| Philip Daileader | ... | Himself - William and Mary College | |
| Kelly DeVries | ... | Himself - Loyola College | |
| Bonnie Effros | ... | Herself - SUNY Binghamton | |
| Adnan Husain | ... | Himself - Queen's University | |
| Michael Kulikowski | ... | Himself - University of Tennessee | |
| Thomas Martin | ... | Himself - College of Holy Cross | |
| Jim Masschaele | ... | Himself - Rutgers University | |
| Vilma Raubaite | ... | Empress Theodora | |
| Brett Whalen | ... | Himself - UNC, Chapel Hill | |
| Grigorij Strelec | ... | King (uncredited) |
Directed by | |||
| Christopher Cassel | |||
Writing credits(in alphabetical order) | ||
| Christopher Cassel | ||
| Alexander Emmert | ||
Produced by | |||
| Christopher Cassel | .... | producer | |
| Dolores Gavin | .... | executive producer | |
| Bill Hunt | .... | executive producer | |
| Vincent Kralyevich | .... | executive producer | |
| Shannon Mechutan | .... | development producer (as Shannon Sasser) | |
| Lina Miseikyte | .... | line producer (as Lineta Zukauskiene) | |
| Bobby Munster | .... | technical producer | |
| Kristine Sabat | .... | executive producer | |
| Diane Wai | .... | associate producer | |
Original Music by | |||
| Kerry Muzzey | |||
Cinematography by | |||
| Tim Metzger | |||
Film Editing by | |||
| Jennifer Honn | |||
Casting by | |||
| Arturas Zukauskas | |||
Production Management | |||
| Jerome F. Calimeri | .... | production manager | |
| Vladas Lyndo | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Laura Akstinaite | .... | trainee assistant director | |
| Andrius Brazas | .... | first assistant director | |
| Alexander Emmert | .... | assistant director | |
| Agne Januskyte | .... | second assistant director | |
Sound Department | |||
| Chad Birmingham | .... | sound recordist | |
| Jacques Boulanger | .... | sound re-recording mixer | |
Special Effects by | |||
| Brian Spears | .... | special effects: prop heads | |
Visual Effects by | |||
| Justas Giedraitis | .... | visual effects supervisor | |
Stunts | |||
| Roman Grigaravicius | .... | stunts | |
| Ruta Nemaniene | .... | assistant horse master | |
| Arturas Nemanis | .... | horse master | |
| Grigorij Strelec | .... | stunt rider | |
Camera and Electrical Department | |||
| Toby Birney | .... | camera operator: "b" camera | |
| Rimas Jurgelevicius | .... | gaffer | |
| Bo B. Randulff | .... | camera operator: "b" camera | |
Editorial Department | |||
| Jerome Bourgeois | .... | post-production coordinator | |
| Christina Choi | .... | assistant editor | |
| Alice Goguen | .... | assistant editor | |
| Nicolas Huve | .... | post-production coordinator | |
| Andrew Noble | .... | assistant editor | |
| Sandy Patch | .... | colorist | |
| Sandy Patch | .... | on-line editor | |
Other crew | |||
| Vladas Lyndo | .... | location manager | |
| Elizabeth Riebling | .... | production coordinator | |
| Laurie-Anne Vazquez | .... | production coordinator (as Laurie Vazquez) | |
| Rasa Vilkaityté | .... | production coordinator | |
| Codine Williams | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
We've probably all heard of the period in European history between the Roman Empire and the Renaissance. But unless we see this documentary, we can't even begin to understand how unpleasant it was (and what we see here is probably tame compared to how things really were). "The Dark Ages" shows how Rome's collapse led to the balkanization of Europe and the rise of the Catholic Church, then the Holy Roman Empire and the Vikings, and all the while a semi-successor to Rome was going on in Constantinople. Not to mention the Bubonic Plague.
There is a brief look at how the Catholic Church and the monarchs were intent on forcing their religion on conquered people, but I think that the documentary could have looked more at how vile the Catholic Church got in its full-scale corruption. But the part about the Crusades was well done, in that it showed how the soldiers went over there with the aim of conquering the region but found a more advanced society (the Arabs were keeping alive the knowledge that the Catholic Church suppressed in Europe).
Anyway, we get a sense of how the Dark Ages - or Middle Ages, if you want to call them that - led to the Renaissance. Hearing about some of what happened during the Dark Ages, it seems like in some ways, things haven't gotten much better: we still have wars, oppression, and disease. Can technological advancements really mean anything? Overall, I recommend this documentary.