A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
Once a mercenary of Queen Elizabeth I fighting Spaniards in Africa, Solomon met the Devil's Reaper and discovered he was bound for hell. Barely escaping, he soon renounced violence to atone for his past sins, seeking out redemption in a life of peace. That is until the followers of sorcerer Malachi kidnap a Puritan girl, Meredith Crowthorn, and brutally slaughter her family before his very eyes, forcing Solomon to take up arms and return to his violent ways once more to rescue her. Written by
corsos, corrected by Pike84
During filming, James Purefoy accidentally received a deep cut to his forehead which required stitches. For some close-ups, these stitches had to be digitally erased. See more »
The ship shown crossing in front of the burning city in the beginning of the film belongs to a type who appeared much later. The plain bow design, the lack of square sprit-sail, the jibs and the aft marconi sail are features typical of a nineteen century or later ship. See more »
There was a time when the world was plunging into darkness. A time of witchcraft and sorcery. A time when no one stood against evil.
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Ever wonder what it would be like if Van Helsing didn't suck? To take that idea a bit further, ever wonder what it would be like if the films Van Helsing and Constantine were able to mate and its offspring was a film that was actually pretty awesome? In a nutshell, that's what you get with Solomon Kane. On the surface, Solomon Kane is very similar to Van Helsing. It has the same look and atmosphere of Van Helsing without all the monster hunting. In place of the monsters, we get demons. That's where the Constantine influence comes in. Solomon Kane's religious undertones, use of mirrors, and conclusion are all very reminiscent of Constantine.
Certain elements of the film may not be as absorbing as others. The CGI in the film seemed to fluctuate between being pretty good to below par. The crucifixion scene didn't really work either. Why Kane did what he did in that scene makes sense, but his actions and what he does immediately after that is pretty hard to swallow.
Solomon Kane isn't without its flaws, but is basically the gory, more adult, and definitive version of what Van Helsing should have been. With the amount of decapitated heads that are rolling around, every action scene littered with splattered blood, and its darker twists on religious views, Solomon Kane delivers a blood-soaked cinematic delight.
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