Fraser's unrequited love for the beautiful and rich Ginny gets a chance to prove itself, when she is suddenly kidnapped. He teams up with rebel Mac, who's got a score to settle with the ... See full summary »
Arthur Allan Seidelman
A post-apocalyptic story about a botched U.S. government experiment that turns a group of death row inmates into highly infectious vampires, and an orphan girl who might be the only person able to stop the ensuing crisis.
After the death of his girlfriend Tracy, the American Luke travels to Morocco with his British friend Adam to spend vacation and recover his loss. While in Medina, Luke meets the gorgeous Moroccan nurse Zahra and he offers to walk her home. However, she is offended by a group of men due to her Western companion and Luke defends her. Zahra offers to be his tourist guide and suggest him to travel to Atlas Mountain to the see the sunset and spend the night in a hotel. Adam decides to meet the couple in the next morning to let Luke alone with Zahra. However, the hotel manager does not accept their check-in and a local lodges the couple in a cabin of his own. During the night, Luke goes to the bathroom and finds a mace of tunnels linking the cabins in the mountain. Zahra meets him in the tunnel and he discovers a dark secret about the place. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Frightening is only the writing, not what's written
This flick is not only bad, it is actually sad and full of horrible mistakes.
The best thing in this movie is not Stephen Dorff, it is the setting. Morocco is a beautiful country and when you got no idea about how the story turns, it's like an entertaining love story that is the foundation for depicting this beauty and it's people --with all their existing resentments and also the nice sides. That's okay with me. I would have also accepted the B-movie style, because of it's authenticity. But when you start not liking what you have to endure, you realize about the silly sound, the boring lightning, the crappy cut, the poor characters, the lack of creativity in every aspect of the production.
The turn in the narration tears down everything that has been build up before, how cheap it ever was. Artificialy creates -- no, conjures up -- a thriller-like plot, that is not only badly written, terribly composed, but also embarrassing in it's stereotypes. If that is not enough, it explains us, in the very end, how those little pieces shall belong together -- that's the moment when you pull your blanket over your head and whisper: »No. No. No. No. Please. No.« I wished I would have turned this off before the writer totally f/ this up.
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