A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
Dr. Helen Benson is summoned to a military facility with several other scientists when an alien spacecraft of sorts arrives in New York City. Aboard is a human-like alien and a giant robot of immense size and power. The alien identifies himself as Klaatu and says he has come to save the Earth. The US military and political authorities see him as a threat however and decide to use so-called intensive interrogation techniques on him but Dr. Benson decides to facilitate his escape. When she learns exactly what he means when he says he is there to save the Earth, she tries to convince him to change his intentions. Written by
The bridge under which our heroes shelter during the finale is the same bridge sheltered under by the heroes of Cloverfield (2008) in that film's finale. See more »
When Klaatu is in the car healing the incision on his chest, Helen watches in amazement. The incision was on his left side and he pulled his shirt and jacket to the left in order to apply the placental balm. With Helen driving, sitting on his left, there was no way possible for her to watch any of this. See more »
Your professor is right. At the precipice we change.
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Let's be blunt: this is definitely not a good movie; it's not horrid either, it's just somewhere between average and bad. There are quite a few problems. First, with the script, which tries to incorporate all elements of the 1951 movie into a new, updated whole. The end result lacks cohesion and plays more like a sequence of 5 to 10 minutes scenes badly sewn together, the prime objective of each scene being either to introduce an element taken from the original movie or, on the contrary, an idea absent form the1951 original, instead of simply advancing the story. Second, the direction: poor, poor, poor. Third, some of the worst acting I have seen in a mainstream movie for a long time; I found the leads, especially Keanu, quite good but the other actors are decent at best, with Katie Bates delivering a frighteningly catastrophic 'performance'. I was not shocked (positively or negatively) by all the other aspects of the film.
Coming out of the theater, I found myself pondering about this remake and the 1951 original. I find the Robert Wise movie quite good, but not the masterpiece some claim it to be. I was therefore ready to accept a remake and the few new ideas offered by the 2008 movie made me painfully aware that a remake could indeed have been interesting, had it been put in better hands or, if I dare say so, in much better hands. So, to me, it's another sadly missed opportunity.
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