Knut Hamsun is Norway's most famous and admired author. Ever since he was young he has hated the English for the starvation they caused Norway during WWI. When the Germans occupy Norway on ... See full summary »
In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. ... See full summary »
Based on a semi-autobiographical novel by Nobel Prize-winning novelist Eyvind Johnson, Here's Your Life tells the story of a working-class boy coming of age in rural Sweden during the first... See full summary »
Poetic documentary about the polar expedition of S. A. Andrée (1897) which Troell had dramatized in "Ingenjör Andrées luftfärd" (1982). Some of the photos are authentic pictures preserved ... See full summary »
Max von Sydow,
Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.
The film is based on a true occurrence in Sweden in 1988. A Finish couple murdered a young boy and his parents when they prevented the theft of the son's bicycle. The film tries to describe... See full summary »
The Swedish 19th century engineer S. A. Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two ... See full summary »
Max von Sydow,
Sverre Anker Ousdal,
Native Taiwanese, from the ethnic group Atayal, Protest against the claims of the central government - made up of Chinese immigrants from the ethnic group Han, who are now most of the ... See full summary »
Sweden, early 1900s - an era of social change and unrest, war and poverty. A young working class woman, Maria, wins a camera in a lottery. The camera grants her the eyes to view the world, and empowers her over several decades to raise and nurture her family of six children and an alcoholic, womanizing and sometimes violent, although ultimately loving, husband. Written by
The title of this film is particularly apt in light of what it presents and how it does so. Obviously every photograph is an everlasting moment in itself but in this film they are moments that represent a time and a place. Maria Larsson's pictures show the plight of the poor in early 20th century Sweden; the Red Rallies that were sweeping through Europe and the coming of war through to the restoring of peace. All these events and how they affect the ordinary people of her little town are recorded faithfully by this simple downtrodden housewife in between fending off her drunken husband's advances and raising the seven or so children that result. While there isn't so much a plot to 'Everlasting Moments' there is still an engaging story. It opens in 1907 when Maria discovers a camera she had won some years before and put away and forgotten about. Times are hard and her first thought is to sell it and she heads to the local photographic shop run by Sebastien Federson. He manages to persuade her to wait a while, to try and get some use of the camera first before she decides to get rid of it and pretty soon Maria is hooked on her new hobby. Meanwhile her husband Sigge flits from job to job and pub to pub and makes home-life more and more a living hell. Maria keeps her camera a secret from him for as long as she can and uses it as her only means of escape she can't possibly leave her marriage, tearing asunder what God has joined together. While Sigge is all but openly unfaithful she herself has a chaste, platonic love with her mentor Sebastien. As Everlasting Moments takes you on its journey you just go with the flow, you forget that at some point this film is going to come to an end and in a way you don't really want it to. The acting all round is excellent and appropriately enough the photography is striking. The entire film looks like a faded photograph from the era, it's shot in colour but you have to regularly remind yourself of the fact by spotting something of colour in the scene. This just adds to the atmosphere, the feeling that you are not watching a film set in the early 1900s but in fact at a play - being performed in the early 1900s.
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