| Cast overview, first billed only: | |||
| Maria Heiskanen | ... | ||
| Mikael Persbrandt | ... |
Sigfrid Larsson
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| Jesper Christensen | ... |
Sebastian Pedersen
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| Callin Öhrvall | ... |
Maja Larsson (age 15-22)
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Nellie Almgren | ... |
Maja Larsson (age 8-10)
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Birte Heribertsson | ... |
Maja Larsson (narration) /
Aunt Tora
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Ghita Nørby | ... |
Miss Fagerdal
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Amanda Ooms | ... |
Matilda
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Emil Jensen | ... |
Englund
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Claire Wikholm | ... |
Grandmother Karna
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Ann Petrén | ... |
Ida
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Antti Reini | ... |
Finnish Sea Captain
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Annika Lundgren | ... |
Miss Öst
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Maria Lundqvist | ... |
Miss Petrén
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| Hans Henrik Clemensen | ... |
Mr. Fagerdal
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Sweden, early 1900s - an era of social change and unrest, war and poverty. A young working class woman, Maria, wins a camera in a lottery. The camera grants her the eyes to view the world, and empowers her over several decades to raise and nurture her family of six children and an alcoholic, womanizing and sometimes violent, although ultimately loving, husband. Written by IFC Films
Greetings again from the darkness. The best word I can come up to describe this fine film is humanistic. Everything about director Jan Troell's (The Emigrants) approach is based on the affect or reaction of the individual, very human, characters.
Maria Heiskanen as Maria Larsson is fascinating ... in the most grounded, heartfelt style I have seen. She reminds of Imelda Staunton in her ability to sell grace and dignity despite all obstacles. This is not a film about some character's ability to make headlines. Rather it is one woman's battle for independence for herself and stability and safety for her seven children.
We may question why Maria insists on remaining with her violent-when-drunk husband, but she takes her father's counsel to honor her vows very seriously. She battles through much for her family but the true joy in the story comes from her awakening with a Contessa camera, courtesy of Sebastian Pederson (played well by Jesper Christensen). She discovers a god given talent and eye for photography.
This is a long film, but so realistically presented that it just compels the viewer to join in. Sadly, it won't find much of an audience in the U.S., but it is excellent film-making and a very rewarding journey.