Bao-Uy Luu | .... | graphic artist: intro | |
| Nathan Maruccio | .... | assistant layout board technician | |
| Allison Meadows | .... | set production assistant | |
| Aaron Millar | .... | location scout | |
| Gunnar Moulton | .... | production assistant | |
| Travis Nicols | .... | production assistant | |
| Justin Nordin | .... | production office assistant | |
| Rodolfo Ornelas | .... | production assistant | |
| Scott Parker | .... | post-production accountant | |
| Laura Petersen | .... | assistant: Mr. Weintraub (as Laura Ushijima) | |
| Ryan Robertson | .... | main title producer | |
| John Semedik | .... | first assistant accountant | |
| Laura Sevier | .... | rights and clearances | |
| Michael Shanahan | .... | assistant location manager | |
| Ivan Siebel | .... | assistant location manager | |
| Michael Simkin | .... | assistant: Mr. Steers | |
| Deborah Simmrin | .... | unit publicist | |
| Jamal Sims | .... | choreographer | |
| Joe Steele | .... | production resources | |
| Jeffrey D. Stevens | .... | key set medic | |
| M. Ryan Traylor | .... | set production assistant | |
| Lisa Vijitchanton | .... | production coordinator | |
| Leslie Wahrenbrock | .... | payroll accountant | |
| Kelly Wheeler | .... | assistant to cast | |
| Rick Whitfield | .... | computer/video playback engineer | |
| Josh Wood | .... | production executive | |
| Jennifer Yee | .... | credits administrator | |
| Travis Quentin Young | .... | adr voice | |
| Michael Zamboni | .... | key location scout | |
Thanks | |||
| Josh Wood | .... | special thanks | |
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| Easy A | Spider-Man 3 | The Kids Are All Right | Bend It Like Beckham | Saved! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I'm starting to suspect that Hollywood no longer uses actual, human screenwriters to create their movies. After watching years of the same, recycled trash, I'm starting to think that they now use a screenplay-writing machine to do it.
This machine works very simply. A producer will enter the main character's name, one problem they are facing, and one 'gimmick' (an unusual plot twist often used as a selling point for the film), and hey presto! - out pops a completed, and entirely unoriginal screenplay. Such is the case for 17 Again.
Mike O'Donnell is a depressed suburban father (sounds familiar already, doesn't it?) whose wife is divorcing him, kids can't stand him, and who just got passed over for a promotion. As the movie progressed, it started to seem very, very familiar - a crippling combination of unoriginal jokes, stereotypical characters and recycled plot devices. My friends and I started to grin and sneeringly guess what was going to happen later in the film, and guess what: most of the time, we were right.
We've all seen this movie before - it's been pieced together from the discarded carcasses of films past, by a flock of vultures seemingly so unaccustomed to originality in film-making that they have been rendered unable to create any plot twist even slightly unexpected or interesting. And don't even get me started on Zac Efron's acting (or lack of such).
Two small good things. Out of the dozens of jokes thrown at us, a select few - maybe five - were genuinely hilarious. Other than that, though, the humor relied on the the faux-improvised, overly-awkward style of comedy popularized by Seth Rogen and co. It doesn't work here. The other highlight, of course, was Matthew Perry. He's the man, and an excellent comic actor, but his short on-screen time was not enough to salvage this unoriginal, unfunny, and worst of all boring attempt at light entertainment. Perhaps if the film had eliminated the dramatic aspects and stuck to being a comedy, it could have succeeded, but this is one movie I certainly would not want to see again.