| Photos (See all 36 | slideshow) | Videos (see all 15) |
| Amy Adams | ... | Delysia | |
| David Alexander | ... | Chestnut Seller | |
| Clare Clifford | ... | Margery | |
| Christina Cole | ... | Charlotte Warren | |
| Stephanie Cole | ... | Miss Holt | |
| Beatie Edney | ... | Mrs. Brummegan | |
| Shirley Henderson | ... | Edythe | |
| Ciarán Hinds | ... | Joe | |
| Sarah Kants | ... | Annabel Darlington | |
| Sally Leonard | ... | Woman at Train Station | |
| Frances McDormand | ... | Miss Pettigrew | |
| Katy Murphy | ... | Miss Holt's Assistant | |
| Lee Pace | ... | Michael | |
| Tom Payne | ... | Phil | |
| Tim Potter | ... | Nightclub Patron | |
| Matt Ryan | ... | Gerry | |
| Mark Strong | ... | Nick | |
| Mo Zinal | ... | Lenny (as Mo Zainal) | |
| rest of cast listed alphabetically: | |||
| James Fiddy | ... | Party-goer (uncredited) | |
| Silvia Lombardo | ... | Nightclub Patron's Lover (uncredited) | |
| Chris Mansfield | ... | Prison Guard (uncredited) | |
| Alana O'Neill | ... | Society Lady (uncredited) | |
| Pam Rose | ... | Society Lady (uncredited) | |
| Leonard Silver | ... | Butler (uncredited) | |
| Pauline Stone | ... | Society Lady (uncredited) | |
| Richard Upton | ... | Head Silver Service Waiter (uncredited) | |
| Ben Wood | ... | Fan (uncredited) | |
Directed by | |||
| Bharat Nalluri | |||
Writing credits(WGA) | ||
| David Magee | (screenplay) and | |
| Simon Beaufoy | (screenplay) | |
| Winifred Watson | (novel) | |
Produced by | |||
| Nellie Bellflower | .... | producer | |
| Jane Frazer | .... | co-producer | |
| Stephen Garrett | .... | producer | |
| Maggi Townley | .... | associate producer | |
| Paul Webster | .... | executive producer | |
Original Music by | |||
| Paul Englishby | |||
Cinematography by | |||
| John de Borman | (director of photography) | ||
Film Editing by | |||
| Barney Pilling | |||
Casting by | |||
| Leo Davis | |||
Production Design by | |||
| Sarah Greenwood | |||
Art Direction by | |||
| Nick Gottschalk | |||
| Niall Moroney | (supervising art director) | ||
Set Decoration by | |||
| Katie Spencer | |||
Costume Design by | |||
| Michael O'Connor | |||
Makeup Department | |||
| Anita Burger | .... | extras hair stylist | |
| Anita Burger | .... | extras makeup artist | |
| Karen Cohen | .... | hair stylist | |
| Fae Hammond | .... | hair designer | |
| Fae Hammond | .... | makeup designer | |
| Sharon Martin | .... | key hair stylist | |
| Sharon Martin | .... | key makeup artist | |
| Sue Westwood | .... | hair stylist (as Su Westwood) | |
| Sue Westwood | .... | makeup artist (as Su Westwood) | |
| Ursula Adelhelm | .... | makeup trainee (uncredited) | |
| Francesco Alberico | .... | hair stylist (uncredited) | |
| Alex Rouse | .... | wigmaker (uncredited) | |
Production Management | |||
| John Crampton | .... | unit manager: locations | |
| Simon Fraser | .... | production manager | |
| Lucie Graves | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Dan Channing-Williams | .... | additional third assistant director | |
| Guy Heeley | .... | first assistant director | |
| Zoe Liang | .... | additional third assistant director (as Zoe Laing) | |
| Charlie Reed | .... | third assistant director | |
| Anthony Wilcox | .... | second assistant director | |
Art Department | |||
| Joshua Barraud | .... | stand-by props (as Josh Barraud) | |
| Mark Bewley | .... | head of department plasterer | |
| Mark Billingham | .... | dressing props | |
| Ken Burnett | .... | property storeman (as Kenny Burnett) | |
| Netty Chapman | .... | stand-by art director | |
| Raymond Churchouse | .... | supervising plasterer (as Ray Churchouse) | |
