Harvard Medical School graduate Dr. Ted Grey arrives at one of the nations most prestigious Pathology programs and is quickly noticed by the program's privileged and elite band of pathology interns who invite him into their crowd. It is also here, where he is introduced to Dr. Jake Gallo, who brings him to a secluded wing, where he and four other indulge in their after-hours, extra-curricular activities...finding ways to commit the perfect murder! Written by
In order to prepare for their roles, several cast members watched a number of real autopsies. See more »
(at around 1h 15 mins) When Ted is performing Gwen's autopsy, the entire time the body block (under her neck) is left in place which would have made the autopsy difficult. Usually the pathologist will place it under the back, causing the arms and neck to fall backwards to stretch and push the chest forward to make it easier to cut open. See more »
Get Me Back On Time, Engine Number 9
Written by Kenny Gamble (as Kenneth Gamble) and Leon Huff
Performed by Wilson Pickett
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing See more »
Now this looks great on paper. The core idea revolves around a group of pathology interns playing murderous games after dark. Commit the smartest murder you can, submit it to the group who then have to work out how you did it. There's a quality idea in there and plenty of opportunity for a gritty and intelligent thriller exploring the darker side of our naturally murderous psyches. It's pretty obvious that's not what the writers of "Crank" are going to give you though.
In practise it all feels a tad eighties, like a cross between "Flatliners" and "The Lost Boys", and when the edgy bad boy pathologists are roaming the halls it's like the brat pack never went away. However, where Keifer Sutherland's pack of vampires were an understandably seductive prospect, it's impossible to believe that all it would take was some gentle bullying and a hint of potential lesbian action to turn Milo Ventimiglia's posh grade A super student into a murderous crack addict.
Still, suspend your disbelief and that's forgive-able. There is some good fun here, particularly in the performances which are all pretty decent, and things (ahem) perk up whenever Alyssa Milano is on screen. The main problem is how hard the movie tries to be adult, and the constant swearing, rutting and drug use has a whiff of "Hollyoaks In The City" desperation about it. It's such a constant barrage that it becomes, well, a bit dull unfortunately. Shame, there's a good movie in there somewhere and with a defter touch and a bit more maturity this could have been pretty special.
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