| Photos (See all 28 | slideshow) | Videos (see all 12) |
| Vincent Gallo | ... | Angelo 'Tetro' Tetrocini | |
| Alden Ehrenreich | ... | Bennie | |
| Maribel Verdú | ... | Miranda | |
| Silvia Pérez | ... | Silvana | |
| Rodrigo De la Serna | ... | José (as Rodrigo De La Serna) | |
| Erica Rivas | ... | Ana (as Érica Rivas) | |
| Mike Amigorena | ... | Abelardo | |
| Lucas Di Conza | ... | Young Tetro | |
| Adriana Mastrángelo | ... | Ángela | |
| Klaus Maria Brandauer | ... | Carlo / Alfie Tetrocini | |
| Leticia Brédice | ... | Josefina | |
| Sofía Gala | ... | María Luisa | |
| Jean-François Casanovas | ... | Enrique | |
| Carmen Maura | ... | Alone | |
| Francesca De Sapio | ... | Amalia | |
| Ximena Maria Iacono | ... | Naomi | |
| Susana Giménez | ... | Herself | |
| Pochi Ducasse | ... | Lili | |
| Nora Elisabeth Robles | ... | Naomi - Dancer | |
| Pedro Arturo Calveyra | ... | Carlo - Dancer | |
| Mariela Noemi Magenta | ... | Ángela - Dancer | |
| Marcelo Fabio Carte | ... | Tetro - Dancer | |
| rest of cast listed alphabetically: | |||
| Guadalupe Docampo | |||
| Juliana Giambroni | |||
Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mauricio Kartun | (verse "Fausta") | |
| Francis Ford Coppola | written by | |
Produced by | |||
| Mariela Besuievski | .... | co-producer: Spain (as Mariela Besuievsky) | |
| Francis Ford Coppola | .... | producer | |
| Valerio De Paolis | .... | producer: Italy (as Valerio Di Paolis) | |
| Gerardo Herrero | .... | co-producer: Spain | |
| Anahid Nazarian | .... | executive producer | |
| Fred Roos | .... | executive producer | |
| Masa Tsuyuki | .... | associate producer | |
Original Music by | |||
| Osvaldo Golijov | |||
Cinematography by | |||
| Mihai Malaimare Jr. | |||
Film Editing by | |||
| Walter Murch | |||
Casting by | |||
| Walter Rippell | |||
Production Design by | |||
| Sebastián Orgambide | |||
Art Direction by | |||
| Federico García Cambero | |||
Set Decoration by | |||
| Paulina López Meyer | (uncredited) | ||
Costume Design by | |||
| Cecilia Monti | |||
Makeup Department | |||
| Osvaldo Esperón | .... | key hair stylist | |
| Norberto Poli | .... | makeup artist | |
| Beata Wojtowicz | .... | key makeup artist | |
| Pepito Juez | .... | hair stylist: Spain (uncredited) | |
| Gregorio Ros | .... | makeup artist: Spain (uncredited) | |
Production Management | |||
| Adriana Rotaru | .... | production manager | |
| Winnie Baert | .... | production supervisor: Tornasol Films, Spain (uncredited) | |
| Yousaf Bokhari | .... | unit production manager: Spain (uncredited) | |
| Helen Marti Donoghue | .... | unit manager: Spain (uncredited) | |
| María Merediz | .... | post-production supervisor: Tornasol Films, Spain (uncredited) | |
| James T. Mockoski | .... | post-production supervisor (uncredited) | |
Art Department | |||
| Jorge Ferrari | .... | designer: ballet | |
| Mario Gargallo Climent | .... | construction manager: Spain (uncredited) | |
| Javier González Duato | .... | construction coordinator: Spain (uncredited) | |
| Martín Libert | .... | props (uncredited) | |
| Luis Pastor | .... | carpenter: Spain (uncredited) | |
| Luciana Quartaruolo | .... | props (uncredited) | |
| Miguel Rodriguez | .... | swing gang (uncredited) | |
Sound Department | |||
| José Caldararo | .... | boom operator | |
| Vicente D'Elia | .... | sound effects editor | |
| Vicente D'Elia | .... | sound recordist | |
| Bechen de Loredo | .... | foley mixer | |
| Leandro de Loredo | .... | adr editor | |
| Leandro de Loredo | .... | adr recordist | |
| Leandro de Loredo | .... | sound supervisor | |
| Federico Esquerro | .... | foley editor | |
| Federico Esquerro | .... | foley recordist | |
