Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
Film adaptation of street tough Jim Carroll's epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school ... See full summary »
It's 1955. Frank and April Wheeler, in the seventh year of their marriage, have fallen into a life that appears to most as being perfect. They live in the Connecticut suburbs with two young children. Frank commutes to New York City where he works in an office job while April stays at home as a housewife. But they're not happy. April has forgone her dream of becoming an actress, and Frank hates his job - one where he places little effort - although he has never figured out what his passion in life is. One day, April suggests that they move to Paris - a city where Frank visited during the war and loved, but where April has never been - as a means to rejuvenate their life. April's plan: she would be the breadwinner, getting a lucrative secretarial job for one of the major international organizations, while Frank would have free time to find himself and whatever his passion. Initially skeptical, Frank ultimately agrees to April's plan. When circumstances change around the Wheelers, April ... Written by
Though it's never named in the film, in Richard Yates' source novel, the play April acts in (apparently badly) is Robert E. Sherwood's "The Petrified Forrest," written in 1935. In the play, the main female character, Gabby, dreams of leaving what she sees as a humdrum existence in the U.S. to move to France, just as April does. See more »
At lunch, a co-worker tells Frank he will be "sorely missed in the old cubicle." Cubicles were introduced in the mid-1960s by Herman Miller Inc., a manufacturer of office furniture. See more »
Kate Winslet and Leonardo DiCaprio were the incentive of my going to see this film, and I could not be more convinced of their talent than I am after the two-hour brilliance.
This film is reality in its purest, yet magnificently artistic form the anger that is portrayed repetitively and in various occasions reminded me of the wrath I myself occasionally experience, from the overture of an argument to its climax; the screaming, the furious need to verbally and physically harm, punch, kick, no matter how much affection is felt towards the recipient. Even during the scenes that are meant to be tranquil, there is anxiety and tension hidden in their smiles, a sort of counterfeit politeness that should never be present in a happy relationship.
It is all a depiction of two genuine lives that have the potential of existing in complete harmony, yet cannot because of the stereotypical environment and situation they find themselves in. They both crave change, an alteration in their monotonous state of being, but because of the lengthy period of time that they have spent in such a circumstance, their mentality is differently modified. April (Kate Winslet) finds unreserved determination to leave to Paris and although her character seems at times erratic, we gradually come to understand that she is in fact the stronger personality of the two; she truly finds change favorable, whereas Frank (Leonardo DiCaprio) seems to find the idea of change more flattering than change itself.
Each choice a person makes can change a life, and that life is not always theirs. This film shows us just how wrong something right can be, as well as how right something wrong can be.
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