A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
A horror-thriller centered on a woman living with "face-blindness" after surviving a serial killer's attack. As she lives with her condition, one in which facial features change each time she loses sight of them, the killer closes in.
A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist, embark on a remote archaeological dig in the jungle where something evil lives among the ruins.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
For their honeymoon, newlyweds Cliff and Cydney head to the tropical islands of Hawaii. While journeying through the paradisaical countryside the couple encounters Kale and Cleo, two disgruntled hitchhikers and Nick and Gina, two wild but well-meaning spirits who help guide them through the lush jungles. The picturesque waterfalls and scenic mountainsides quickly give way to terror when Cliff and Cydney learn of a grisly murder that occurred nearby and realize that they're being followed by chance acquaintances that suspiciously fit the description of the killers. Written by
The Massie Twins
Director David Twohy has been quoted in recent interviews as saying he had to battle with the studio to allow the movie to continue on with an R-rating instead of a PG-13 version. See more »
While in the sea cave, Nick says "What we have here is failure to communicate" and attributes the line to Paul Newman in Cool Hand Luke. The line is most notably spoken by Strother Martin, but Newman's character DOES actually say this line in the film, mocking Martin's character. See more »
Sometimes it seems like... like nothing exists until we get there, until we put our eyes on it. Like the whole fucking world was manufactured for our wants and needs, ya know?
You think there'll be a nice sunset?
I mean like if I take, if I just turn my head... ya know. For just a minute and... but don't tell me, but does everything just stop? Just shut down... go in to some energy saving hibernation mode, till I choose to reactivate them by simply...
[...] See more »
Newlyweds Cliff (Steve Zahn) and Cydney (Milla Jovovich) are honeymooning in Hawaii when they decide to hike a popular trail through the lush Hawaiian wilderness. Halfway into their hike, the two learn about the slaying of another newlywed couple on one of the neighboring islands. The killers? A man and woman. Soon after, they encounter another couple on the trail, Nick (Timothy Olyphant) and his girlfriend, Gina (Kiele Sanchez). The four continue on the trail as a group, but it isn't long before Cliff and Cydney begin to suspect their new acquaintances of being the killers. There's also the shady hitchhikers, Kale (Chris Hemsworth) and Cleo (Marley Shelton, looking particularly nice with braided hair), who seem to be following them.
While I was able to correctly guess the identity of the killer's just from watching the trailer, I still had a great time with this. The performances are really strong. I've heard others say that Zahn and Jovovich aren't a believable pairing. I've seen several instances of stunning women with less attractive guys, so that's nonsense. Aside from that, they're terrific together. This is a dialogue-heavy film with several amusing character moments thrown in, all of which the actors nail. Olyphant is the standout as Nick, a former marine with a bit of a screw loose. The humor actually works, the quirkiness adding to the picture. I also thought that the B&W exposition scene was well-done, better than most of it's ilk. These types of scenes are generally frowned upon, but here it winds up being a highlight.
The Puerto Rican locations (subbing for Hawaii) are quite lovely, though the dangers of the trail aren't played up as much as I'd expected. It isn't an element that's necessarily needed, however, as I found the film to be plenty suspenseful as is. The killers were obvious to me, yes, but the I was more caught up in the situations than the reveal. For instance, the situation of the reveal made for a terrific moment. It's all in how it's done. While I could have done without the annoying screenwriter in-jokes, they don't ruin the suspense either.
I'd say that director David Twohy has more hits than misses, and this clever slice of pulpy entertainment continues that trend.
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