Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by
Martin Scorsese and Christopher Lee are very good friends, but up until 2010 had never worked together. Lee's response when he was asked by Scorsese to appear in Hugo was: "It's about time!" See more »
Most of the many Georges Méliès excerpts seen in the film were made prior to 1910. Their accompanying piano music is the song "By the Waters of the Minnetonka" by Thurlow Lieurance, first published in 1913. But as these were silent films, and so would not have contained soundtracks, whatever music accompanied a screening of such a film would either be performed live or played from, say, a phonograph. So it is perfectly reasonable for this film to portray a older silent movie being screened with slightly newer music. See more »
Georges, you've tried to forget the past for so long, but it has caused you nothing but unhappiness. Maybe it's time you tried to remember.
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There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
Without spoiling, consider a motion picture whose last 30 minutes are equal to the last 4 minutes of Cinema Paradiso. To be in a theater with people tearing up over images of vintage and historic cinema, so beautifully integrated into a dazzling and heartfelt story is something special indeed. Absolutely knock-out use of 3D, fantastic performances by everyone involved, glorious set design, music, costumes and state -of-the-art CGI that propel a story rather than being superficial, stand alone tricks makes HUGO a film for moviegoers world wide. Absolutely do not miss this film in a theater. The images are transporting and need to be experienced on the big screen.
Thanks Marty, for bringing to us all such a gift. This is truly one for the ages
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