During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ... See full summary »
Keegan Connor Tracy
Controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. Book-ended by documentary ... See full summary »
Excerpts of the life of a waiter who, living alone and isolated from the outside world developed an abysmal hatred of his fellow man. He finds himself quiz show after quiz show and then ... See full summary »
During the Vietnam War the U.S. Army brass decides to create a special unit called the Tunnel Rats. Their main mission is to clean-up the Viet-Cong network of tunnels found in the Cu-Chi district outside the South Vietnamese capital of Saigon.The tunnels have become a major nuisance for the U.S. Forces stationed around and inside Saigon. From these tunnels the Viet-Cong can launch devastating and unexpected attacks on any nearby American base as well as on Saigon itself. After the attacks the Viet-Cong forces disappear into the extensive network of tunnels as fast as they appeared, leaving the pursuing Americans empty-handed. The first Tunnel Rats units arrive in the Cu-Chi district in 1968 and they are special-trained to fight hand-to-hand combats underground. They can only rely on a flashlight, a knife and a pistol to try to flush the enemy out. The tunnels, varying in size and length, are booby-trapped with mines and grenades, punji sticks, tripwires, poisonous snakes and enemy ... Written by
It is very easy to hate on anything that Uwe Boll does, and it is clear that most people here are taking this path of least resistance and jumping that same wagon. However, it takes a greater person to admit when they were wrong and give credit when it is due, and it most certainly due. If one really wanted to, they could pick apart the historical accuracy of the film, or the tactics, or the costuming, or the geography; I am sure that such people could easily find some justification for condemning this film.
On the other hand, what would follow would be a trite listing of errors and complaints, tarted up with clever comments and sealed with some witty remark. Is that what proper film critique is about? It doesn't take much in the way of intelligence to attack and destroy what you see before you. That is why people do it so easily and without thought. In a way, this film touches on that very human failing. So many film goers and critics (professional and armchair) are going to dismiss this film as if it is some plague carrier, and only because of the name that goes with it. I feel sorry for those people because they will miss out on a great many interesting and even inspiring film experiences in their life time.
Tunnel Rats is one such experience. It is a small production and done very succinctly and without much extraneous posturing. From the first scene, the film gets right down to business and doesn't really let up until the gripping and downright mortifying ending. Perhaps it is the small size of the production that has kept Boll honest somewhat. I can imagine that when contracted to make Hollywood films, there is a lot of pressure to appeal to the attention deficit audiences out there, often the very ones that hate him, and therefore he aims too far above his mark.
In this film he hits the mark very confidently and professionally. It is worth seeing this film, and doing so without preconception or judgment. Boll is just the director and a film is a sum of its parts, even though Boll directed this film, there were dozens of earnest and hardworking actors and crew members putting in their all to make this film. It is the hight of arrogance to laugh at their efforts and belittle what they made when truly there is nothing really wrong with it.
I hope that enough people are see this film so that Boll can keep doing what he enjoys and sharing it with people. Every film, when made earnestly, has something worthwhile to show us. Stay free of the popularist hate for Uwe Boll and see films for what they are.
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