| Juan Ferro | .... | sound editor | |
| Colin Guthrie | .... | sound mix technician | |
| Pete Horner | .... | sound re-recording mixer | |
| Walter Murch | .... | sound re-recordist | |
| Francisco Pedemonte | .... | assistant sound editor | |
| Sin Cohen | .... | mix engineer (uncredited) | |
| Mario González | .... | adr recordist (uncredited) | |
Visual Effects by | |||
| Tomas Kalhous | .... | head of 2D: UPP | |
| Tomas Kalhous | .... | senior compositor: UPP | |
| Vincent Badia | .... | flame operator: UPP Prague (uncredited) | |
| Kevin Bailey | .... | additional visual effects: UPP Prague (uncredited) | |
| Stepán Batousek | .... | compositor: UPP Prague (uncredited) | |
| Ezequiel Borovinsky | .... | visual effects (uncredited) | |
| Ryan Bozajian | .... | visual effects artist (uncredited) | |
| Dennis Dallen | .... | senior compositor: UPP Prague (uncredited) | |
| Mario Dubec | .... | 3d artist: UPP Prague (uncredited) | |
| Blanka Faitova | .... | compositor: UPP Prague (uncredited) | |
| Miro Gal | .... | senior flame artist: UPP Prague (uncredited) | |
| Ales Gargulak | .... | digital compositor (uncredited) | |
| Tomas Hajek | .... | compositor: UPP Prague (uncredited) | |
| Lukas Herrmann | .... | matte painter: UPP Prague (uncredited) | |
| Jan Heusler | .... | senior compositor: UPP Prague (uncredited) | |
| Zuzana Hlavkova | .... | compositor: UPP Prague (uncredited) | |
| Milos Hudec | .... | data operator: UPP Prague (uncredited) | |
| Dalibor Janda | .... | compositor: UPP Prague (uncredited) | |
| Jana Jurnickova | .... | compositor: UPP Prague (uncredited) | |
| Helena Keslova | .... | compositor: UPP Prague (uncredited) | |
| Pavel Kolar | .... | visual effects artist (uncredited) | |
| Vít Komrzý | .... | visual effects producer: UPP Prague (uncredited) | |
| Vaclav Kostun | .... | matchmove artist (uncredited) | |
| Sara Kramarz | .... | production accountant: UPP Prague (uncredited) | |
| Tomas Krejzek | .... | 3d artist: UPP Prague (uncredited) | |
| Jirí Linhart | .... | digital effects artist (uncredited) | |
| Petr Masek | .... | digital compositor (uncredited) | |
| Vladimír Matousek | .... | 3d artist: UPP Prague (uncredited) | |
| Jaroslav Matys | .... | head of visual effects production: UPP Prague (uncredited) | |
| Daniel Melich | .... | matte painter: UPP Prague (uncredited) | |
| Juan Pablo Menchon | .... | additional visual effects (uncredited) | |
| Viktor Muller | .... | visual effects supervisor: UPP Prague (uncredited) | |
| Tomas Munzar | .... | visual effects artist (uncredited) | |
| Monika Pavlickova | .... | visual effects executive producer: UPP Prague (uncredited) | |
| Robert Pik | .... | on-set visual effects assistant: UPP Prague (uncredited) | |
| Katerina Popelova | .... | visual effects coordinator: UPP Prague (uncredited) | |
| Marek Ruth | .... | senior compositor: UPP Prague (uncredited) | |
| Tereza Severova | .... | matte painter: UPP Prague (uncredited) | |
| Jiri Stamfest | .... | matte artist (uncredited) | |
| Jakub Szilvasi | .... | rotoscope artist (uncredited) | |
| Alejo Varisto | .... | visual effects coordinator (uncredited) | |
| Petr Vcelicka | .... | compositor: UPP Prague (uncredited) | |
Camera and Electrical Department | |||
| Agustin Barrutia | .... | best boy | |
| Daniel Ciurleo | .... | gaffer | |
| Leonardo Hermo | .... | assistant camera | |
| Roger Martínez | .... | camera assistant: Spain | |
| Miguel Rivarola | .... | electrician | |
| Massimo Ruggieri | .... | assistant camera | |
| Alicia Schemper | .... | still photographer | |
| Enrique Vélez | .... | grip | |
| Jorge Alcocer | .... | rigging electrician: Spain (uncredited) | |
