Manufacturing Dissent: Uncovering Michael Moore
(2007)
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Manufacturing Dissent: Uncovering Michael Moore
(2007)
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| Watch Trailer 0Share... |
| Credited cast: | |||
| Michael Moore | ... |
Himself
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Debbie Melnyk | ... |
Herself
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Rick Caine | ... |
Himself
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| Rest of cast listed alphabetically: | |||
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Dave Barber | ... |
Himself - Flint Radio Personality
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| Roseanne Barr | ... |
Herself
(archive footage) (as Roseanne)
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| Peter Bart | ... |
Himself
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Tony Bennett | ... |
Himself
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Elizabeth Bourgeois | ... |
Herself - Director, 'Flint, MI: Michael & Me'
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José Bové | ... |
Himself
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| George W. Bush | ... |
Himself
(archive footage)
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| Laura Bush | ... |
Herself
(archive footage)
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| Jimmy Carter | ... |
Himself
(archive footage)
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Rosalynn Carter | ... |
Herself
(archive footage)
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Dick Cheney | ... |
Himself
(archive footage)
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| Noam Chomsky | ... |
Himself - Author, 'Manufacturing Consent'
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Manufacturing Dissent is a topical documentary seeking to separate fact, fiction, and legend. It chronicles Michael Moore on tour during the promotion of Fahrenheit 9/11, all while exploring the politically charged climate in America that has prompted Moore's ascension from documentary filmmaker to icon of the political left. Written by Anonymous
The film makes an important distinction for those who are still unsure about how to view a "documentary" film. Recently we have seen "mainstream" film makers such as Ron Howard and Clint Eastwood make movies that are based upon actual historical events, but purposely deviate from the truth in order to make a more dramatic movie. Michael Moore has done this in every "documentary" he has ever made. He admits as much, claiming that the words spoken by his subjects are theirs alone, but he is in charge of editing them however he likes. Using this technique, Moore has managed to make films which were more successful than they might have been otherwise. The success he has enjoyed has allowed him to assume the same "fatcat" attitudes which he criticized and parodied in Roger and Me. This is nicely pointed out in this film. One fault with this film is that it starts slow and you wonder if you are in for a very dry and unfocused personal history of Michael Moore. After about 20 minutes, it picks up speed and focus and has a powerful conclusion.