Erik is expelled from school for fighting. He ends up at a private boarding school where the senior students control the young ones. Erik finds a friend in Pierre, his room mate. The story ... See full summary »
Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Samuel L. Jackson,
The Fighter is a drama about boxer "Irish" Micky Ward's unlikely road to the world light welterweight title. His Rocky-like rise was shepherded by half-brother Dicky, a boxer-turned-trainer on the verge of being KO'd by drugs and crime. Written by
Christian Bale reportedly lost weight to achieve the very thin frame of Dicky Eklund by eating very little. He even went missing for hours at a time in preparation for his role. See more »
During the Shea Neary/Micky Ward fight, the boxers were weighed in at "10 stones 6 pounds" each. 10 stones equal 140 pounds. That would make them both Welterweights. In reality, they fought at Junior Welterweight (limit of 140 pounds). At the actual weigh in 2000, Neary weighed in at 139 pounds and Ward at 140 pounds, the limit for Jr. Welterweights. See more »
Are you like me? Huh? Was this good enough to fight Sugar Ray? Never had to win, did I? You gotta do more in there. You gotta win a title. For you, for me, for Lowell. This is your time, all right? You take it. I had my time and I blew it. You don't have to. All right? You fuckin' get out there, and use all the shit that you've been through, all that fuckin' hell, all the shit we've gone through over the fuckin' years, and you put it in that ring right now. This is yours. This is fuckin' yours.
See more »
The real Micky Ward and Dicky Eklund are shown during the end credits. See more »
Everyone involved in this film just made a fan of me
Such a fully satisfying film is a rarity. A story of family, struggle, and love told with great humor, intelligence and heart. I've already seen it twice and am telling everyone I meet to be sure to catch it. I was blown away by Amy Adams' touching performance in JUNE BUG and by the raw beauty of Melissa Leo's work in FROZEN RIVER, but have been slow to distinguish among the crop of young male stars and directors who deserve to be household names. Christian BALE, MARK WAHLBERG, and David O. RUSSELL are names now branded in my consciousness. This season I've been stunned by the creative forces at work in films including SOCIAL NETWORK and JACK GOES BOATING, but for its overall achievement, this amazing film based on the true story of two boxers from Lowell, Massachusetts earns a championship. It is much more than just a fight film or a biopic though it certainly sweeps us into the drama of the boxing ring and quivers with the diamond gleam of truth. Bale's finely etched creation of Dicky and Wahlberg's extraordinary dual turn as producer and star in the role of Dicky's brother Micky should place both men front and center for Oscar nominations along with Russell who shaped the film with a keen sensitivity. Russel's team of artists including cinematographer, costume and sound design were all spot on in their respective contributions. Tho Leo and her gaggle of daughters struck me at first as verging on caricature, I quickly saw that they perfectly captured the family culture while providing a delicious comic motif.
97 of 152 people found this review helpful.
Was this review helpful to you?