Communication is the key for the survival of nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover why they are ... See full summary »
Pusit is having the worst day of his life. He just lost his job and is in serious debt. That is all about to change when he receives a mysterious phone call with a tempting offer. If he ... See full summary »
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Communication is the key for the survival of nine strangers who have been kidnapped by a masked gunman and told that one of them will die every ten minutes until they discover why they are there. Can they figure it out before they all die? Written by
Just before Kelley's being kidnapped, she's having a call with her iPhone. It displays the keypad, which (including the green "make call" button) is not visible during a regular call. The light sensor wouldn't allow to show the display either, when the iPhone is placed just next to the ear. See more »
I have brought the nine of you here for a reason. Your survival depends on you figuring out what that reason is. I will leave you alone for your discussions but I will return every ten minutes and kill one of you until you've figured it out or until you are all dead. You have ten minutes.
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Oh I remember her from my childhood - "Clarissa Explains it All"...I didn't know she was the worst actor alive
I'll get to that in a moment.
For about as many unwanted Saw sequels we've had, it feels like we have about twice as many clones. Surprisingly, this one was executed in a way I haven't seen done prior, but it all ultimately goes back to putting strangers in a room.
**Rant about Melissa Joan Hart's acting**
Despite what I said in my other reviews where I might've mentioned that someone might've been the worst actor I've ever seen, Melissa Joan Hart in this movie takes the cake. I don't know if she's just not good in portraying the emotion of fear, but her acting singlehandedly kept me intrigued and glued. It was a guilty pleasure, very rarely do I get to see someone perform so badly at their craft. Her facial expressions were RIDICULOUS. She gestures and contorts her eyes, mouth, and particularly her EYEBROWS in unnecessary, cartoon-like ways. She puts the wrong emphasis on the words she's speaking, and delivers every line 'Nickelodeon style,' as if she's "giving it her all" on each line so you don't miss anything. Complete overacting, no nuance or subtlety. I haven't seen her in other movies, so I won't flat out say she's the worst actor ever, but this was the worst PERFORMANCE I've seen.
**Problems with the movie**
The story within the story was actually pretty decent and competently written, but the movie itself reeks of amateurishness. No wonder the writer of the script has this movie as his only credit for work he's done. I'm going to bookmark his IMDb page and periodically check to see if he does anything else, I'd surprised if he does. The story of how they were all connected to each other and how it relates to the masked kidnapper was intricately woven. That part was fine, it was the dialogue and the acting that killed this movie.
Here's the most infuriating thing- So the kidnapper comes in every 10 minutes to kill someone if they haven't figured out why each of them are being held captive right? Well, every time he comes in and chooses the person to kill, he gives them one last chance to explain why they're there, and if they get it right, he'd let them all go. All that these characters did was just try to reason by saying things like, "we need more time to figure it out." Don't you think you'd be speaking a hundred miles per hour on all the atrocities you might've done in your life and hope you guess right??? I'm sure anyone can imagine if they were in such a situation, you'd be nervously stumbling and stammering over words, but to not even so much as venture a GUESS is ridiculous. And yes, I realize the rules the kidnapper layed out was that each victim, upon their turn, had to not only guess why he or she was there, but why *everyone else was there as well. I have two counters to this:
1) When your life is on the line, and you think you have something to offer the killer as to what he's looking for, are you going to play by the rules? So what that you didn't meet the second qualification of knowing why the others were there, would you not tell this guy what "evil" things you think YOU might've done and hope you guess right? Clearly EACH person had a good idea of why they themselves were there, it was clear through the dialogue.
2) Even if you don't agree with my opinion above, then how about when there came a time in the movie where the characters more or less had the whole damn chain of events of the puzzle solved, with just a few missing pieces (at that point they still didn't figure out how the medical dude fit into the story). So they have 90% of it figured out, the killer comes in, and not ONE PERSON EVEN TRIES TO SELL HIM ON THEIR THEORY. The idiot cop just said something about, "we have most of it figured out, we need more time." WHY DON'T YOU TELL HIM WHAT YOU KNOW SO FAR YOU MORONIC IMBECILE. What, do you think he's going to prematurely kill you if you get the story wrong? And going even deeper into my abyss of madness (i.e., logic), I could sort of even understand why the other people who's turn hadn't come yet wouldn't say anything, so as to not bring attention to themselves by offering the solution (and potentially getting it wrong, and yeah, maybe being killed for it), But, if it's YOUR turn to die, and the killer is in your face, giving you one last guess to solve the puzzle, WHY WOULD YOU NOT TELL HIM WHAT YOU THINK YOU KNOW SO FAR??????????? Patrick Wehe Mahoney is probably the dumbest person on the planet. He's the writer..
Another stupid part:
Melissa Joan Hart said something about how a jury wouldn't rely on the testimony of a "60 year old woman." OMG, 60!! She's practically a dinosaur right? There's no way a 60 year old can remember something. Right is this writer like 15 years old? Only young, dumb kids would think 60 is "senile and old."
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