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The International (2009)

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An Interpol agent attempts to expose a high-profile financial institution's role in an international arms dealing ring.

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4,081 ( 439)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Michel Voletti ...
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Jay Villiers ...
Fabrice Scott ...
Nicolai Yeshinski
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Umberto Calvini (as Luca Giorgio Barbareschi)
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Inspector Alberto Cerutti
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Detective Iggy Ornelas
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Detective Bernie Ward
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Detective Gloria Hubbard
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Storyline

In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war. Written by production

Plot Summary | Plot Synopsis

Taglines:

They control your money. They control your government. They control your life. And everybody pays. See more »


Motion Picture Rating (MPAA)

Rated R for some sequences of violence and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

13 February 2009 (USA)  »

Also Known As:

Agente internacional  »

Filming Locations:

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend:

$10,702,613 (USA) (13 February 2009)

Gross:

$25,450,527 (USA) (20 March 2009)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

An explosive shootout scene takes place inside New York's famous Guggenheim Museum. The production team used the Guggenheim's original blueprints to build a full-size replica of its interior in an abandoned locomotive warehouse. Construction took 4 months. See more »

Goofs

When Salinger finds the black car The Contractor used to run over Elle, the first shot shows an unharmed windshield, and seconds later they show it has the mark seen after the crash. See more »

Quotes

Eleanor Whitman: We are just trying to get to the truth!
New York D.A.: I get it! But what you need to remember is that there's what people want to hear, there's what people want to believe, there's everything else, THEN there's the truth!
Eleanor Whitman: And since when it's that OK? I can't even believe you are saying this to me! The truth means responsibility, Arnie!
New York D.A.: Exactly! Which is why everyone dreads it!
See more »

Crazy Credits

"The fictional exhibition depicted in the main galleries of the Solomon R. Guggenheim Museum was not curated by nor an actual exhibition of the museum." See more »

Connections

Featured in The International: Shooting at the Guggenhein (2009) See more »

Soundtracks

Wir Setzen Uns Mit Traenen Nieder
from "St. Matthew's Passion" BWV 244
Written by Johann Sebastian Bach
Performed by Hungarian State Symphony Orchestra
Courtesy of Naxos of America
See more »

Frequently Asked Questions

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User Reviews

 
Great mystery/investigative thriller, beautifully shot by Tom Tykwer
17 February 2009 | by (Philadelphia) – See all my reviews

I'm a fan of German director Tom Tykwer (Run Lola Run, The Princess And The Warrior, Heaven, Perfume: The Story Of A Murderer). The story seemed like a different direction for him, so this was a must see for me.

First, the only problem I had with the film is the screenplay, some contrived lines, especially in the third act, stick out. The dialogue really tries to force the theme down the viewers throat. Other than that, everything else was top notch. The way the story is set up and fleshed out was engrossing to me. I like a film that lets the viewer figure it out for themselves. It's got a classic mystery set up, where the viewer is in the shoes of the protagonist, we get to figure it out along with him as he unravels it.

Clive Owen and Naomi Watts were decent, but not really stretching there acting legs here. The cinematography and locations were beautiful, filmed in a neo-noirish blue/grey color palette with lots of wide angle shots of the characters dwarfed by the urban architecture. The shootout was very well done and more realistic and grittier than the usual action set piece.

It actually reminded me of a Michael Mann film.


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