| Gail O'Grady | ... | Meghan Eastman | |
| William R. Moses | ... | Carter Eastman | |
| Mariana Klaveno | ... | Abby Reed | |
| Madison Davenport | ... | Casey Eastman | |
| Tristan Lake Leabu | ... | Max Eastman | |
| Stacy Haiduk | ... | Shawna Pierson | |
| Joanne Baron | ... | Mel Olson | |
| Alan Blumenfeld | ... | Del Olson | |
| Thomas Curtis | ... | Tom Olson | |
| Jon Lindstrom | ... | Tate Walker | |
| Andrew Masset | ... | Stan Gable (as Andrew Hyatt Masset) | |
| Monique Daniels | ... | Laura Berry (as Moe Daniels) | |
| Kristi Clainos | ... | Tina Douglas | |
| Kim Delgado | ... | Detective Jordan | |
| Nancy Bell | ... | Social Worker | |
| Jordan Moser | ... | Chris | |
| John Ciccolini | ... | Father | |
| Jennifer Echols | ... | Nurse | |
| Jill Jaress | ... | Elizabeth Reynolds | |
| Elena Praskin | ... | Natalie | |
| Shelby Patterson | ... | Screaming Girl | |
| rest of cast listed alphabetically: | |||
| Dominique Grund | ... | Young Abby (uncredited) | |
| Lu Johnson | ... | VIP Party Guest (uncredited) | |
| Nicole Sherwin | ... | Funeral Guest (uncredited) | |
Directed by | |||
| Russell Mulcahy | |||
Writing credits(in alphabetical order) | ||
| Stephen Niver | ||
Produced by | |||
| Kevin Bocarde | .... | co-executive producer | |
| Lincoln Lageson | .... | producer | |
| Larry Levinson | .... | executive producer | |
| Nick Lombardo | .... | co-executive producer | |
| Michael Moran | .... | co-executive producer | |
| Randy Pope | .... | producer | |
Original Music by | |||
| Elia Cmiral | |||
Cinematography by | |||
| Maximo Munzi | |||
Film Editing by | |||
| Colleen Halsey | |||
Casting by | |||
| Penny Perry | |||
| Amy Beth Reece | |||
Production Design by | |||
| Scott H. Campbell | |||
Set Decoration by | |||
| Linda Louise Sheets | |||
Costume Design by | |||
| Evan Waters | |||
Makeup Department | |||
| JackLynn Carl | .... | assistant makeup artist | |
| Leslie Espinosa | .... | hair stylist | |
| Ali Reyes | .... | hair assistant | |
| Ali Reyes | .... | makeup assistant | |
| Michael Spezzano | .... | makeup department head | |
Art Department | |||
| Lorie Arms | .... | property master | |
| Barry Boen | .... | set dresser | |
| Tera Johnson | .... | lead scenic | |
| Tera Johnson | .... | props | |
| Wil Masisak | .... | on-set dresser | |
| Chris Pippin | .... | construction coordinator | |
| Erika Toth | .... | set dresser | |
| Daniel Trainer | .... | set dresser | |
| S. Todd Whitaker | .... | on-set dresser | |
| Eugene Wyrick | .... | carpenter | |
Sound Department | |||
| Mark Ettel | .... | sound re-recording mixer | |
| Lisa Gillespie | .... | boom operator | |
| Kevin Huie | .... | boom operator | |
| Michael Kool | .... | boom operator | |
Visual Effects by | |||
| Eric Acsell | .... | digital compositor | |
| Patrick Murphy | .... | visual effects supervisor | |
| John Peeler | .... | visual effects coordinator | |
Stunts | |||
| Helena Barrett | .... | stunt double: Gail O'Grady | |
| Bryan Friday | .... | stunt double: Jon Lindstrom | |
| Bevin Kaye | .... | stunt double: Mariana Klaveno | |
| David Rowden | .... | stunt coordinator (as Dave Rowden) | |
| Darlene Ava Williams | .... | stunt double: Jill Jaress | |
Camera and Electrical Department | |||
| Luke Barger | .... | grip | |
| Joe Crowder | .... | grip | |
| Shane English | .... | first assistant camera | |
| Christy Fallin | .... | second assistant camera: second unit | |
| Lewis Fowler | .... | first assistant camera | |
| Jason Goodell | .... | electrician | |
| Chris Horton | .... | electrician | |
| Erwin Landau | .... | Steadicam operator | |
| Erwin Landau | .... | camera operator | |
| Joe Lara | .... | grip | |
