In The International, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world's most powerful banks. Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan to New York and to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as the bank will stop at nothing - even murder - to continue financing terror and war. Written by
In the Guggenheim, despite supposedly being in New York, you can overhear a German voiceover in one of the videos playing. It mentions something about "molten rocks" and shows that the "Guggenheim" was merely rebuilt in Germany for this particular shot. See more »
When Salinger and Whitman are going to talk to Umberto Calvini, as they leave the elevator Whitman has her scarf around her neck. In the next shot, the scarf changes position. See more »
[to his son regarding a board game]
This is a game that rewards patience and balance. You must think like a man of action and act like a man of thought.
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"The fictional exhibition depicted in the main galleries of the Solomon R. Guggenheim Museum was not curated by nor an actual exhibition of the museum." See more »
Conventional for Tykwer means still among the best of this formulaic type of corporate espionage flick
The International (2009)
We can't expect every Tom Tykwer film to be as inventive or intense as Run Lola Run or The Princess and the Warrior, and The International feels almost like a breather, an intentional turn at a conventional film. It's an espionage and high stakes international drama with guns and deceit and a pair of very distinctly good good guys played by Clive Owen (brilliantly) and Naomi Watts (unconvincingly...probably just miscast). And overall it's completely enjoyable and slick, well paced, and beautifully filmed, of course.
The plot is one of those sprawling, behind-the-scenes conspiracy, third world, big money scenarios that must have shades of truth, or lots of truth, but gets simplified into a handful of bad guys and a parade of exotic locales (including the inevitable Third World warlord who is an intelligent and willing pawn in the whole game). What I mean is, the plot almost doesn't matter in the details, though it's interesting, and makes you think and worry a little about the world we live in. It's more how the heroes unfold the facts of the plot, against the odds, the clock ticking, that make the movie good. If you liked the Bourne movies (which are as a whole probably faster and more edgy) or Syriana (which is actually kind of similar in feel overall, Clooney substituted for Owen), this will really suit you.
And there is a Tykwer twist now and then, a camera with unusual fluidity, or a scene that gets replayed and rethought. Of course, the hugely complicated shootout in the Guggenheim is a masterpiece of excessive and brilliant kinetic filming. For an amazing short video on the building of the sets for this shoot (yes, it wasn't at the real Gug), go to www.firstshowing.net and type guggenheim tykwer.
In all? The best of it is worth the worst of it. A tightly made and not overly preposterous dip into a well stocked pond.
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