Guinevere Pettigrew, a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer, Delysia Lafosse.
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
Single-girl anxiety causes Kat Ellis (Messing) to hire a male escort (Mulroney) to pose as her boyfriend at her sister's wedding. Her plan, an attempt to dupe her ex-fiancé, who dumped her a couple years prior, proves to be her undoing.
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
When a young accountant is devastated after discovering his inspiringly beautiful girlfriend is cheating on him, his best friend, who's engaged to a girl he doesn't love, convinces him to ... See full summary »
War threatens London as Miss Pettigrew, a destitute governess, filches a client's card from her agency and presents herself at the door. A singer named Delysia Lafosse wants a social secretary as she seeks a West End role by sleeping with a feckless producer in the bed of Nick, a smarmy nightclub owner with whom she also dallies. She ignores Michael, her piano player, who loves her and has tickets for New York on the Queen Mary. Miss Pettigrew's job is to make sure Delysia gets the part. Over 24 hours, Miss Pettigrew is also called upon to help an ambitious and unfaithful fashion editor patch things up with her older fiancé, a lingerie designer. Has Miss Pettigrew found her calling? Written by
Winifred Watson's book was published the fall of 1938 and it became a smash hit. Plans were in the works for a Hollywood film version starring Billie Burke as Miss Pettigrew, but the start of WWII brought those plans to a halt. The publisher re-released the book in 2000 which lead to it being "found" again by Hollywood after 60+ years. See more »
At Delysia's party, when Michael is playing the piano he leans into the higher notes toward screen right, from Michael's perspective, to the left. The higher keys on a piano are to the right, the lower to the left, so Michael's reaching to the left would result in lower notes. See more »
Told you about Gerry, has she? Didn't take you long to move on, hmm Joe?
Did she also tell you that she hangs around the soup kitchen at the station? A tramp masquerading as some sort of social secretary, my God.
Goodbye Mr. Blumfield.
No, actually, she didn't. Neither about that, nor about you and Gerry. But I'm grateful for the truth for a change.
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The letters of the opening credits are blown into place, like the wind, swirling into their correct position. See more »
This type of movie has simply not been done for 40 or 50 years. Comedy based upon timing, script, and coincidence (the "screwball" part) is very rare.
Unlike today's comedy, based on the outrageous, the actors in this genre have to know how to deliver the lines, keep the pace. The resurrection of a genre.
One of the unusual parts of this film worth noting is the score. The music moves the action a great deal of the time. And the composer kept the sound from the era almost flawlessly: big band jazz of the late 1930's. (there are a couple of slips into later jazz styles, very minor
musicologists may be annoyed - but no one else will notice) The music
becomes one of the characters of the plot, interacting almost as much as the actors do. That alone is a brilliant device, tried by many, mastered rarely, especially in period.
Amy Adams and Frances McDormand have a wonderful interplay, both sides of the romantic slide: young, desired, older, having past love by.
great movie if you like your comedy a little faster, but with no one who's eating anything disgusting for a laugh.
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