Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by
Jude Law (Hugo's father) only appears on screen for 3 minutes in the entire film. See more »
When Hugo is sitting in the armchair just before the automaton continues writing, Isabelle puts her right hand on the arm of the chair (00:52:53). A few seconds later (00:53:10) she has moved her hand farther up the chair arm and is leaning in a bit. The wide shot immediately following (00:53:13) shows Isabelle's right hand hanging at her side. See more »
[wonders if she dares to ask the question]
Where do you live?
[Hugo looks at her for a minute, then turns and points to the giant clock at the train station across the bridge]
See more »
There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
Someone compared this movie to a Hans Christian Andersen tale and I think this is about as good a comparison as it gets. Some people find it boring and painful, others are mesmerized and inspired by the story it tells and the way it does so. In short, if you prefer Disney's version of the little mermaid story, you will likely be disappointed by Hugo.
On the other hand, if you like the attention to detail and the not entirely happy endings of Andersen's classic short stories, you will probably find that Hugo is a captivating film that is hard to describe in a few words. It really lives in a lot more than three dimensions.
If you also happen to be a cinema fan, you will love it even more. What is a cinema fan? It's person that appreciates films for more than just their entertainment value. The way movies are made, the different layers of audio, visuals, emotions, symbols, the photography, the standout supporting casts, the way you can predict the cliché moves sometimes, but love it anyway. We love the good movies, like the bad ones, and films like Hugo make our hearts sing.
One last note on the use of 3D. I usually avoid 3D versions of movies because that feature has not yet proved itself to be more than just a gimmick. In Hugo's case, it is still partially true. I watched it in 3D and the opening sequence in the train station as well as a couple other select shots were exceptionally staged for 3D. Aside from that though, you get used to the effect and thankfully, it's the story that stays in the center of attention, followed by beautiful cinematography, characters, and 3D is trailing humbly behind. If you have the opportunity, watch the 3D version, but you will not really love it in 2D any less.
82 of 133 people found this review helpful.
Was this review helpful to you?