A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his son.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Abila (14) lives in one of the most miserable slums in Africa. His girlfriend Shiku belongs to a different tribe, as the result of which he is not really allowed to fraternize with her. And... See full summary »
In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war. Written by
The radio frequency scanner which Salinger uses to overhear the conversation in the end of the film is an Alinco DJ-X3. See more »
When Salinger and Eleanor investigate the bullet holes in the pillar, the holes are about 3 inches apart, and on top of each other. In later scene, when the camera view is transformed into the sniper scope, the second shot leaves its mark on the pillar about foot from the first bullet hole, and to on the left. See more »
During the credits fade-in on the second and third newspaper printed articles, look above the main story of focus and you will see articles that reference a company by the name of SuckleOil, which is most likely a nod to Producer Richard Suckle. See more »
Conventional for Tykwer means still among the best of this formulaic type of corporate espionage flick
The International (2009)
We can't expect every Tom Tykwer film to be as inventive or intense as Run Lola Run or The Princess and the Warrior, and The International feels almost like a breather, an intentional turn at a conventional film. It's an espionage and high stakes international drama with guns and deceit and a pair of very distinctly good good guys played by Clive Owen (brilliantly) and Naomi Watts (unconvincingly...probably just miscast). And overall it's completely enjoyable and slick, well paced, and beautifully filmed, of course.
The plot is one of those sprawling, behind-the-scenes conspiracy, third world, big money scenarios that must have shades of truth, or lots of truth, but gets simplified into a handful of bad guys and a parade of exotic locales (including the inevitable Third World warlord who is an intelligent and willing pawn in the whole game). What I mean is, the plot almost doesn't matter in the details, though it's interesting, and makes you think and worry a little about the world we live in. It's more how the heroes unfold the facts of the plot, against the odds, the clock ticking, that make the movie good. If you liked the Bourne movies (which are as a whole probably faster and more edgy) or Syriana (which is actually kind of similar in feel overall, Clooney substituted for Owen), this will really suit you.
And there is a Tykwer twist now and then, a camera with unusual fluidity, or a scene that gets replayed and rethought. Of course, the hugely complicated shootout in the Guggenheim is a masterpiece of excessive and brilliant kinetic filming. For an amazing short video on the building of the sets for this shoot (yes, it wasn't at the real Gug), go to www.firstshowing.net and type guggenheim tykwer.
In all? The best of it is worth the worst of it. A tightly made and not overly preposterous dip into a well stocked pond.
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