Revolutionary Road (2008)

User Rating:

7.7/10   

Director:

Sam Mendes

Writers (WGA):

Justin Haythe (screenplay)
Richard Yates (novel)

Release Date:

23 January 2009 (USA)

Genre:

Drama | Romance

Tagline:

How do you break free without breaking apart?

Plot:

A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.

Plot Keywords:

Connecticut | Suburb | Children | New York City | Marriage

Awards:

Nominated for 3 Oscars. Another 7 wins & 20 nominations

Cast

Leonardo DiCaprio	...	Frank Wheeler
Kate Winslet	...	April Wheeler
Michael Shannon	...	John Givings
Ryan Simpkins	...	Jennifer Wheeler
Ty Simpkins	...	Michael Wheeler
Kathy Bates	...	Mrs. Helen Givings
Richard Easton	...	Mr. Howard Givings
Sam Rosen	...	Party Guest #7
Maria Rusolo	...	Party Dancer #1
Gena Oppenheim	...	Party Dancer #2
Kathryn Dunn	...	Party Dancer #3
Joe Komara	...	Party Dancer #4
Allison Twyford	...	Party Dancer #5
David Harbour	...	Shep Campbell
John Ottavino	...	Other Actor in the Play #1

MPAA:

Rated R for language and some sexual content/nudity.

Runtime:

119 min

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS | SDDS

Certification:

USA:R (certificate #44282) | UK:15 | Netherlands:12 | South Africa:13LS | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Ireland:16 | New Zealand:R16 | Czech Republic:15 | Finland:K-11 | Portugal:M/16 (Qualidade) | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Norway:11 | Germany:12 (f) | South Korea:18 | Brazil:16 | Hong Kong:IIB | Sweden:7 | Spain:13 | Argentina:13 | Peru:14 | Taiwan:PG-12 | Singapore:M18 | Philippines:R-13 (MTRCB) | Australia:M | Mexico:B15

Filming Locations:

Beacon Falls, Connecticut, USA

Company:

DreamWorks SKG

Trivia:

When purchasing tickets to travel to Paris, the tickets are on a Cunard Line steamer. Cunard Line was merged with White Star Line, which built and owned the Titanic. Kate Winslet and Leonardo DiCaprio together starred in Titanic (1997).

Goofs:

Anachronisms: The wall phone in the kitchen is a Western Electric 554, which was introduced in 1956. Its switch hook was chrome, not plastic.

Quotes:

Frank Wheeler: We're gonna be okay.
April Wheeler: I hope so. I really hope so.

Movie Connections:

Featured in "Larry King Live: Are They the Oscar Favorites" (2009)

Soundtrack:

Happy Birthday

Book 10/10 - Film 8/10

I went to see this at an advanced screener in Leicester Square last night. Kate Winslett chatted about the film on stage afterward. I went as one of those people who'd read the book and consider that source material to be amongst the best literature I'd ever read. I was wondering if and how the film could match up. My prior concerns were about how accurate the film would be. Well, there's nothing to worry about there. Mendes has created a near carbon copy of the book, the locations, characters and scenes are all exactly as I 'saw' them on the page. Nothing (as far as I could tell) is portrayed out of order, no extra characters are introduced, and no primary characters are dropped or altered. The acting is 100% perfect. The mies-en-scene is perfect. Absolutely nothing could or should have been done differently. So why not 10/10? The problem lies in the fact that Yates' novel is a literary one, much of the essence of the experience of the story is realized by Yates with just the right turn of phrase or choice of word. How does a director set about depicting or capturing this visually? I don't think he really can, he needs to use cinematic tricks and devices to inject resonance, the same resonance Yates achieves with that turn of phrase. But in being so (probably rightly) concerned about being true to the source material, the film somehow comes up a little flat as a film going experience, a sort of American Beauty without the crucial stylistic bells and whistles. Kate Winslett said afterward that (interestingly) it was she who had brought the book and the project to her husband, not vice versa and that it took some consideration for Sam Mendes to convince himself that he hadn't already told this story before, and by the final credits, I too was thinking just that, it felt like I'd watched a prequel to American Beauty, but without the pizazz and the rapture and the delight. So, the book, 10/10, the film, 8/10.