Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past. Written by
There are several references to James Joyce in the movie. In the beginning he is standing in the café. Also, the frozen people outside of the apartment building are a direct reference to Joyce's short story "The Dead", which has the central character imagining frozen people in the snow all over Ireland. See more »
The concealed compartment in the armoire catches Hugo's eye because the right hand side of the bottom of the board covering it projects out rather than being flush with the rest of the front (0:59:19 to 0:59:20). In a close-up while Isabelle investigates it (0:59:51 to 0:59:52), it is the left hand side of the bottom of the board projecting out. She presses on it (0:59:53) and it slides into a flush fit, but, after a brief cut to Hugo, the left side is shown projecting out again. See more »
I've got to go!
You'll go nowhere until your parents are found.
I don't have any!
Then it's straight to the orphanage with you! You'll learn a thing or two there. I certainly did. How to follow orders, how to keep to yourself. How to survive without a family, because you don't need one! You don't need a family!
[as Gustav makes a call to the orphanage, Hugo breaks out of the cell and escapes]
See more »
There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
Saw it today in a sneak preview today at the Director's Guild in LA. James Cameron who was there professed it's a masterpiece and the best 3D to date. And he's right on both fronts. The film is exquisitely crafted. The cinematography and set design is likely going to take home a couple gold guys. It's a film lover's dream movie. As with many of Scorsese's films, it's an inspired film history lesson along side of being a dreamlike children's fable. A really unique combination that will work for the film enthusiasts and discerning family's with kids. Maybe a bit long for broad audiences with very little kids, but the images are so enchanting, it should win over most everybody. Sasha Baron Cohen is a brilliant and hilarious standout as the twitchy constable. It should be very well received just on the 3D alone.
219 of 355 people found this review helpful.
Was this review helpful to you?