IMDb > Strange Frame: Love & Sax (2012)
Strange Frame: Love & Sax
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Strange Frame: Love & Sax (2012) More at IMDbPro »

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Strange Frame: Love & Sax -- This gorgeously animated lesbian rock and roll sci-fi film is an epic futuristic story that explores the transformative power of love.
Strange Frame: Love & Sax -- Trailer for Strange Frame: Love & Sax

Overview

User Rating:
7.5/10   1,649 votes »
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Up 3% in popularity this week. See why on IMDbPro.
Director:
Contact:
View company contact information for Strange Frame: Love & Sax on IMDbPro.
Genre:
Tagline:
How fortunate are those who can frame the beauty of the strange.
Plot:
28th century, 200 years after the Great Earth Exodus. Naia, a feisty, young singer/songwriter, falls... See more » | Full synopsis »
Awards:
2 wins See more »
User Reviews:
Eye Candy See more (19 total) »

Cast

  (in credits order)

Claudia Black ... Parker C. Boyd (voice)

Tara Strong ... Naia X. (voice)

Ron Glass ... Philo D Grenman (voice)

Cree Summer ... Reesa Abi Kiran Ariana Livingston III (voice)

Tim Curry ... Dorlan Mig (voice)

Juliet Landau ... Bitsea (voice)

Alan Tudyk ... Chat (voice)
rest of cast listed alphabetically:
Kofy Brown ... Calliope (voice)
Scott Bullock ... Pilot (voice)

Joey Camen ... Police Office (voice)

Claudia Christian ... Zev (voice)

Michael Dorn ... Guardship Commander (voice)
Shelley Doty ... Terpsee (voice)

Dave Fennoy ... News Anchor (voice)
G.B. Hajim ... Grunt (voice)

Lena Horne ... Ethel Andrews (archive sound) (voice)
Curtis A. Koller ... Wallah (voice)

Dawnn Lewis ... Malora (voice)

Vanessa Marshall ... Chandra Childs (voice)

Khary Payton ... Atem (voice)
Neva Peoples ... Ella (voice)
Andrea Prichett ... Clio (voice)

George Takei ... Tamadamsa (voice)

April Winchell ... Pawnbroker (voice)

Directed by
G.B. Hajim 
 
Writing credits
(in alphabetical order)
Shelley Doty 
G.B. Hajim 
Julia Ransom  story editor
Peter Watts  story editor

Produced by
Jake Bierman .... associate producer
Sue Bierman .... associate producer
G.B. Hajim .... producer
Ric Warren .... associate producer
 
Original Music by
Shelley Doty (score composer)
David Pellicciaro (score composer)
 
Cinematography by
G.B. Hajim 
 
Casting by
Laura Bollinger 
Kelli Lerner 
Jamie Thomason 
 
Art Department
Jean Giraud .... designs
 
Sound Department
Brandon Proctor .... supervising sound editor
Gary Rizzo .... sound re-recording mixer
 
Casting Department
Curtis A. Koller .... casting
Daniel J. Soulsby .... casting
 
Music Department
Paul Benoit .... composer: additional music
Materialized .... composer: additional music
Materialized .... show open
Durga McBroom .... performer: theme song
Dave Pellicciaro .... produced by
Pink Floyd .... composer: additional music
 
Other crew
Curtis A. Koller .... additional dialogue direction
Rita Lewis .... web site designer
Jamie Thomason .... voice director
 
Thanks
Phil Cousineau .... very special thanks
Jeff Dowd .... very special thanks
Glenn Fernandez .... very special thanks
Dan Ireland .... very special thanks
Ana Javier .... very special thanks
Jackie Pualani Johnson .... very special thanks
Gayle T. Keller .... very special thanks
Rita Lewis .... very special thanks
Jack Shuster .... very special thanks
 

Production CompaniesDistributors

Additional Details

Runtime:
USA:98 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 See more »

Did You Know?

Trivia:
The video of the final cut appears by Pink FloydSee more »
Movie Connections:
Edited from The Duke Is Tops (1938)See more »

FAQ

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5 out of 10 people found the following review useful.
Eye Candy, 28 April 2013
Author: Ric Warren from Trinidad, Ca.

A beautifully animated dreamlike adventure pulsating with sensuality and rock and roll. An instant cult classic in the spirit of 'Fantastic Planet' (La Planete Sauvage), 'Heavy Metal' with underpinnings of 'Fritz the Cat' and 'Blade Runner'. The character voices are interesting with Tim Curry and Claudia Black standing out. The music is reminiscent of the girl rock sound of the early seventies. Think 'Beyond the Valley of the Dolls' meets 'Heart'. The story is complex enough to stay interesting without losing anyone. But, the cut-out style of the animation shows just how creative the animators were to elevate this type of video game style imagery to special heights. Try to see this film in as large a format as you can. It's quite impressive on a extra big TV or at the theater.

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