IMDb > Strange Frame: Love & Sax (2012)
Strange Frame: Love & Sax
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Strange Frame: Love & Sax (2012) More at IMDbPro »

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Strange Frame: Love & Sax -- Trailer for Strange Frame: Love & Sax

Overview

User Rating:
7.7/10   1,536 votes »
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Director:
Contact:
View company contact information for Strange Frame: Love & Sax on IMDbPro.
Genre:
Tagline:
How fortunate are those who can frame the beauty of the strange.
Plot:
28th century, 200 years after the Great Earth Exodus. Naia, a feisty, young singer/songwriter, falls... See more » | Full synopsis »
Awards:
2 wins See more »
User Reviews:
A Pleasant Hodgepodge of Everything that Works Well See more (19 total) »

Cast

  (in credits order)

Claudia Black ... Parker C. Boyd (voice)

Tara Strong ... Naia X. (voice)

Ron Glass ... Philo D Grenman (voice)

Cree Summer ... Reesa Abi Kiran Ariana Livingston III (voice)

Tim Curry ... Dorlan Mig (voice)

Juliet Landau ... Bitsea (voice)

Alan Tudyk ... Chat (voice)
rest of cast listed alphabetically:
Kofy Brown ... Calliope (voice)
Scott Bullock ... Pilot (voice)

Joey Camen ... Police Office (voice)

Claudia Christian ... Zev (voice)

Michael Dorn ... Guardship Commander (voice)
Shelley Doty ... Terpsee (voice)

Dave Fennoy ... News Anchor (voice)
G.B. Hajim ... Grunt (voice)

Lena Horne ... Ethel Andrews (archive sound) (voice)
Curtis A. Koller ... Wallah (voice)

Dawnn Lewis ... Malora (voice)

Vanessa Marshall ... Chandra Childs (voice)

Khary Payton ... Atem (voice)
Neva Peoples ... Ella (voice)
Andrea Prichett ... Clio (voice)

George Takei ... Tamadamsa (voice)

April Winchell ... Pawnbroker (voice)

Directed by
G.B. Hajim 
 
Writing credits
(in alphabetical order)
Shelley Doty 
G.B. Hajim 
Julia Ransom  story editor
Peter Watts  story editor

Produced by
Jake Bierman .... associate producer
Sue Bierman .... associate producer
G.B. Hajim .... producer
Ric Warren .... associate producer
 
Original Music by
Shelley Doty (score composer)
David Pellicciaro (score composer)
 
Cinematography by
G.B. Hajim 
 
Casting by
Laura Bollinger 
Kelli Lerner 
Jamie Thomason 
 
Art Department
Jean Giraud .... designs
 
Sound Department
Brandon Proctor .... supervising sound editor
Gary Rizzo .... sound re-recording mixer
 
Casting Department
Curtis A. Koller .... casting
Daniel J. Soulsby .... casting
 
Music Department
Paul Benoit .... composer: additional music
Materialized .... composer: additional music
Materialized .... show open
Durga McBroom .... performer: theme song
Dave Pellicciaro .... produced by
Pink Floyd .... composer: additional music
 
Other crew
Curtis A. Koller .... additional dialogue direction
Rita Lewis .... web site designer
Jamie Thomason .... voice director
 
Thanks
Phil Cousineau .... very special thanks
Jeff Dowd .... very special thanks
Glenn Fernandez .... very special thanks
Dan Ireland .... very special thanks
Ana Javier .... very special thanks
Jackie Pualani Johnson .... very special thanks
Gayle T. Keller .... very special thanks
Rita Lewis .... very special thanks
Jack Shuster .... very special thanks
 

Production CompaniesDistributors

Additional Details

Runtime:
USA:98 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 See more »

Did You Know?

Movie Connections:
Edited from The Duke Is Tops (1938)See more »

FAQ

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2 out of 3 people found the following review useful.
A Pleasant Hodgepodge of Everything that Works Well, 23 June 2014
Author: wondernat from United States

For fans of Frank Herbert's "Dune," Aeon Flux (to a degree), "Across the Universe" (the musical, and up to the part it started to drag), and "Triplets of Belleville," I recommend this movie.

It takes place in a netherworld (or our world) future, 7 centuries down the line, and I thought of "Dune" in that there's a new system in place for all inhabitants.

I thought of "Across the Universe" because of its use of music to disjointedly establish the events leading up to the climax. Next, I was reminded of "Triplets of Belleville" because of its use of visuals (sans sound) to construct the mood of the scene. There is some Aeon Flux-ish stuff in there, but not too much; Aeon Flux fans are warned. Just some scenes for you to remember those late nights watching MTV to catch an episode before the hour was run out.

In all, I believe this movie was such a fantastic artistic feat, I am not sure whether calling it an "LGBT movie" does it any justice. Rather, I found it was a very ambitious animated movie project that worked very well.

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