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Revolutionary Road (2008)

 -  Drama | Romance  -  23 January 2009 (USA)
7.3
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Ratings: 7.3/10 from 133,232 users   Metascore: 69/100
Reviews: 403 user | 316 critic | 38 from Metacritic.com

A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children.

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(screenplay), (novel)
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Nominated for 3 Oscars. Another 18 wins & 38 nominations. See more awards »

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Cast

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Kathryn Dunn ...
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Party Dancer (as Joe Kamara)
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Storyline

It's 1955. Frank and April Wheeler, in the seventh year of their marriage, have fallen into a life that appears to most as being perfect. They live in the Connecticut suburbs with two young children. Frank commutes to New York City where he works in an office job while April stays at home as a housewife. But they're not happy. April has forgone her dream of becoming an actress, and Frank hates his job - one where he places little effort - although he has never figured out what his passion in life is. One day, April suggests that they move to Paris - a city where Frank visited during the war and loved, but where April has never been - as a means to rejuvenate their life. April's plan: she would be the breadwinner, getting a lucrative secretarial job for one of the major international organizations, while Frank would have free time to find himself and whatever his passion. Initially skeptical, Frank ultimately agrees to April's plan. When circumstances change around the Wheelers, April ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content/nudity | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

Release Date:

23 January 2009 (USA)  »

Also Known As:

Sólo un sueño  »

Filming Locations:

 »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

£1,013,548 (UK) (30 January 2009)

Gross:

$22,877,808 (USA) (27 March 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

First movie Leonardo DiCaprio and Kate Winslet have worked on together since Titanic (1997). Paramount Pictures, which distributed the early film in the US, was the worldwide distributor of this film. See more »

Goofs

April smokes Marlboro Lights, which were introduced in 1977. See more »

Quotes

[first lines]
Frank Wheeler: So, what do you do?
April Wheeler: I'm studying to be an actress. You?
Frank Wheeler: I'm a longshoreman.
April Wheeler: No, I'm mean, really.
Frank Wheeler: I mean really, too. Although starting next Monday I'm doing something a little more glamorous.
April Wheeler: What's that?
Frank Wheeler: Night cashier at a cafeteria.
April Wheeler: I don't mean how you make money. I mean, what are you interested in?
Frank Wheeler: Honey, if I had the answer to that one, I bet I'd bore us both to death in half an hour.
See more »

Crazy Credits

At the end of the closing credits: "For Mia and Joe." See more »

Connections

Featured in Larry King Live: Are They the Oscar Favorites (2009) See more »

Soundtracks

Count Every Star
Written by Sammy Gallop, Bernard Paul Michel and Bruno Coquatrix (as Bruno Andre Coquatrix)
Performed by The Ravens
Courtesy of Savoy Jazz
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Book 10/10 - Film 8/10
10 December 2008 | by (london) – See all my reviews

I went to see this at an advanced screener in Leicester Square last night. Kate Winslett chatted about the film on stage afterward. I went as one of those people who'd read the book and consider that source material to be amongst the best literature I'd ever read. I was wondering if and how the film could match up. My prior concerns were about how accurate the film would be. Well, there's nothing to worry about there. Mendes has created a near carbon copy of the book, the locations, characters and scenes are all exactly as I 'saw' them on the page. Nothing (as far as I could tell) is portrayed out of order, no extra characters are introduced, and no primary characters are dropped or altered. The acting is 100% perfect. The mies-en-scene is perfect. Absolutely nothing could or should have been done differently. So why not 10/10? The problem lies in the fact that Yates' novel is a literary one, much of the essence of the experience of the story is realized by Yates with just the right turn of phrase or choice of word. How does a director set about depicting or capturing this visually? I don't think he really can, he needs to use cinematic tricks and devices to inject resonance, the same resonance Yates achieves with that turn of phrase. But in being so (probably rightly) concerned about being true to the source material, the film somehow comes up a little flat as a film going experience, a sort of American Beauty without the crucial stylistic bells and whistles. Kate Winslett said afterward that (interestingly) it was she who had brought the book and the project to her husband, not vice versa and that it took some consideration for Sam Mendes to convince himself that he hadn't already told this story before, and by the final credits, I too was thinking just that, it felt like I'd watched a prequel to American Beauty, but without the pizazz and the rapture and the delight. So, the book, 10/10, the film, 8/10.


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