6.7/10
21,448
265 user 149 critic

Repo! The Genetic Opera (2008)

A worldwide epidemic encourages a biotech company to launch an organ-financing program similar in nature to a standard car loan. The repossession clause is a killer, however.

Writers:

(screenplay), (screenplay) | 2 more credits »

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3 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Shilo Wallace (as Alexa Vega)
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Nathan / Repo Man (as Anthony Stewart Head)
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Kevin 'ohGr' Ogilvie ...
Pavi Largo (as Ogre)
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Jessica Horn ...
Jessica Adams
Branko Lebar ...
Rotti's Chauffeur
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Sherrie Alviso
Anna Kostan ...
Young Mormon Woman
Brad Austin ...
Young Mormon Man
...
Big Man
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Storyline

In the year 2056 - the not so distant future - an epidemic of organ failures devastates the planet. Out of the tragedy, a savior emerges: GeneCo, a biotech company that offers organ transplants, for a price. Those who miss their payments are scheduled for repossession and hunted by villainous Repo Men. In a world where surgery addicts are hooked on painkilling drugs and murder is sanctioned by law, a sheltered young girl searches for the cure to her own rare disease as well as information about her family's mysterious history. After being sucked into the haunting world of GeneCo, she is unable to turn back, as all of her questions will be answered at the wildly anticipated spectacular event: The Genetic Opera. Written by Lionsgate

Plot Summary | Plot Synopsis

Taglines:

It's not just a movie....it's an event! (Road Tour Poster) See more »

Genres:

Horror | Musical | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for strong bloody violence and gore, language, some drug and sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 November 2008 (Czech Republic)  »

Also Known As:

Foniki synallagi  »

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Box Office

Budget:

$8,500,000 (estimated)

Opening Weekend USA:

$19,029, 14 November 2008, Limited Release

Gross USA:

$140,244, 7 December 2008
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (original cut)

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Many of the costumes worn by Amber Sweet and the Support Group Members were Paris Hilton's own clothes. See more »

Goofs

At the beginning of the movie Rotti is looking at the pictures of his children doing things he disapproves of and his children are in the room but two seconds later when the doctor walks in to tell him he is terminally ill they are gone. See more »

Quotes

Rotti Largo: I started this opera shit, and this is the motherfucking thanks I get?
See more »

Connections

Featured in South Jersey Sam: Top 13 Worst Songs (2011) See more »

Soundtracks

Gold
Written by Darren Smith and Terrance Zdunich
Performed by Paul Sorvino
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An amazing experience that should be shared by all
11 October 2008 | by See all my reviews

I attended an advanced screening being held at my university. It was one of the few shows that director Darren Lynn Bousman didn't know about. I had spoken with him briefly on the repo-opera.com official chat rooms about an hour before the showing. It was a cool few minutes that consisted of him telling me the showing might have been canceled and then his informing me (and the rest of the room) that he was yelling to get it going, and he never yells.

I got to the campus theater about 10 min before it was set to start. First thing I noticed was that there were other people there, which was a major worry of mine as Montana State University is relatively small and the advertisement for the screening was pretty sparse. Then I saw the security officers. That got my eyebrows a-raising. It was cool though, Lionsgate taking this much of a precaution even in a little city like this one. After getting my ticket, I wandered in and took a seat. There were about 5 of us to begin with, but as we got closer to 7:00, we ended up with around 30 people. That alone exceeded my expectations.

Then the one of the theater workers came out and spoke with us, made us aware of the security and told us basically not to F*** this up with cameras. Then…it was movie time.

When if first began the audio wasn't syncing properly and the screen was projected a little too wide. But after about 5 min the audio got straightened out and the screen width only affected some of the captions on the vignettes showing backstory.

Overall, I was very impressed. Alexa Vega was amazing as the main character of Shiloh Wallace. She has really grown up and away from the girl who played in Spy Kids. She's not this awkward little kid anymore. She's a full blown woman who's shown her acting and singing abilities. I hope to see a lot more from her in the future. Anthony Stewart Head as Nathan/Repo Man was just as amazing. His baritone had the perfect inflection to show the torment the character was dealing with emotionally. When he switches to his "Repo" voice, an oddly smooth yet gravelly take on his singing, it details the change in personalities. Sarah Brightman shined as Blind Mag. Her gorgeous voice and regal demeanor added mountains of formality to this amazing production. Terrance Zdunich was a treat as the morally ambiguous Graverobber. His narrating skills balanced the movie in a way. Addressing the audience as a sort of gatekeeper to this experience was a needed flavor to the film.

Now onto the Largos. Paul Sorvino, like Ms. Brightman, added an air to the movie. His very operatic voice was a perfect counter to the more modern sounds of his on-screen spawn. Bill Mosely, a genre favorite, was well cast in the role of Luigi Largo, Rotti Largo's violent son. His face added a brutality to the roll. Nivek Ogre, of Skinny Puppy, was a very mellow character in his take on Pavi – well, mellow compared to Luigi, choosing to seduce and womanize instead of kill and murder. And finally, Paris Hilton as Amber Sweet. I think everyone was a bit wary of her role in this movie. But I can't imagine anyone else in the role.

Overall, the performances were very well done. Only Mosely and Hilton seemed to struggle and only at very brief times. The music was stellar. I was expecting it to be a total musical overload of 100% song, but instead it was interspersed with regular dialog and sing-talk, but it never got old or tired. The filter they used to color the movie was wonderful; the soft glow gave it a wonderful ambiance. The story itself was very well done, showing the dynamics of two families, one a little more functional then the other. Definitely a very original and wonderful piece of modern film. It really is an event. And an event that should be experienced in a theater with other people with an appreciation for the quirky and the musical. It fully deserved the claps it received at the end.

Very well done, Darren. Thank you, to you and your cast and crew.


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