Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Beautiful blonde translator Rebecca lives with her boyfriend, ski instructor Marco, in a small mountain villa owned by her friend, nurse Laura. Rene, a cinema projectionist, steals Marco's ... See full summary »
Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes... See full summary »
This dark psychological thriller draws us slowly but surely into Maria's strange world. Tension mounts as she is buffeted by interactions with her abusive husband, demanding father, and ... See full summary »
In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war. Written by
The VW Tiguan Eleanor drives in New York City is clearly a European version, with no amber or red side markers, and a rear cut-out for a wider European license plate. See more »
[In explaining the "true" nature of banking in the world]
The IBBC is a bank. Their objective isn't to control the conflict, it's to control the debt that the conflict produces. You see, the real value of a conflict, the true value, is in the debt that it creates. You control the debt, you control everything. You find this upsetting, yes? But this is the very essence of the banking industry, to make us all, whether we be nations or individuals, slaves to debt.
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During the credits fade-in on the second and third newspaper printed articles, look above the main story of focus and you will see articles that reference a company by the name of SuckleOil, which is most likely a nod to Producer Richard Suckle. See more »
Great mystery/investigative thriller, beautifully shot by Tom Tykwer
I'm a fan of German director Tom Tykwer (Run Lola Run, The Princess And The Warrior, Heaven, Perfume: The Story Of A Murderer). The story seemed like a different direction for him, so this was a must see for me.
First, the only problem I had with the film is the screenplay, some contrived lines, especially in the third act, stick out. The dialogue really tries to force the theme down the viewers throat. Other than that, everything else was top notch. The way the story is set up and fleshed out was engrossing to me. I like a film that lets the viewer figure it out for themselves. It's got a classic mystery set up, where the viewer is in the shoes of the protagonist, we get to figure it out along with him as he unravels it.
Clive Owen and Naomi Watts were decent, but not really stretching there acting legs here. The cinematography and locations were beautiful, filmed in a neo-noirish blue/grey color palette with lots of wide angle shots of the characters dwarfed by the urban architecture. The shootout was very well done and more realistic and grittier than the usual action set piece.
It actually reminded me of a Michael Mann film.
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