| Photos (See all 14 | slideshow) | Videos (see all 8) |
| Jonas Ball | ... | Benjamin Keynes | |
| Matthew R. Anderson | ... | Chief Warrant Officer Wally Hamer | |
| Jon Huertas | ... | Sgt. Vincent Degetau | |
| Michael C. Williams | ... | Sgt. Trinoski | |
| Sam Hunter | ... | Sgt. Tim Cole | |
| Jeff Prewett | ... | Sgt. Pete Sadler | |
| Kenny Taylor | ... | MSgt. Tanner | |
| Chems-Eddine Zinoune | ... | Abdul | |
| Qzaibar Allal | ... | Village Chief | |
| Hammou Abaou | ... | Abdul's Mother | |
| Rkia Chkaroll | ... | Village Woman in Burka | |
| Ibtihal Iataren | ... | Girl with the Woman | |
| El Hayrani Lekbir | ... | Hermit | |
| P. David Miller | ... | Maj. Matt McCarthy | |
| Vanessa Johansson | ... | Stacy Keynes | |
| Jacqueline Harris | ... | Matilde Seymour - BBC Reporter |
Directed by | |||
| Daniel Myrick | |||
Writing credits(WGA) | ||
| Daniel Myrick | (screenplay) & | |
| Mark A. Patton | (screenplay) and | |
| Wesley Clark | (screenplay) (as Wesley Clark Jr.) | |
| Daniel Myrick | (story) & | |
| Mark A. Patton | (story) | |
Produced by | |||
| Steffen Aumueller | .... | executive producer | |
| Andrea Balen | .... | co-producer | |
| Claus Clausen | .... | executive producer | |
| Corina Danckwerts | .... | co-executive producer | |
| Karim Debbagh | .... | co-producer | |
| Ian Gibbins | .... | executive producer | |
| Zev Guber | .... | producer | |
| Richard Halpern | .... | co-producer | |
| Gary Hamilton | .... | executive producer | |
| Glenn M. Stewart | .... | executive producer | |
| Victor Syrmis | .... | executive producer | |
| Jeremy Wall | .... | producer | |
Original Music by | |||
| Kays Al-Atrakchi | |||
Cinematography by | |||
| Stephanie Martin | |||
Film Editing by | |||
| Michael J. Duthie | |||
| Robert Florio | |||
Casting by | |||
| John Jackson | |||
Production Design by | |||
| Frank Bollinger | |||
Costume Design by | |||
| Glenn Gregory Krah | |||
Makeup Department | |||
| Souad Khattabi | .... | key makeup artist | |
| Isabella Wiley | .... | makeup department head | |
| Isabella Wiley | .... | makeup designer | |
Production Management | |||
| Andrea Balen | .... | production supervisor | |
| Charles Arthur Berg | .... | unit production manager (as Charles Berg) | |
| Darya Danesh | .... | unit production manager | |
| Mourad Ismaël | .... | production manager | |
| George Rizkallah | .... | post-production supervisor | |
| Zora A. Wolter | .... | production manager | |
| Chris F. Woods | .... | post-production supervisor (as Christopher Francis Woods) | |
Second Unit Director or Assistant Director | |||
| Tarik Ait Ben Ali | .... | second second assistant director | |
| Yann Mari Faget | .... | key second assistant director | |
| Ahmed Hatimi | .... | first assistant director | |
| Jeremy Wall | .... | second unit director | |
Art Department | |||
| Hicham Afghani | .... | property master | |
| Bryan Cuthbert | .... | set dresser | |
| Tayeb ElAlaoui | .... | set dresser | |
| Tobias Günthner | .... | construction manager | |
| Younes Sakhi | .... | construction assistant | |
| Saida Temofonte | .... | storyboard artist | |
Sound Department | |||
| Bastien Benkhelil | .... | foley editor | |
| Bastien Benkhelil | .... | foley mixer | |
| Kyle Clausen | .... | foley editor | |
| Robert Ehrenreich | .... | foley mixer | |
| Iris Karina | .... | boom operator (as Iris Lohninger) | |
| Patricio A. Libenson | .... | foley artist | |
| Tim D. Lloyd | .... | additional sound mixer | |
| Karl W. Lohninger | .... | sound mixer | |
| Karl W. Lohninger | .... | sound supervisor | |
| Walter New | .... | sound designer | |
| Caleb Stambaugh | .... | foley mixer | |
Special Effects by | |||
| Conor Coughlan | .... | special effects supervisor | |
| Souad Khattabi | .... | special effects makeup | |
| Sergio Matos | .... | special effects technician | |
| Isabella Wiley | .... | special effects makeup | |
Visual Effects by | |||
| Mitch Gates | .... | CG supervisor: Encore Hollywood | |
| Thomas D. Moser | .... | visual effects | |
| Ahren Thomas | .... | digital compositor | |
| Chris F. Woods | .... | visual effects supervisor (as Chris Woods) | |
Stunts | |||
| Joseph Beddelem | .... | stunt coordinator | |
| Philippe Losson | .... | stunts | |
| Francois Poirier | .... | stunt driver | |
| Francois Poirier | .... | stunts | |
| Cedric Proust | .... | stunt coordinator | |
