Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
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The week of his 18th birthday, Bennie, who's a waiter on a cruise ship, has a layover in Buenos Aires. He seeks out his older brother, Tetro, whom he hasn't seen in years. Tetro, who lives with Miranda, is a burned-out case; he's hot and cold toward his brother, introducing him as a "friend," refusing to talk about their family, telling Bennie not to tell Miranda who their father is. Thoughts of their father cast a shadow over both brothers. Who is he, and what past has Tetro left behind? Bennie finds pages of Tetro's unfinished novel, and he pushes both to know his own history and to become a part of his brother's life again. What can come of Bennie's pushing? Written by
Early in the movie Tetro stumbles into the kitchen with a broken leg and knocks over some furniture while lighting a cigarette using a burner on the stove. he ignites the burner by just turning the knob on the stove. A few minutes later Miranda must use a match to light a burner on the same stove-top. See more »
People around here don't know very much about me. I'd like to keep it that way.
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After a career that has consisted of the "Godfather" movies, "Apocalypse Now", "The Outsiders", Bram Stoker's "Dracula" and "Youth without Youth" - to name just a few - where would Francis Ford Coppola go next? He directed "Tetro", about the secret history of an Italian-Argentinian family.
Benjamin Tetrocini (Alden Ehrenreich) arrives in Buenos Aires and goes to visit his brother Angelo (Vincent Gallo). The embittered Angelo is now going by the name Tetro. As the movie progresses, a series of important topics about the family gets revealed, and how it has always affected the relationship between the two brothers.
Coppola uses one of the most unusual devices to tell the story. The present is filmed in stark black-and-white, while the past is shown in a slightly grainy color. It's as if the past was supposedly apparent - to show that the characters thought that they knew everything that was going on - while the present is supposedly unclear (to show that there are things to be discovered). I read that the movie pays homage to "The Tales of Hoffman", but I don't know that one, so I have to take the movie at face value. And what I saw certainly impressed me. I definitely recommend this movie.
Also starring Maribel Verdú, Carmen Maura, Klaus Maria Brandauer, and Rodrigo de la Serna (who co-starred in "The Motorcycle Diaries" and is a relative of Che Guevara).
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