| Todd Loos | .... | key grip | |
| Eric McCandless | .... | still photographer | |
| Ryan Norris | .... | set lighting technician | |
| James Northrup | .... | first assistant camera: additional photography | |
| Roberto A. Ramirez | .... | best boy grip | |
| Kara Rittenhouse | .... | assistant camera | |
| Jason Sachse | .... | rigging best boy electric | |
| Nick Sogard | .... | grip | |
| Lisa Stacilauskas | .... | camera operator | |
| Jared Wellman | .... | best boy electric | |
Casting Department | |||
| Christine Babayans | .... | casting associate | |
Costume and Wardrobe Department | |||
| Tiffani Rae | .... | set costumer | |
| Meghan Wincor | .... | wardrobe supervisor | |
Editorial Department | |||
| Kevin Gieseking | .... | post-production coordinator | |
| Tricia Gorman | .... | assistant editor | |
| Luke Guidici | .... | on-line editor | |
| Frank Sharp | .... | post-production coordinator | |
| Matthew W. Johnson | .... | on-line editor (uncredited) | |
Music Department | |||
| John Samuel Hanson | .... | score programmer | |
| Matt Shelton | .... | music editor | |
| John Whynot | .... | score mixer | |
| John Whynot | .... | score synth programmer | |
Other crew | |||
| Lee Boxleitner | .... | production assistant | |
| Matt Fitzsimons | .... | production executive | |
| Deeahna Hernandez | .... | production coordinator | |
| Angie Kern | .... | set medic | |
| Marisa La Tour | .... | staff assistant | |
| Leo Matchett | .... | production assistant | |
| Amanda Phillips Atkins | .... | development coordinator (as Amanda Phillips) | |
| Kiran Kaur Saini | .... | additional script supervisor | |
| Emily Thorne | .... | post-production accountant | |
| Abran Trujillo | .... | key set production assistant | |
| Al Valentine | .... | assistant location manager | |
| Katie Wincor | .... | production assistant | |
| Yasmeen Barghouty | .... | stand-in (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Here's an amusingly derivative psycho-thriller that acts as if all the other psychological thrillers in this genre don't exist. The template for this one, surprise surprise, is THE HAND THAT ROCKS THE CRADLE, but it doesn't even manage to be the first film about a psychotic babysitter THE SITTER was already made at the beginning of the sub-genre, back in 1991, and Alicia Silverstone had a stab as a babysitter/temptress later in that decade.
This turns out to be completely predictable and routine, although it is more watchable than some dogs the genre throws up. Russell Mulcahy, once one of Hollywood's hottest directors after HIGHLANDER, invests this with a little more style than the usual journeyman types and the pacing is pretty much spot on. Horror fans are advised to ignore the routine script and enjoy the silly murder sequences, which are quite strong for a television movie. Garden murders, bathtub murders, a staircase set-piece inspired by THE OMEN and a decent wheelchair stunt; it's all present here, as well as the over-the-top climax complete with pulled-out phone cords, duct-taped victims, carving knives and the like.
None of the characters elicit much sympathy, particularly in the case of Gail O'Grady who comes across as a bit of a bimbo as the mother. It's incredible how nobody ever suspects the angelic babysitter and becomes a bit irritating. William Moses, once the young upstanding hero of PERRY MASON, is bland as the nice-guy father. The sitter herself, Mariana Klaveno, is hopeless when she tries to do menacing, so the filmmakers wisely focus on her sexuality instead and I found her fairly effective as the teenage temptress. Still, this definitely falls into the so-bad-it's-good category, so only fans of bad movies need bother applying.