Molly Mahoney is the awkward and insecure manager of Mr. Magorium's Wonder Emporium, the strangest, most fantastic, most wonderful toy store in the world. But when Mr. Magorium, the 243 year-old eccentric who owns the store, bequeaths the store to her, a dark and ominous change begins to take over the once remarkable Emporium.
Disgraced Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
In 1974, Marty Bronson builds the Sunny Vista Motel in Los Angeles, California, with the intention of raising his son Skeeter and his daughter Wendy in the place where he works. However he is not a good businessman and the hotel goes bankrupt. Marty is forced to sell his motel to Barry Nottingham that promises to hire Skeeter in a general manager position when he grown up. Years later, Barry builds a new hotel; forgets his promise to Marty; and Skeeter Bronson is only the handyman of his hotel. The general manager is the arrogant Kendall, who is engaged with the shallow Barry's daughter Violet Nottingham. When the Webster Elementary School where Wendy is the principal will be closed to be demolished, she needs to travel to Arizona for a job interview. Wendy asks her friend Jill, who is teacher in the same school, to watch her son Patrick and her daughter Bobbi during the day and Skeeter to watch them during the night. Skeeter meets the estranged kids with his best friend Mickey and ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Violet Nottingham (Teresa Palmer) is a spoof of Paris Hilton. Both are daughters of hotel owners who are always partying and being chased by the media and paparazzi on a daily basis. See more »
In the scene where Skeeter first spends the night with the kids, Jill and the kids are making signs. On the sign that Bobbi is working on first the C is not colored in. A little while later the C is almost completely finished; a few seconds later the C is just started, and a few seconds later it is just a little bit less colored in than just a second before. See more »
[looking over the kids' storybooks]
What do ya got here, anyways? "Rainbow Alligator Saves the Wetlands"? Uh, no. "The Organic Squirrel Gets a Bike Helmet"? I'm not reading these Communist books to you guys! Don't you got any *real* stories?
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"What if the stories you told came to life?" Bedtime Stories Promo
Having suffered through Adam Sandler's You Don't Mess with the Zohan (2008), I was prepared to suffer through Bedtime Stories, his offering in the 2008 Christmas glut of fine movies that have few for kids. Sandler rules: This is one of the best children/adult stories this year, an ironic twist on romantic and heroic tales told from children's point of view through the masterful child/adult lens of an underplaying, child-friendly master.
Sandler's Skeeter Bronson takes care of his niece and nephew for a week. Of course he hasn't a clue because he hasn't seen them in four years and his job as super-maintenance man at the Sunny Vista Hotel in Las Vegas consumes most of his time and energy. He's the usual Sandler sweet-hearted semi-loser with reserves of child-like sympathies ready to be released.
The conceit is that after telling the humorous tales with the kids' ample and creative input at bedtime, the story elements become real in real life, altered to fit the modern context (e.g., a rain of gumballs actually happens the next day, explainable by a candy truck spilling its contents over a bridge onto Sandler). In this ingenious way, the film recalls the Wizard-of-Oz trick of making real in Kansas what Dorothy had experienced in the Emerald City.
There is nothing deep about this delight, just a small satire of a society that may be losing its sense of wonder and fun in order to bow at the altars of nutrition and commercialism. Not bad for a film I thought would be another Sander nodder. It woke me up to the joys of imagination and love.
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