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Manufacturing Dissent (2007)
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Overview
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View company contact information for Manufacturing Dissent: Uncovering Michael Moore on IMDbPro.Release Date:
5 October 2007 (UK) moreGenre:
DocumentaryTagline:
It's never been so hard to get Michael Moore in front of a camera. morePlot:
A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11. full summary | full synopsisNewsDesk:
Feature: No More Moore! Onscreen Beefs With Michael Moore(From IFC. 7 October 2008, 8:44 AM, PDT)
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A Balanced Film On An Unbalanced Filmmaker moreCast
(Credited cast) more
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MPAA:
Rated R for some language.Parents Guide:
View content advisory for parentsRuntime:
97 minCountry:
CanadaLanguage:
EnglishColor:
ColorCertification:
USA:RFun Stuff
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This film alleges that Michael Moore did speak with Roger B. Smith twice in 1987 (at General Motors' shareholders meeting) and 1988 (at the Waldorf Astoria hotel in New York), but Michael Moore didn't put that footage in Roger & Me (1989). However, even Roger B. Smith himself said in a 1990 interview with Los Angeles Times that he had never stayed at the Waldorf Astoria hotel in New York. Michael Moore himself also denied this allegation to Associated Press: Moore said that he did speak with Roger Smith at the 1987 shareholders' meeting, but that was before he started working on Roger & Me (1989) and the conversation had nothing to do with the film. moreQuotes:
Dave Marsh: If you won't tell the truth because it's bad for the cause then the cause becomes a fiction, which is exactly what's happened. It's happened with the Left in the United States as a whole and it's happened with Michael Moore. moreFAQ
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It's hard to count how many documentaries have been made about Michael Moore, but those made by Canadian left-wing fans seem to be a bit scarcer. Supported largely by Canadian financiers, Manufacturing Dissent starts out as a balanced exploration of filmmaker and political personality Michael Moore. The film documents Moore during his 2004 national touring campaign for Fahrenheit 9/11, his politically sensational documentary that spoke out against the integrity of the Bush Administration. As the film progresses, the filmmakers are disappointingly unsuccessful in securing an interview with Moore, and as they try, facts arise questioning Moore's credibility as a journalist, his film-making techniques, and his personal character. It concludes on a much less optimistic note than at the beginning, gradually disclosing a reluctantly-developed disenchantment with the fervent Midwestern public activist. What makes Manufacturing Dissent particularly unique is its resistance from sensationalizing its condemning findings. With an attitude of professional reserve, Manufacturing Dissent strategically uses subtlety and a careful resolve to disclose straightforward facts and present the comments of interviewees with accuracy and integritya set of convictions that many viewers, in turn, observe to be lacking from Moore's bountiful supply. This is a film that speaks, first and foremost, to the die-hard fans of Michael Moore. Leftist followers owe it to themselves to experience the cautious, revealing process that this film provides.