| Stephen Conway | .... | dressing props | |
| Guy Cope | .... | stand-by rigger | |
| Gavin Dean | .... | art department runner | |
| Emma Hanson | .... | sculptor | |
| Alison Harvey | .... | props buyer | |
| David Thomas Haynes | .... | head of department painter | |
| John Haynes | .... | supervising painter | |
| Lee Hosken | .... | stand-by carpenter | |
| Tony Hoskins | .... | head of department carpenter | |
| Simon Hutchings | .... | stand-by painter | |
| Gary Martin | .... | dressing props | |
| Daryn McLaughlan | .... | assistant art director | |
| Elly Meyrick | .... | assistant props buyer | |
| Graham Mitchell | .... | carpenter | |
| Eddie Murphy | .... | carpenter | |
| Eddie O'Neill | .... | supervising stagehand | |
| Sarah Pasquali | .... | graphic artist | |
| Adrian Platt | .... | dressing props | |
| Simon Riley | .... | dressing props | |
| Nigel Ross | .... | stand-by stagehand | |
| Russell Sargent | .... | supervising carpenter | |
| Kristin Theyers | .... | stand-by props | |
| Sophie Tyler | .... | assistant set decorator | |
| Stuart Watson | .... | construction manager | |
| Stephen Alan Wilson | .... | supervising carpenter (as Stephen Wilson) | |
| Dennis Wiseman | .... | property master | |
| Lee Wiseman | .... | dressing props | |
| Dorrie Young | .... | art department assistant | |
| Andrea Couch | .... | draughtsperson (uncredited) | |
| Rohan Harris | .... | props (uncredited) | |
| Tony Marks | .... | carpenter (uncredited) | |
Sound Department | |||
| Harry Barnes | .... | foley editor (as Harry Barns) | |
| Oliver Brierley | .... | assistant sound re-recording mixer (as Oliver Brierly) | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Paul Conway | .... | adr supervisor | |
| Michael Fentum | .... | sound effects editor | |
| Alex Fielding | .... | sound mix technician (as Alexander Fielding) | |
| Steve Finn | .... | boom operator | |
| Arthur Graley | .... | foley artist | |
| Nigel Heath | .... | sound re-recording mixer | |
| Jim McBride | .... | sound maintenance | |
| Dan Morgan | .... | dialogue editor | |
| Chris Munro | .... | production sound mixer | |
| Julian Slater | .... | supervising sound editor | |
| Chris Sturmer | .... | sound consultant: Dolby | |
| Ruth Sullivan | .... | foley artist | |
Special Effects by | |||
| James Davis III | .... | special effects technician (as James Davis) | |
| Hugh Goodbody | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
| Peter Kersey | .... | senior technician | |
| Graham Povey | .... | special effects technician | |
| Jamie Weguelin | .... | special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | retouch and restoration: Framestore CFC | |
| Jaume Arteman | .... | compositor: Double Negative | |
| Ben Baker | .... | head of digital lab: Framestore CFC | |
| Adrian Banton | .... | senior compositor: Double Negative | |
| Clare Brody | .... | data operator: Framestore CFC | |
| Paul Burke | .... | scanning and recording: Framestore | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Francesca Canducci | .... | retouch and restoration: Framestore CFC | |
| Ian Copeland | .... | rotoscope artist: Double Negative | |
| Eric D'Souza | .... | digital lab engineer: Framestore CFC | |
| Jerome Dewhurst | .... | digital lab engineer: Framestore CFC | |
| Miles Drake | .... | studio manager: Double Negative | |
| Julian Foddy | .... | 3D artist: Double Negative | |
| Azzard Gordon | .... | digital matchmove artist: Double Negative | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Jeremy Hardin | .... | 3D artist: Double Negative | |
| Adam Hawkes | .... | retouch and restoration: Framestore CFC | |
