Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
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The week of his 18th birthday, Bennie, who's a waiter on a cruise ship, has a layover in Buenos Aires. He seeks out his older brother, Tetro, whom he hasn't seen in years. Tetro, who lives with Miranda, is a burned-out case; he's hot and cold toward his brother, introducing him as a "friend," refusing to talk about their family, telling Bennie not to tell Miranda who their father is. Thoughts of their father cast a shadow over both brothers. Who is he, and what past has Tetro left behind? Bennie finds pages of Tetro's unfinished novel, and he pushes both to know his own history and to become a part of his brother's life again. What can come of Bennie's pushing? Written by
The flashback scenes were originally to be shot using 16mm film to truly emphasize past events, but since this type of film/camera was almost out of date the whole film was shot with a digital camera and the flashbacks had to be digitally treated. See more »
Early in the movie Tetro stumbles into the kitchen with a broken leg and knocks over some furniture while lighting a cigarette using a burner on the stove. he ignites the burner by just turning the knob on the stove. A few minutes later Miranda must use a match to light a burner on the same stove-top. See more »
I am not a film major. Hell I've never even been to college. Through my horrible grammar and misspellings, you will take note of how I even barely got through high school.
There are films out there that have puzzled me (anything by David Lynch), films that have made me laugh (Dumb and Dumber was my favorite) and foreign films that I once considered to be the way films should be made (Let the Right One In, Ichi the Killer). I've seen films that have bored me (Gummo, Brown Bunny) and have had my guilty pleasure(unfortunately, Transformers 2.
But never, NEVER in my life have I seen a film that has engrossed me like this has. I have never walked out of a theatre in absolute awe. Never have I truly been able to say that a film made me laugh, made me cry, made me FEEL true emotions for a character. Such beautiful cinematography, such bold yet unobtrusive dialog... no one character "steals the show".
I sat in that theatre for 143 minutes and not once was I bored. Not once was I annoyed by a character, or a one-liner. Not once was my jaw not dropped.
This film is what a film should be... what films were meant to be. There are movies out there for entertainment but every once in a while, there is a film that comes along that changes the way you feel about entering a theatre all together.
I viewed this film with 10 other people in a small college theatre that will only play this film for one week. And the only reason I came to watch it was because my girlfriend absolutely adores Vincent Gallo (which he is amazing in) and no other reasons than that.
I don't know what else I could say about this film that could praise it any more that I have. I love this film. It's the greatest movie I've ever seen. That may not seem like much to you since you all have possibly seen similar movies in film class, or through word of mouth. But for the average joe such as myself, this film is a masterpiece.
Bravo, Copolla. Bravo.
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