Knut Hamsun is Norway's most famous and admired author. Ever since he was young he has hated the English for the starvation they caused Norway during WWI. When the Germans occupy Norway on ... See full summary »
In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. ... See full summary »
Based on a semi-autobiographical novel by Nobel Prize-winning novelist Eyvind Johnson, Here's Your Life tells the story of a working-class boy coming of age in rural Sweden during the first... See full summary »
Poetic documentary about the polar expedition of S. A. Andrée (1897) which Troell had dramatized in "Ingenjör Andrées luftfärd" (1982). Some of the photos are authentic pictures preserved ... See full summary »
Max von Sydow,
From Texas to Montana, from Nebraska to Louisiana, from New York to San Francisco, An American Journey is a 15,000 mile odyssey through contemporary America seeking to understand the impact... See full summary »
In 1981, Susan Meiselas published "Nicaragua, June 1978 to July 1979," 70 photographs she took documenting the Sandinista revolution. Ten years later, Meiselas returns looking for the ... See full summary »
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on... See full summary »
The story about 5-year-old Lisa's unconditional love for her alcoholic father. There is also a depiction of Sweden in the 70's and working class fading ideals. The mother leaves the family ... See full summary »
Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.
Sweden, early 1900s - an era of social change and unrest, war and poverty. A young working class woman, Maria, wins a camera in a lottery. The camera grants her the eyes to view the world, and empowers her over several decades to raise and nurture her family of six children and an alcoholic, womanizing and sometimes violent, although ultimately loving, husband. Written by
I was reluctant to see Jan Troell's film for fear it might not be worthy of the experience of seeing his "The Emigrants"/"The New Land." Ordinarily, I'd rush to see something by any good director, but those two films were of such distinction, I hesitated.
Many of the same issues in "The Emigrants"/"The New Land" are here but we have it from the point of view of an artist and this film concentrates less on the art itself than the reason the artist needs to do it. It's a slight shift in focus than we usually get in biographies of artists, but it made this film something that's truer than, say, seeing Ed Harris ape Jackson Pollack dripping paint.
The rise of the middle class, WWI, labor unions, the demise of feudal monarchy, alcoholism, abortion, disability, codependency, feminism, and most importantly how industrial technology released the poor from dire existence to the opportunity (and leisure) of making art...and why that was important.
It's an ambitious film that feels as light as a shadow. While there is quite a bit of dialog, there's never any explanation despite extensive voice-over by a daughter of the subject of the film. We're shown why this woman needs to take photographs, and how she's introduced to it and the changes it brings lifts us up to the ecstasy she feels.
The circumstances of her marriage which is the primary focus of her suffering Troell renders with great sensitivity and understanding. The fact that the abusive husband, Mikael Persbrandt, almost steals the film is a testament to the compassion of the filmmaker.
But its the central character's actress, Maria Heiskanen, who takes a role that could have been maudlin and infuses it with a ferocious passion that stays in one's memory. No director could have wished for more in this performance.
Filmed in 16mm then transferred to 35mm, the passion of the main character for making images is clearly the director's own. One (of many) moments is so exquisite and complete: The lead character doesn't understand how photographs are made, and when she's shown with the image of a butterfly projected on her open hand, we're as astonished as she is.
That image is used again near the end of the film in a way that's masterful. I don't know if this movie is as good as "The Emigrants/New Land," but its worthy of the director who made that monumental work.
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