In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. ... See full summary »
Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.
The film is based on a true occurrence in Sweden in 1988. A Finish couple murdered a young boy and his parents when they prevented the theft of the son's bicycle. The film tries to describe... See full summary »
All Charlotte wants from life is to be cut a slice of the media agency she has devoted herself to building. When Charlotte's life disintegrates, we follow her on a heart-racing journey of self-discovery, atonement and danger.
Native Taiwanese, from the ethnic group Atayal, Protest against the claims of the central government - made up of Chinese immigrants from the ethnic group Han, who are now most of the ... See full summary »
The Swedish 19th century engineer S. A. Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two ... See full summary »
Max von Sydow,
Sverre Anker Ousdal,
Sweden, early 1900s - an era of social change and unrest, war and poverty. A young working class woman, Maria, wins a camera in a lottery. The camera grants her the eyes to view the world, and empowers her over several decades to raise and nurture her family of six children and an alcoholic, womanizing and sometimes violent, although ultimately loving, husband. Written by
Greetings again from the darkness. The best word I can come up to describe this fine film is humanistic. Everything about director Jan Troell's (The Emigrants) approach is based on the affect or reaction of the individual, very human, characters.
Maria Heiskanen as Maria Larsson is fascinating ... in the most grounded, heartfelt style I have seen. She reminds of Imelda Staunton in her ability to sell grace and dignity despite all obstacles. This is not a film about some character's ability to make headlines. Rather it is one woman's battle for independence for herself and stability and safety for her seven children.
We may question why Maria insists on remaining with her violent-when-drunk husband, but she takes her father's counsel to honor her vows very seriously. She battles through much for her family but the true joy in the story comes from her awakening with a Contessa camera, courtesy of Sebastian Pederson (played well by Jesper Christensen). She discovers a god given talent and eye for photography.
This is a long film, but so realistically presented that it just compels the viewer to join in. Sadly, it won't find much of an audience in the U.S., but it is excellent film-making and a very rewarding journey.
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