| Mustapha Touki | .... | stunts | |
Camera and Electrical Department | |||
| Marco de Fillipis | .... | electrician | |
| Francis Dreiss | .... | still photographer | |
| Ilham El Abdi | .... | assistant camera (as Ilham El Abid) | |
| Abbes Ghazouani | .... | video assistant | |
| Said Lagbouri | .... | assistant camera | |
| Nicolas Martin | .... | Steadicam operator | |
| Youssef Mohattane | .... | camera trainee | |
| Imad Rechiche | .... | first assistant camera: b | |
| Ahmed Saadi | .... | grip | |
| Lilia Sellami | .... | first assistant camera | |
| Abdeljalil Zougar | .... | electrician | |
| Aziz Zougar | .... | electrician | |
Casting Department | |||
| Mohamed Essaghir Aabach | .... | casting assistant | |
| Zinedine Ibnou Jabal | .... | casting: Morocco | |
| Omar Tisli | .... | casting agent: Morocco | |
Costume and Wardrobe Department | |||
| Otmane Khammari | .... | costume supervisor: Morocco | |
| Nadia Kharraz | .... | costumer | |
| Bouazza Waradi | .... | costumer | |
Editorial Department | |||
| Michael LaPointe | .... | assistant editor | |
| Narbeh Tatoussian | .... | digital intermediate colorist | |
Transportation Department | |||
| Abdelatif Agoujil | .... | transportation | |
| Ali Bakkioui | .... | transportation coordinator | |
Other crew | |||
| Rachid Azbeg | .... | production runner | |
| Driss Benchhiba | .... | location manager | |
| Driss Benchiba | .... | location manager | |
| Simone Boudriot | .... | script supervisor | |
| Meredith Clark | .... | assistant to producer | |
| Ambyr Davis | .... | production coordinator | |
| Zouhar El Fassi | .... | accountant (as Zouheir El Fassi) | |
| Jaouad El Kacimi | .... | location scout | |
| Melitta Fitzer | .... | production accountant | |
| Aaron Goldstein | .... | assistant: Mr Myrick | |
| Mustapha Harkati | .... | military assistant | |
| Kevin Hindley | .... | script clearance | |
| Jennifer Hughes | .... | production counsel | |
| Dan Karcher | .... | web site designer | |
| Ridouane Nassreddine | .... | location assistant | |
| Duncan Stewart | .... | production assistant | |
| Widad Taha | .... | production coordinator | |
| Nick Teta | .... | military advisor | |
Thanks | |||
| Wali Razaqi | .... | special thanks | |
| Paul Sinor | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"The Objective" is a really cool movie. You have a CIA agent working with military men in Afghanisthan, and weird, paranormal stuff happens. There's a sense of realism - which was probably Myrick's objective - that is very well done here. You feel like you're there with the guys, in that immense, isolated, mysterious space.
It's this sense of immersion and the suspense that propells me to give this movie a 6/10, purely because I really enjoyed it. But that's not to say it is without flaws; au contraire, the story is like a mechanical swiss cheese, with obvious, unavoidable and perhaps intentional plot holes - the problem is that some of them nearly ruined the film for me, and will certainly ruin it for the casual science-fiction fan.
So there you have it - I liked this movie and I'd recommend it - but I feel this movie could have been so much better if not for some serious flaws.
The painfully obvious first one is the narration, done by the main actor. Actually, there are two problems here - the protagonist seems miscast, or at least the actor seems to have a speech impediment problem. I'm not joking, he doesn't narrate, he... mumbles. I hope this was not intentional.
One complaint that I've seen in other reviews, but for me would be nit-picking, are about some of the visual effects. Not the FX themselves, but rather the use of them. Like many I feel some things are best left to our imaginations, and this movie is a nice example of getting this sort of thing wrong.
There's a fantastic scene in the middle of the movie that involves binoculars. In this scene, the "leave it to the imagination" part is incredibly scary. Here, it works. Later on, not so much.
I will only further comment on the ending, and I don't have many words to describe my reaction. In a way, it's a genius ending, and in another, you feel like you've been made a fool of. It's usually good to be left with a mystery, but sometimes it pisses people off, and sadly, this is the case with me and "The Objective".
I know I'll watch it again, though.
6/10