It's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, ... See full summary »
Legendary comic Carlin comes back to the Beacon theater to angrily rant about airport security, germs, cigars, angels, children and parents, men, names, religion, god, advertising, Bill Jeff and minorities.
When George Carlin is asked which HBO concert is his favorite, his answer is always, "Jammin' In New York." The reasons are several: It was his first HBO show done live; it was the first he... See full summary »
In "Complaints & Grievances," George Carlin's 12th HBO comedy special, taped at the Beacon Theater in New York on November 17, 2001 (ten weeks after 9/11), Carlin casts his usual jaundiced ... See full summary »
George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people ... See full summary »
In his New York City grammar school, George Carlin was known as a "disruptive influence in the classroom." With this concert, the ultimate class clown is back at school at UCLA, making ... See full summary »
Taped before a sold-out house at New York City?s Carnegie Hall, the performance represents a creative resurgence for Carlin, following a heart attack earlier that year.He ignites the stage ... See full summary »
It's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture. Carlin once again comes up with an hour of brand new material that not only makes you laugh, but makes you think. George Carlin will always remain part of the popular lexicon for his 'Seven Dirty Words' routine, and as a comedian who was never afraid to challenge his audience. Written by
During his bit about rights, George mentions that the Bill of Rights has been amended seventeen subsequent times. The Bill of Rights hasn't been amended; those seventeen amendments apply to everything else in the Constitution. See more »
I'd like to begin by saying fuck Lance Armstrong. Fuck him and his balls and his bicycles and his steroids and his yellow shirts and the dumb empty expression on his face. I'm tired of that asshole. And while you're at it, fuck Tiger Woods too!
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hard-edged, take-no-prisoners satire at its finest; Carlin's best in almost 10 years
It might be a stretch saying this as a die-hard Carlin fan, but the material, both written and as performed, in It's Bad for Ya is some of the best late-era material yet. At 70 Carlin bounces back from the level of despair (and some of the stumbles in the act itself) from Life is Worth Losing to a special that is firmly structured but loose and playful- or as much as the "old f***" can get- and is continuously, ceaselessly, funny. And funny as in reminiscent of what some of us had going on when watching Back in Town or 'Diseased' the first time. The material, even if sounding at times a tinge of the previously done (i.e. the whole bit on children in school and camp like the Children segment in Diseased), is always fresh and with such a sting of truth to everything that it scalds the mind while (here goes) tickling the funny bone.
Going from the topic of death (how long to wait to scratch off a name from the book? six weeks, unless if on the computer scheduler), the facets of communication, looking down from Heaven, spots of God (naturally), kids, and just troublesome gestures involving hats in religion and if people really have "Rights" make up the bulk of the special, centered around the premise that what's bad for you, plain and simple, is BS. Total, complete BS, which as we also learn (or if you've really learned it you're like the kid waiting at the street corner for a week following dropped off not-quite randomly by the parent) holds the country together. Carlin isn't necessarily angry though, even if disdain seems to spout out at most turns, even just to observe how horrifying children's teeth coming in look. It's skepticism tinged with the feeling that everything is NOT going to be "fine".
What it comes down to is this: Carlin is to dirty, witty, cautionary stand-up comedy what Yoda is to Jedis everywhere, which is a small spark of hope via crystal clear wisdom in a world where it's pretty damn hard to get any. At the least, we get classic GC - outrageous lines and bits from the man's 13th (or is it 14th) comedy special, including as far as an eyebrow-raising observation on people who play Mozart music during a birth!
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