Kevin, Sam and Rob are founding members of a theoretical group which pulls off heists. Leo, a gangster, blackmails them into pulling off a real multi-million dollar heist. Now it's up to them to get out alive.
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
A family with an abusive father, a sensitive son, and a mother out of her depth: we see them when Michael is about 12 and when he's in his 30's, a writer of romance novels, going home for his mother and sister's college graduations. We go back and forth between the two periods: when Michael is a boy, the pressure builds until a break is threatened and there's a fight; during his trip home, there's an unexpected death, and renewed relationships between father and son, Michael and his aunt, and Michael and his aunt's young children. Michael's estranged wife joins them for the funeral. Written by
In recent years, Hollywood has been consumed with big budget comic book action spectacles that present a healthy dose of the implausible, and if you're lucky, at least a small amount of the nuances found in the human experience. The problem is, that those nuances are mostly seen through the eyes of CGI artists. In the family drama FIREFLIES IN THE GARDEN, the nuances are seen through the eyes of writer/director Dennis Lee, a courageous new artist who treats his audience as if they have the two pivotal ingredients needed to enjoy his film, patience, and a brain. FIREFLIES IN THE GARDEN is not your mother's family drama, dripping with sentimentality and moments of levity so overblown they border on caricature. FIREFLIES is an illumination of a family dynamic so subtly perverse at times, that you soon realize that the Taylor Family is not just your neighbors but in one-way or another a representation of some aspect of yourself. This makes for unsettling and emotionally rewarding cinema. And by the end of writer/director Dennis Lee's beautifully realized film, FIREFLIES IN THE GARDEN, we've left the Taylor Clan in a place that may not be enough of an astronomical shift for the comic book movie crowd, or even some critics, but a place of authenticity and simplicity that speaks volumes.
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