Obsession is a film about the threat of Radical Islam to Western civilization. Using unique footage from Arab television, it reveals an 'insider's view' of the hatred the Radicals are ... See full summary »
Alan M. Dershowitz,
A perpetual state of welfare exists in the U.S., creating a form of modern slavery for a large percentage of African-Americans. Rev. C.L. Bryant presents an insightful and compelling look at how freedom can be restored.
At age 18, Barack Obama admittedly arrived at Occidental College a committed revolutionary Marxist. What was the source of Obama's foundation in Marxism? Throughout his 2008 Presidential ... See full summary »
Frank Marshall Davis,
A 30-minute follow-up piece for Roger & Me, this was first shown when that film was broadcast as part of the PBS series P.O.V. Moore briefly re-examines the economic collapse of Flint and ... See full summary »
Janet K. Rauch
Manufacturing Dissent is a topical documentary seeking to separate fact, fiction, and legend. It chronicles Michael Moore on tour during the promotion of Fahrenheit 9/11 (2004), all while exploring the politically charged climate in America that has prompted Moore's ascension from documentary filmmaker to icon of the political left. Written by
If you won't tell the truth because it's bad for the cause then the cause becomes a fiction, which is exactly what's happened. It's happened with the Left in the United States as a whole and it's happened with Michael Moore.
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I don't have particular feelings for or against the work Michael Moore does, so hopefully you won't see this as a pro-Moore attack on naysayers. The arguments and supporting evidence presented are are weak and blown-up, and in most cases hypocritical. A typical example of this is juxtaposing footage of Moore arriving at the Oscars, while nearby protesters demonstrate against the war. Trying to imply that Moore is just a glory-seeking filmmaker who would rather hobnob with celebrities than join in the protest, the point falls flat when you consider how the now infamous acceptance speech made by Moore (and the film itself) did more for the Anti-war cause than a street protest ever could. I am all in favour of films to counterbalance the polemics of Michael Moore, but please don't accuse him of manipulating footage and then do exactly that, adding sinister music. A badly-made film presenting a poorly-made case.
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