| Karsten Hecker | .... | scanning and recording: Framestore CFC | |
| Joe Hoare | .... | scanning and recording: Framestore CFC | |
| John Inch | .... | retouch and restoration: Framestore CFC | |
| Alex Ireland | .... | compositor: Double Negative | |
| Yan Jennings | .... | film mastering engineer: Framestore CFC | |
| David Johnston | .... | data operator: Framestore CFC | |
| Matthew Leach | .... | studio assistant | |
| James Long | .... | data operator: Framestore CFC | |
| Kevin Lowery | .... | film mastering engineer: Framestrore CFC | |
| Veronica Marcano | .... | scanning and recording: Framestore CFC (as Veronica Mercano) | |
| Jan Maroske | .... | compositor: Double Negative | |
| Gurel Mehmet | .... | digital matte painter: Double Negative | |
| John Moffatt | .... | visual effects supervisor: Double Negative | |
| Kate Phillips | .... | visual effects producer: Double Negative | |
| Ian Redmond | .... | digital lab engineer: Framestore CFC | |
| Jimmy Saul | .... | scanning and recording: Framestore CFC (as James Saul) | |
| Dan Snape | .... | compositor: Double Negative | |
| Nick Stanley | .... | retouch and restoration: Framestore CFC | |
| Melissa Taylor | .... | visual effects executive producer: Double Negative | |
| Odean Thompson | .... | retouch and restoration: Framestore CFC (as O'Dean Thompson) | |
| Christian Toft | .... | 3D artist: Double Negative | |
| Annabel Wright | .... | conform editor: Framestore CFC | |
| Matthew Baker | .... | retouch and restoration: Framestore CFC (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC (uncredited) | |
| Turea Blyth | .... | visual effects editorial: Framestore CFC (uncredited) | |
| Nik Brownlee | .... | digital compositor: Double Negative (uncredited) | |
| Richard Edwards | .... | data operator: Framestore CFC (uncredited) | |
| Mai Gray | .... | retouch and restoration: Framestore CFC (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Adam Hawkes | .... | title compositor (uncredited) | |
| Lee Ifans | .... | visual effects editor: Double Negative (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Lee Rankin | .... | scanning and recording: Framestore CFC (uncredited) | |
Stunts | |||
| Tim Halloran | .... | stunt performer | |
| Curtis Rivers | .... | stunt performer | |
| Paul Weston | .... | stunt coordinator | |
| Curtis Rivers | .... | stunt double: Mark Strong (uncredited) | |
Casting Department | |||
| Lesley Gogarty | .... | extras casting | |
| Lissy Holm | .... | associate casting director | |
Costume and Wardrobe Department | |||
| Tim Aslam | .... | assistant costume designer | |
| Anthony Brookman | .... | crowd costumier | |
| Laura Day | .... | corsetier | |
| Andrew Fletcher | .... | costume assistant | |
| Magot Forster | .... | costume maker | |
| Jan Green | .... | lingerie maker | |
| Georgina Gunner | .... | costume supervisor | |
| Andrew Hunt | .... | wardrobe master | |
| Kunza | .... | corsetier | |
| Susan MacKenzie | .... | seamstress | |
| Maja Meschede | .... | costume assistant | |
| Yvonne Otzen | .... | crowd costumier | |
| Luan Placks | .... | assistant costumer | |
| Faith Thomas | .... | costume assistant | |
| Samantha Cousins | .... | costume assistant (uncredited) | |
| Claire Jennings | .... | costume trainee (uncredited) | |
Editorial Department | |||
| Erika Brüning | .... | film mastering producer: Framestore CFC (as Erika Bruning) | |
| Tabitha Dean | .... | editorial: Framestore CFC | |
| Steve Farman | .... | negative cutter | |
| Alec Gibson | .... | color timer | |
| Jan Hogevold | .... | digital intermediate executive producer: Framestore CFC | |
