More than 60 years after his death, the demonic life and works of British occultist Aleister Crowley has continued to capture the darkest imaginations. In this thriller, a virtual reality ... See full summary »
James Bishop is a young psychology resident, excited about his new job at St. Andrews Mental Hospital and the chance to help severely ill patients. The excitement changes to puzzlement, ... See full summary »
Since the onset of the human race there have been those who instinctively understood the nature of reality and sought to impose their will upon it by co-operating with and honoring the ... See full summary »
A small film with a big heart, SECOND HAND WEDDING is a bittersweet dramatic comedy set in the present, in a time when trademe and e-bay threaten the primeval urge for a firsthand crack at ... See full summary »
The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a ... See full summary »
Six parapsychologists investigate a reputed haunted mansion and are set upon by three flesh-eating succubus ladies under the control of the sinister warlock owner bent on finding a mysterious amulet to give himself more power.
Terry M. West
Clark Beasley Jr.
In 1947, noted Neo-Pagan Aleister Crowley dies. In Cambridge, 43 years later, with the help of a computer, Crowley's spirit takes over the body of Haddo, a mild-mannered, stuttering don. Over four days, as Crowley prepares for an occult extravaganza, bodies pile up, Crowley's elect engage in rites of passage, and Lia, a red-headed campus reporter, sniffs out a story that puts her in grave danger. Mathers, a scientist recently arrived from Cal Tech, may hold the key to her destiny. Written by
Warners wanted to delete all the Bible references. Also Warner bosses were very unhappy with the performance of Simon Callow. See more »
When the girl with the (acoustic) violin draws her bow across the strings, the sound that comes out is more like that of an electric violin, or an acoustic violin fitted with a pickup, processed through an effects pedal. There is no evidence of a patch cord plugged into the violin, let alone a pickup attached to it - and in any event, the girl's hand movements over the fingerboard do not match the notes that we hear. See more »
I was torn when I watched this film - on the one hand, it's a very average film, mostly confusing and random, sometimes poorly acted (and sometimes not) and of a subject matter that I am very critical; on the other hand, if you view it as a (relatively) low-budget, British B-movie it's actually quite good. Not entertaining, mind you, it never actually manages to fight its way out of the swamp of "too many ideas, crammed into too little time with no coherence". But the production and direction of the film is commendable.
The basic plot of the film is that Aleister Crowley, "the wickedest man in Britain" (in the early part of the last century - I doubt he'd rank above "dirty old perv" these days) manages to get reincarnated into the body of a Cambridge professor (played by Simon Callow - by far the best part of the film) and starts a 4-day (? - the query is because a lot happens, but little relevant, over the 4 days) campaign to become wholly physical again.
Basically, stuff happens; lots of it random, and I'm sure was more meaningful to the writers than it was to me as a viewer (and that as an educated and informed viewer). Unfortunately, as good as it looks at times, and as many good ideas are just screaming to to be exploited, it just ends up being a B-movie. I'd still watch it though, just the once.
I realise that this constitutes a critique rather than a review, but it's difficult to sum up what happens in the film other than what I've just said - it's a bit random, and if you're into thelemic mysticism you'll probably enjoy it, but unfortunately I view the whole subject as occultism for people who are too scared to throw off the shackles of catholic Judaism, and compensate for their reticence to abandon Christianity for something more pure with an unhealthy interest in the Christian devil. But you're talking about a film about an early 20th century English occultist raised in a strict Christian family, so what can you expect? Anyway, if you're in the mood for a British B-movie (well made, but not exactly stimulating) - this is the movie for you (or watch Razorblade Smile or Dead Mans Shoes instead).
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