It's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, ... See full summary »
In February, 2013, Louis brings his impish nihilism to Phoenix, Arizona. He talks about an old lady and her pet, living in Manhattan, experiencing his body's aging (he's 45), men's ... See full summary »
Legendary comic Carlin comes back to the Beacon theater to angrily rant about airport security, germs, cigars, angels, children and parents, men, names, religion, god, advertising, Bill Jeff and minorities.
One of America's fastest-rising comedians, Bill Burr wields his razor-sharp wit with rare skill. You've seen him on Chappelle's Show, The Tonight Show with Jay Leno, Late Night with David ... See full summary »
In "Complaints & Grievances," George Carlin's 12th HBO comedy special, taped at the Beacon Theater in New York on November 17, 2001 (ten weeks after 9/11), Carlin casts his usual jaundiced ... See full summary »
Why is the Gospel of Love Dividing America? Filmmaker and follower Dan Merchant donned his Bumpersticker Man suit and set out across America in this funny and moving look at the collision of faith and culture.
The daily adventures of New York cabdriver George O'Grady who, while not the weirdest man in New York, is "definitely in the top three." When not expounding his theories on government ... See full summary »
It's Bad For Ya, Carlin's Emmy-nominated 14th and final HBO special from March of 2008 features Carlin's noted irreverent and unapologetic observations on topics ranging from death, religion, bureaucracy, patriotism, overprotected children and big business to the pungent examinations of modern language and the decrepit state of the American culture. Carlin once again comes up with an hour of brand new material that not only makes you laugh, but makes you think. George Carlin will always remain part of the popular lexicon for his 'Seven Dirty Words' routine, and as a comedian who was never afraid to challenge his audience. Written by
During his bit about rights, George mentions that the Bill of Rights has been amended seventeen subsequent times. The Bill of Rights hasn't been amended; those seventeen amendments apply to everything else in the Constitution. See more »
I'd like to begin by saying fuck Lance Armstrong. Fuck him and his balls and his bicycles and his steroids and his yellow shirts and the dumb empty expression on his face. I'm tired of that asshole. And while you're at it, fuck Tiger Woods too!
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The Transformed Man in Comedian's Purgatory (a.k.a. "Heck")
George Carlin is probably my favorite comedian. I have seen so many of his specials and even had the opportunity to see him perform live. He had a certain cynicism that always appealed to me. His last 2 specials (Life is Worth Losing especially and Complaints and Grievances) have lacked a certain spirit and content. George appeared overweight, old and tired (not to mention coming out of rehab). "I SAID NOT TO MENTION IT"! Anyway. Life is Worth Losing was especially tragic as he was overweight, disgruntled, coming off of rehab (there we go again...) and extremely unfunny. If there was a way to feel sorry for a comedian without heckling him off stage, George achieved it with Life is Worth Losing. It is as if the New Millennium and Post 9/11 America was trampling George's spirit. The bs had become too large to manage.
The comeback is partially successful with It's Bad for Ya! This special is the transmutation completed. George is no longer trying to rekindle his glory days. He is in full acceptance of his age, being old and dealing with the looming prospects of death. He has accepted being a crusty old SOB and is relishing in it. This is better than his previous specials, yet far from Jammin' in New York. It is a little tragic. His observations are not cutting edge anymore and seem more Andy Rooney than Lenny Bruce. George isn't George anymore. He is no longer criticizing us but is the man in the high castle pointing out how things were and how dissimilar modern life is.
This is an improvement over the previous two specials, but George does not, as of yet, recoup his old glory (if ever). He has been reduced from critical social and political stinging commentary to mostly personal peeves. When he goes political, he still has something to say. It is heavily derived (especially if you have seen any of his previous work), but it still works somehow, as opposed to his random rantings which lack a certain relevance outside of the baby boom generation. The last 25 minutes is the best this special has to offer.
For now I will worship the Sun and pray to Joe Pesci that George can recreate himself as a cutting edge septuagenarian. It's a 50/50 chance. Life seems to have become more tedious for George and his "art" is now his life. This is a step in the right direction from his previous 2 specials, but is far from his old self. Where does he go from here? He may never recoup but maybe he can further metamorphosing/refine this new ornery old man routine. Heres to hoping for 7 more words you can't say on TV or at least a windmill he can handle.
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