| Christopher Lloyd | .... | assembly editor | |
| Esme Long | .... | digital intermediate producer: Framestore CFC | |
| Sandra McCallig | .... | assistant editor | |
| Lee McComish | .... | negative cutter | |
| Asa Shoul | .... | colorist: Framestore CFC | |
| Maria Stroka | .... | senior digital intermediate producer: Framestore CFC | |
| Stephen Bearman | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Chris Barrett | .... | score recording and mixing assistant | |
| James Bellamy | .... | music editor | |
| Christine Bergren | .... | music legal and clearance | |
| Karen Elliott | .... | music supervisor | |
| Paul Englishby | .... | conductor | |
| Paul Englishby | .... | orchestrator | |
| Paul Englishby | .... | score producer | |
| Isobel Griffiths | .... | music contractor | |
| Nick Moss | .... | musician: solo clairinet | |
| Alex Nutton | .... | score recording and mixing assistant | |
| Nyree Pinder | .... | score coordinator: Hothouse Music | |
| Colin Rae | .... | music copyist | |
| Chris Traves | .... | additional music recordist | |
| Nick Wollage | .... | music recordist | |
| Nick Wollage | .... | score mixer | |
Transportation Department | |||
| Dave Ballard | .... | driver: construction stand-by | |
| Mike Beaven | .... | unit driver | |
| Mark Bellett | .... | driver: facilities | |
| Allan Bradshaw | .... | unit driver | |
| Debbie Bryant | .... | driver: facilities | |
| Roy Clarke | .... | unit driver | |
| Gary Cook | .... | driver: facilities | |
| Ben Dillon | .... | action vehicles: MGM Cars | |
| George Green | .... | driver: facilities | |
| Dave Hopkin | .... | driver: facilities | |
| Dave Jones | .... | driver: facilities | |
| Paul Jones | .... | driver: facilities | |
| Peter Mercer | .... | unit driver | |
| Enyo Mortty | .... | unit driver (as Enyo Morty) | |
| Thomas Oakman | .... | driver: construction | |
| Eddie Rodmell | .... | driver: facilities (as Eddie Rodmel) | |
| Colin Sheffield | .... | driver: facilities | |
| Colin Simmons | .... | unit driver | |
| Barry Stevenson | .... | unit driver (as Barry Stephenson) | |
| Colin Townsend | .... | driver: facilities | |
Other crew | |||
| Pip Ayers | .... | electronic press kit director | |
| Jules Baker-Smith | .... | assistant to director | |
| Kellie Belle | .... | clearance services: Bellwood Media | |
| Emma Brazier | .... | assistant accountant | |
| Lloyd Buck | .... | animal handler (as Lloyd Bucks) | |
| Deepti Burton | .... | legal services: Wiggin LLP | |
| Anya Chmura | .... | assets representative | |
| Clair Chrysler | .... | stand-in | |
| Jessica Cole | .... | assistant: Jane Frazer | |
| Andrew Gwyn Davies | .... | assistant production coordinator | |
| Rhiannon Mair Davies | .... | production runner (as Rhiannon Davies) | |
| Tom Edmondson | .... | floor runner | |
| Richard Gibbs | .... | catering director: Reel Meals (Take 2 ) | |
| Synnöve Godeseth | .... | assistant location manager (as Synnove Godeseth) | |
| Louise Green | .... | assistant post-production accountant | |
| Samson Haveland | .... | floor runner (as Sam Haviland) | |
| Eva Hawkins | .... | trainee: FT2 | |
| Sue Hills | .... | script supervisor | |
| Mick Hurrell | .... | health and safety advisor | |
| Ali James | .... | assistant location manager | |
| Rebecca Jeffrey | .... | production coordinator (as Rebecca Carrigan) | |
| Carol Jones | .... | animal handler | |
| Sandra Jones | .... | catering assistant: Reel Meals (Take 2 ) | |
| Martin Joy | .... | additional location manager | |
| Debbie Kaye | .... | animal handler | |
| Beth Hearn Keech | .... | assistant: Nellie Bellflower | |