| Adriano Castoro | .... | still photographer: Spain (uncredited) | |
| Jordi Florensa | .... | camera assistant: Spain (uncredited) | |
| Mark Durdant Hollamby | .... | grip: Spain (uncredited) | |
| Carlos Marcelo Lanza | .... | best boy: Spain (uncredited) | |
| Jonathan Lee | .... | key grip: Spain (uncredited) | |
| Antonio López | .... | rigging electrician: Spain (uncredited) | |
| Alejandro Ortigueira | .... | assistant camera (uncredited) | |
| Ricardo Rodríguez | .... | gaffer: Spain (uncredited) | |
| Jorge Sánchez | .... | rigging electrician: Spain (uncredited) | |
Casting Department | |||
| Ileana Rippel | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Victoria Cachan | .... | costumer | |
| Jorge Ferrari | .... | ballet costumes | |
| Gabriela Minzi | .... | costumer | |
| Verónica Schliemann | .... | assistant costume designer | |
| Ana Gitrama | .... | seamstress: Spain (uncredited) | |
Editorial Department | |||
| Valerio De Paolis | .... | post-production: Italy (as Valerio Di Paolis) | |
| Walter Slater Murch | .... | associate editor | |
| Ezequiel Borovinsky | .... | first assistant film editor (uncredited) | |
| Carolina Krasñansky | .... | post-production coordinator (uncredited) | |
| Juan Pablo Menchon | .... | second assistant film editor (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Jeremy Flower | .... | composer: source music | |
| Jeremy Flower | .... | music editor | |
| Claudio Ragazzi | .... | composer: additional music | |
| Lev Zhurbin | .... | music preparation | |
| Dante Anzolini | .... | orchestra conductor (uncredited) | |
| Gonzalo Dominguez | .... | musician: "Fausta" (uncredited) | |
| Rick Jacobsohn | .... | music recording engineer (uncredited) | |
| Bernardo Monk | .... | musician: saxophone (uncredited) | |
| Claudio Ragazzi | .... | musician: guitar (uncredited) | |
| Dawn Upshaw | .... | musician: vocals (uncredited) | |
| Michael Ward-Bergeman | .... | musician: accordion (uncredited) | |
| Lev Zhurbin | .... | additional orchestrator (uncredited) | |
Transportation Department | |||
| Leonardo Bargiga | .... | driver (uncredited) | |
| Jose Castro | .... | driver (uncredited) | |
| Frederic Fabrega | .... | driver: Spain (uncredited) | |
| Richard Fábrega | .... | driver: Spain (uncredited) | |
| Diego Igartua | .... | transportation coordinator (uncredited) | |
| Alejandro Ramirez | .... | driver: Spain (uncredited) | |
| Sergio Reyes | .... | driver (uncredited) | |
| Ricardo Villalba | .... | driver (uncredited) | |
Other crew | |||
| Valerio De Paolis | .... | additional preparation: Italy (as Valerio Di Paolis) | |
| Joaquina Llambias | .... | location manager | |
| Ana María Stekelman | .... | choreographer | |
| Marisa Albares | .... | account assistant: Tornasol Films, Spain (uncredited) | |
| Aida Argüelles | .... | cashier: Spain (uncredited) | |
| Nuria Martín Chucrel | .... | production assistant: Spain (uncredited) | |
| Jim Dobson | .... | publicist (uncredited) | |
| Frederic Fabrega | .... | production staff: Spain (uncredited) | |
| Guillermo Flórez Muñiz | .... | production assistant: Spain (uncredited) | |
| Adam Frost | .... | assistant: Zoetrope (uncredited) | |
| Fabian Gabelli | .... | animal wrangler (uncredited) | |
| Ignacio García | .... | location manager (uncredited) | |
| Matías Goldberg | .... | production assistant (uncredited) | |
| María Guisado | .... | publicist (uncredited) | |
| Asia Jarzyna | .... | production coordinator: Spain (uncredited) | |
| Amilcar Machado | .... | production assistant (uncredited) | |
| Virginia Maillo | .... | assistant: director, Spain (uncredited) | |
