Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
A French chef swears revenge after a violent attack on his daughter's family in Hong Kong, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
Anthony Chau-Sang Wong
(Cantonese/Mandarin with English Subtitles) After a popular actor is jilted at the altar by an actress he travels to the mountainous area of Yunnan province. There, he finds true love with ... See full summary »
At the beginning of the movie, when the main character is cutting his ear off, we can clearly see the half of it. (at around 63 mins) when the ear unfolds from the bandage we see a whole piece of it. See more »
Whenever I get stuck, I'll imagine how you'd crack it.
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This film is certainly the opposite of the usual detective film. Instead of the detective catching the bad guys as a result of being logical, analytical, and clever, the lead character in this film solves crimes by psychic and irrational means. That in itself is a fascinating premise, and if this film had not gone so over the top in places, and had been more subtle, it could have been a very profound film which explored all sorts of interesting implications for the detection of crime. However, the psychic cop is just too bonkers, and extremely annoying. The intention seems to have been to portray him as disturbingly autistic, and to go for some laughs as well. I absolutely hated the Swedish TV series THE BRIDGE (2011) because the lead detective was a woman who was so extremely autistic that the series was intensely annoying and watching it became pointless. This film suffers from the same syndrome, though to a lesser extent. I also think of A BEAUTIFUL MIND (2001) in which a genius is portrayed as an annoying autistic person. Why is it that today so many movies can only portray people who are more intelligent than others by grovelling with apology to the audience for daring to show the mental superiority of character by saying: 'but don't worry, everyone, they are really crazy, and their genius is a pathological aberration, so you don't need to feel inferior.' We certainly do live in an age which could well be called The Triumph of the Lowest Common Denominator. (I say that despite the fact that, education having long since collapsed, there are probably few people left alive apart from professional mathematicians who even know what a denominator is.) In a moronic age, the only genius which is permissible is truly that which is apologetically portrayed as being outrageously insane. Then we can all feel better, can't we? Relaxing in a hot bath of ignorance can be blissful, as we drift into decline as a civilization.
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