| Mark Simich | ... | Goran | |
| Marko Malic | ... | Ljube | |
| Jerry Hoffman | ... | Assim | |
| Jagoda Spoljaric | ... | Milica | |
| Elizabeth Clemmons | ... | Aleksandra | |
| rest of cast listed alphabetically: | |||
| Jobim Coleman | ... | Alen | |
| A.C. Earing | ... | Mladen | |
| Joe Geller | ... | Stefan | |
| Michael Godinez | ... | Radovan | |
| Beeta Hadian | ... | Serena | |
| Holly Hay | ... | Ana | |
| Robert Horsting | ... | Ivan | |
| Blas Kisic | ... | Sergeant Djuro | |
| Maria Kisic | ... | Edita | |
| Lidiya Korotko | ... | Sanja | |
| Oliver Lyon | ... | Mirko | |
| Danila B. Oder | ... | Danila | |
| Brygida Pilat | ... | Nina | |
| Raheleh Roozestan | ... | Fadila | |
| James Tudor | ... | Milos | |
| Alexander von Roon | ... | Pero | |
Directed by | |||
| Chris Bessounian | |||
Writing credits(in alphabetical order) | ||
| Chris Bessounian | ||
| Tianna Langham | ||
Produced by | |||
| Chris Bessounian | .... | producer | |
| Raphael Bessounian | .... | producer | |
| Howard Coleman | .... | associate producer | |
| Tianna Langham | .... | producer | |
| Patricia Poienaru | .... | producer | |
Original Music by | |||
| Paul Bolotin | |||
| Dig Lewis | |||
Cinematography by | |||
| Shawn Grice | |||
Film Editing by | |||
| Mannix Rickenbacher | |||
Production Design by | |||
| Owen Hanson | |||
Set Decoration by | |||
| Owen Hanson | |||
Costume Design by | |||
| Caroline Foellmer | |||
Makeup Department | |||
| Brittani Valdez | .... | makeup artist | |
Production Management | |||
| Ian J. Putnam | .... | unit production manager | |
| Mannix Rickenbacher | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Drue Myra Jackson | .... | second assistant director | |
Art Department | |||
| Owen Hanson | .... | property master | |
Sound Department | |||
| Ty Higgins | .... | supervising sound editor | |
| Ben Lazarus | .... | sound mixer | |
| Adrian Soriano | .... | boom operator | |
Visual Effects by | |||
| Joshua Dobson | .... | digital colorist | |
Camera and Electrical Department | |||
| Valentin Baerlocher | .... | first assistant camera | |
| Vishal Solanki | .... | gaffer | |
| Adrian Soriano | .... | dolly operator | |
Music Department | |||
| Juan-Salvador Carrasco | .... | musician: cello | |
| Salvadore Carrasco | .... | musician | |
Other crew | |||
| Joseph A. Garcia | .... | script supervisor | |
Thanks | |||
| Kevin Atkinson | .... | special thanks | |
| Alice Bessounian | .... | special thanks | |
| John Bessounian | .... | special thanks | |
| Salvador Carrasco | .... | special thanks | |
| Howard Coleman | .... | special thanks | |
| Linda Cowgill | .... | special thanks | |
| Amedeo D'Adamo | .... | special thanks | |
| Alexandra Dedich | .... | special thanks | |
| Branko Dedich | .... | special thanks | |
| Bernadette Kelly | .... | special thanks | |
| Ariel Levy | .... | special thanks | |
| Dig Lewis | .... | special thanks | |
| Peter Markham | .... | special thanks | |
| Jerry Pam | .... | special thanks | |
| John Peterson | .... | special thanks | |
| Caroline Postajian | .... | special thanks | |
| Jon Postajian | .... | special thanks | |
| Charles Rose | .... | special thanks | |
| Nevina Satta | .... | special thanks | |
| Martha Savelio | .... | special thanks | |
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| Savior | The Hunting Party | Beautiful People | Full Metal Jacket | Joyeux Noel |
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| Full cast and crew | Company credits | IMDb Short section |
| IMDb USA section |
*** This review may contain spoilers ***
The movie appears to be nothing more than an excuse to show gratuitous violence and depictions of war. It's about 15 minutes--if that--so the story doesn't thicken much. The main character plays football and then winds up in a war. (No, I'm not skipping things, that's actually how they film it.) Then a person from his past (hint: it's someone that was on the football field obviously. There's nothing else for the viewer to draw from!) comes across the soldier's path and the commanding officer gives the order for the main character to shot him. Does he kill his acquaintance from the past? From the way the short was trying so hard to show the horrors of war (too hard), I lost interest in whether he does or not.
The cinematography was pretty good. Decent shots that were relevant to the script, without being to artsy. However, the script proved to be a colossal waste of my time.