| Isabel Mariscal | .... | legal advisor: Tornasol Films, Spain (uncredited) | |
| Rocio Martinez | .... | publicist: UPP Prague (uncredited) | |
| Paula Massa | .... | production coordinator (uncredited) | |
| Juani Merino | .... | head of accounts: Tornasol Films, Spain (uncredited) | |
| James T. Mockoski | .... | archivist (uncredited) | |
| Federico Noejovich | .... | location manager (uncredited) | |
| Luciana Olmedo-Wehitt | .... | production assistant (uncredited) | |
| Sofía Reynal | .... | production assistant (uncredited) | |
| Evan Rosenstock | .... | language coach (uncredited) | |
| Fernando Salem | .... | production assistant (uncredited) | |
| Lola Silberman | .... | publicist: Argentina (uncredited) | |
| Kathleen Talbert | .... | publicist: U.S. (uncredited) | |
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| Stateside | Almost Famous | Toto the Hero | My Own Private Idaho | Factory Girl |
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17 year-old Bennie works as a waiter on a cruiseship. When the ship suffers engine difficulties and docks in Buenos Aires, he uses the opportunity to attempt to reconnect with his estranged brother Tetro, a once promising writer. He is welcomed with open arms by Tetro's girlfriend, Miranda. She longs to know the truth behind her boyfriends past and what made him the misanthrope he is today. Tetro is hostile towards his brother, his plan was to never see any of his family again, and so keeps him at arms length. Bennie discovers an incomplete play, written in code whilst his brother was undergoing psychiatric treatment. He decides to finish the play and enter it in a festival run by Argentina's most powerful critic, Alone. Faced with this upheaval, Tetro is forced to come to terms with his relationship to his younger brother and his father, a famous conductor.
Tetro is, at its core, a film about family, in particular the relationship between brothers and their Father. A theme Francis Ford Coppola has immersed himself in before, most notably in The Godfather and Rumble Fish. Through a series of flashbacks we are given a glimpse of major events in Tetro's youth, his relationship with his father (played by Klaus Brandauer) and his subsequent departure. There are huge family secrets known only to Tetro and revealed to Bennie in an ending which echoes great literary and operatic works. Coppolas love of opera and theater is stamped all over the script and the city of Buenos Aires seems to be the perfect background in which to set this story.
Shot stunningly in digital monochrome with colour flashbacks, it has some aesthetic similarities to Rumble Fish. Coppola and cinematographer Mihai Malaimare Jr. reportedly site On The Waterfront and La Notte as big influences on the films visual style. There are certainly elements of both here, with the film also retaining its visual sense of self. It is operatic in both its narrative and its mise-en-scene. The idea of cutting between colour and monochrome as well as changing aspect ratios sounds as if it would be jarring, and it typically is. But for the purposes of Tetro it works perfectly.
Seen as a controversial choice by some, Vincent Gallo brings an edge to the titular character that some other actors may have lacked. However it is newcomer Alden Ehrenreich who steals the show as Bennie, a wayward teenager looking for guidance and approval. Maribel Verdu, as Miranda, provides the conduit between the two in a typicaly solid performance.
Hollywood is littered with once great directors who have fallen from grace, which makes Tetro all the more remarkable as a return to form from one of the greatest, Francis Ford Coppola.