On the threshold of 22nd century, furrowing the space, protagonist from the Free Search Group makes emergency landing on an unknown planet where he must stay. People who are living on this ...
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Maxim Kammerer fights for his love and freedom. He leads a rebel movement challenging the five greedy rulers. One of the rulers, Strannik, knows how dangerous Maxim can be. He makes up his ... See full summary »
The story is about a young single mother who is compelled to make her way at risk of her life to Ckhinvali, where her son is, whom she had sent there on the eve of the conflict. The film ... See full summary »
Russia, early 90s. A fictional story inspired by financier Sergey Mavrodi, his securities company "MMM", and the pyramid scheme he ran that left upwards of fifteen million investors with nothing when it crashed.
My iz budushchego, or We Are from the Future, is a movie about time travel. Four 21st century treasure seekers are transported back into the middle of a WWII battle in Russia. The movie's ... See full summary »
The plot revolves around four old friends-Kamil' (Kamil' Larin), Lesha (Leonid Barats), Sasha (Aleksandr Demidov) and Slava (Rostislav Khait)-all well-to-do professionals in their late 30s ... See full summary »
Progressive and talented Natasha and Roma dream of a European wedding by the sea - but Natasha's stepfather procured a different scenario. Rough official of the city administration ... See full summary »
Four friends are forced to stay put in a radio station on New Year's Eve after one of them gets into trouble. They use the opportunity to remember memories from the past, talk about women, ... See full summary »
On the threshold of 22nd century, furrowing the space, protagonist from the Free Search Group makes emergency landing on an unknown planet where he must stay. People who are living on this planet have remained at the stone level of the 20th century, with its social problems, miserable ecology and shaky world... Written by
Yuliya Snigir, who was one of the last actors and actresses to be cast, compared her role and other roles from the film between the book and the script and kept asking director Fedor Bondarchuk about the point of the differences. She thinks it outraged him so much he "was ready to kill" her at that time. See more »
When Zef arrests Maxim, he orders young man to drop his belt, and he does. In next scene, we see Maxim still wearing his belt. See more »
The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
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This attempt at bringing a Strugatski brothers novel to the modern Russian screen is without a doubt a success.
A little about the plot: young explorer Maksim Kammerer crash lands on Sarakhsh, a world enveloped by nebula gasses where people have never seen the stars. The Unknown Fathers, a group of powerful oligarchs, brainwash the population to hate other nations. Kammerer, aloof in his superiority, sets out to free the people of Sarahksh of oppression and paranoia.
I wont ramble on - suffice to say that Bondarchuk has done well, considering the sheer scale of the novel. Vasiliy Stepanov (as Maksim Kammerer) is sexy, cool and a blond head taller than his alien companions (a fine nod to the novel and a detail I did not expect). He was also most excellent in the action scenes.
Bondarchuk shines in his portrayal of Umnik (literally the Clever One). I especially enjoyed the scenes of him writhing in agony in the bath. A great performance. I feel compelled, after reading some of the other comments, to say that the novel, like this movie, is often comical...
Direction-wise there are some minor continuity errors and a few places where the pace slows unexpectedly, but the film sticks quite closely to the novel and this may not have been avoidable.
Compared Konstantin Lopushansky's 2006 adaptation of Gadkie Lebedi (highly recommended to scifi fans, this brooding picture seems to have slipped the under the radar), the film is of course rather crude and soulless - but that would be like comparing a novel by Banks to one by Lem.
I recommend it to everyone and will be waiting for film two (the adaptation can only be truly judged then) and a directors cut of the two together in a nice Hollywood package.
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