A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
Once a mercenary of Queen Elizabeth I fighting Spaniards in Africa, Solomon met the Devil's Reaper and discovered he was bound for hell. Barely escaping, he soon renounced violence to atone for his past sins, seeking out redemption in a life of peace. That is until the followers of sorcerer Malachi kidnap a Puritan girl, Meredith Crowthorn, and brutally slaughter her family before his very eyes, forcing Solomon to take up arms and return to his violent ways once more to rescue her. Written by
corsos, corrected by Pike84
Director Michael J. Bassett and the film's producers intended to make two further Solomon Kane movies to complete a planned trilogy, one set primarily in Africa and the other at least partially in colonial North America. See more »
The ship shown crossing in front of the burning city in the beginning of the film belongs to a type who appeared much later. The plain bow design, the lack of square sprit-sail, the jibs and the aft marconi sail are features typical of a nineteen century or later ship. See more »
There was a time when the world was plunging into darkness. A time of witchcraft and sorcery. A time when no one stood against evil.
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The film is one of those things that you immediately "feel" it is wrong. No known actors except old guys like Max von Sydow, who get a small role anyway, an almost unknown lead character and a lot of attitude, like the movie is taking itself really seriously. Most of this kind of movies end up as pretentious flops.
Solomon Kane, however, did not. It was a reasonable movie, given the low production values and the video game like story. The thing is, the people working on it obviously made an effort. Strangely enough, it seems this sort of effort is what lacks in many films these days, even high budget ones, so this lifts Solomon Kane quite a lot.
Unfortunately, the film was not great. It was, I feel, the best they could do under the circumstances, and I applaud that, though. Better than The Book of Eli, but still the same superheroy feeling.
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