| Alexandra Kosevic | .... | assistant: Stephen Garrett | |
| Manda Levin | .... | script editor | |
| Stacy Mann | .... | unit publicist | |
| Zahra Mansouri | .... | assistant choreographer | |
| Joy Maxwell Davis | .... | unit nurse | |
| Charles Moore | .... | legal services: Wiggin LLP | |
| Dave Morley | .... | construction nurse | |
| Jack Murphy | .... | choreographer | |
| Clive Noakes | .... | lab contact: Deluxe | |
| Kevin O'Shea | .... | insurance: AON/Albert G Ruben Insurance Services | |
| Nick Oliver | .... | location scout | |
| Katharine Otway | .... | legal services: Wiggin LLP | |
| Jeremy Pelzer | .... | studio director ealing studios | |
| Maggie Phelan | .... | production accountant | |
| Emma Pill | .... | location manager | |
| Gill Raddings | .... | animal handler | |
| Frances Richardson | .... | first assistant accountant | |
| John Rose | .... | animal handler | |
| Lara Sargent | .... | post-production accountant | |
| Chris Scannell | .... | chef: Reel Meals (Take 2 ) | |
| Katherine Tidy | .... | home economist (as Cath Tidy) | |
| Joan Washington | .... | dialect coach | |
| Rebecca Wolf | .... | assistant accountant | |
| Maria Zubiuk | .... | catering assistant: Reel Meals (Take 2 ) | |
| Nic Benns | .... | title designer (uncredited) | |
| James Fiddy | .... | stand-in (uncredited) | |
| Jamie H. Zelermyer | .... | production executive (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Miss Pettigrew (Frances McDormand) is a penniless nanny, currently out of a job. Although she has worked for a placement agency in the past, they give her the cold shoulder this time, mostly because her last three stints as a nanny, with impossible children, fared badly. Absolutely desperate for work, Miss Pettigrew hears of a position as a social secretary as she is walking out the agency's door. Making a beeline to the appropriate home, she encounters the young starlet, Delysia La Fosse (Amy Adams) who asked for her services. But, what doings! Delysia has had a male guest, overnight, who is not the man who owns the flat where she is currently bunking! The interloper must be ushered out before Mr. Moneybags returns or Delysia will be in a heap of trouble. Not missing a beat, Miss Pettigrew gets the situation under control with her innate wisdom. Delysia is grateful. But, the day is only getting started. There is a third man in Delysia's life and the young beauty is juggling suitors in a quest to become a bonafide star of the screen. Not only that, Delysia whisks Miss Pettigrew off to a fashion show and salon, where the new social secretary gets a makeover and meets a rich, handsome man (Ciaran Hinds) with eyes for HER. Is it possible to go from rags to riches in twenty four hours? Definitely, maybe! This is a lovely film with a great plot and a terrific cast. Adams is engaging as the beautiful but mixed-up starlet while Hinds is marvelous as the man who rediscovers what is important in life. The rest of the players are also wonderful, with a word of mention extended to Shirley Henderson for her nice turn as a conniving, inconvenient woman. But, really, this is McDormand's film, as she is the heart and soul of the picture and deservedly so, for her performance is absolutely enchanting and touching. Needless to say, the sets and costumes from the late 1930's are grand and so are the film's art direction and photography. Congratulations are hereby given to the fine, fine script and story, as well. Do you want to experience movie bliss? Then, don't miss Miss Pettigrew Lives for a Day, as your day will be as bright as newly minted penny, after a viewing.