Harvard Medical School graduate Dr. Ted Grey arrives at one of the nations most prestigious Pathology programs and is quickly noticed by the program's privileged and elite band of pathology interns who invite him into their crowd. It is also here, where he is introduced to Dr. Jake Gallo, who brings him to a secluded wing, where he and four other indulge in their after-hours, extra-curricular activities...finding ways to commit the perfect murder! Written by
The city was identified as Philadelphia in an earlier draft of the script. See more »
(at around 45 mins) When the doctors slam the Asian man's corpse into the wall (on the gurney), it is clear that the actor puts his hands up defensively before he falls. See more »
[upon seeing Juliette jealous of Jake's fiancé]
Are you fucking kidding me? Huh?
[Juliette starts to walk away, but Jake grabs her arm]
Fuck you. Don't touch me.
Oh, what? You want to fuck that guy? You want to fuck that guy? Go fuck that guy! Hey, we got a fucking whore in the room! Go fuck him. Just remember your ass belongs to me.
You don't fucking own me.
Oh, I fucking do!
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As the Camelot Pictures logo appears, the picture flickers imitating a camcorder switching on, as a ''play'' symbol appears in the corner See more »
I've Got Mine, You Better Get Yours
Written by Jerry Ross and Kenny Gamble (as Kenneth Gamble)
Performed by Sapphires
Courtesy of Heritage Records / Reps Music Group, Inc.
By arrangement through Pigfactory USA LLC See more »
Now this looks great on paper. The core idea revolves around a group of pathology interns playing murderous games after dark. Commit the smartest murder you can, submit it to the group who then have to work out how you did it. There's a quality idea in there and plenty of opportunity for a gritty and intelligent thriller exploring the darker side of our naturally murderous psyches. It's pretty obvious that's not what the writers of "Crank" are going to give you though.
In practise it all feels a tad eighties, like a cross between "Flatliners" and "The Lost Boys", and when the edgy bad boy pathologists are roaming the halls it's like the brat pack never went away. However, where Keifer Sutherland's pack of vampires were an understandably seductive prospect, it's impossible to believe that all it would take was some gentle bullying and a hint of potential lesbian action to turn Milo Ventimiglia's posh grade A super student into a murderous crack addict.
Still, suspend your disbelief and that's forgive-able. There is some good fun here, particularly in the performances which are all pretty decent, and things (ahem) perk up whenever Alyssa Milano is on screen. The main problem is how hard the movie tries to be adult, and the constant swearing, rutting and drug use has a whiff of "Hollyoaks In The City" desperation about it. It's such a constant barrage that it becomes, well, a bit dull unfortunately. Shame, there's a good movie in there somewhere and with a defter touch and a bit more maturity this could have been pretty special.
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