| Michael Gambon | ... | Narrator | |
| Adele Hammond | ... | Herself | |
| John Harlin III | ... | Himself | |
| Adele Harlin | ... | Herself | |
| Siena Harlin | ... | Herself | |
| Daniela Jasper | ... | Herself | |
| Robert Jasper | ... | Himself | |
| Bruno Messerli | ... | Himself | |
| Christine Pielmeier | ... | Herself | |
| Adele Siena | ... | Herself |
Directed by | |||
| Stephen Judson | |||
Writing credits(WGA) | ||
| Stephen Venables | (written by) and | |
| Stephen Judson | (written by) | |
Produced by | |||
| Anne Marie Hammers | .... | line producer | |
| Mark Krenzien | .... | producer | |
| Greg MacGillivray | .... | producer | |
Original Music by | |||
| Steve Wood | |||
Cinematography by | |||
| Brad Ohlund | |||
Film Editing by | |||
| Stephen Judson | |||
Production Management | |||
| Kathy Almon | .... | production manager | |
Sound Department | |||
| Andrew DeCristofaro | .... | supervising sound editor | |
| Ryan Maguire | .... | foley mixer | |
| Morten Folmer Nielsen | .... | adr director | |
| Morten Folmer Nielsen | .... | adr editor | |
| Morten Folmer Nielsen | .... | adr recordist | |
| David Abrahamsen | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Alan G. Markowitz | .... | visual effects producer | |
| Josh Mossotti | .... | visual effects artist | |
| Craig Edward Rogers Jr. | .... | digital compositor | |
| Craig Edward Rogers Jr. | .... | film recording | |
Camera and Electrical Department | |||
| Michael Brown | .... | camera operator | |
| Michael Brown | .... | director of mountain photography | |
| Ron Goodman | .... | aerial cinematographer | |
| Jochen Schmoll | .... | second assistant camera | |
| Robert Walker | .... | first assistant camera | |
Editorial Department | |||
| Tim Amick | .... | assistant editor | |
Music Department | |||
| Brian May | .... | musician: guitar | |
| Daniel May | .... | orchestration | |
Other crew | |||
| Chip Bartlett | .... | distribution | |
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| Touching the Void | The Eiger Sanction | North Face | High Ice | The Ski's the Limit |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
From the producers of Everest, comes this movie about a man that confronts his demons and climbs the North face of the Eiger -- the most difficult climb in Europe -- where his father died 40 years ago when he was just a boy. Now he has a wife and a daughter of his own and his hope is to impress this love and reverence for nature to her that his father had inspired in him before his fatal climb.
The wife is very supportive and understanding. Some emotions are purposefully understated like the fact that she is probably proud of him, but emotionally, the premise and the construct of the documentary works very well. It also helps that all the people involved are extremely likable and inspiring. The scientific aspects of it are interesting enough, but not the focus of the film. The true aim of the film is to put the viewer in the daughter's shoes and live the perilous personal journey with John as if he was a family member. Moreover, the underlying goal is also what John wants for his daughter: to make us conscious of the beauty of nature and the connection that man has with it.
Seen in IMAX, this is where things take whole new proportions. Not only is this story much better than Everest, but the footage is also more remarkable. First, the mountain and climb are beautifully shot, but moreover,the surrounding Swiss towns and scenery are as breathtaking. I was not surprised that the Swiss tourism agency put some money in this. There is no way anyone does not want to go there after viewing this...
And what can be said about director, Stephen Judson? So "Everest (1998)" and "The Discoverers (1993)" were where he tried his hand with MacGillivray, but this being his second solo project, after the amazing "Amazing Caves (2001)", it can surely be said that he has a knack for storytelling, adventure and utilizing the magnificent IMAX experience. I am impatiently awaiting for his next work.