Adrienne Willis, a woman with her life in chaos, retreats to the tiny coastal town of Rodanthe, in the Outer Banks of North Carolina, to tend to a friend's inn for the weekend. Here she hopes to find the tranquility she so desperately needs to rethink the conflicts surrounding her -- a wayward husband who has asked to come home, and a teen-aged daughter who resents her every decision. Almost as soon as Adrienne gets to Rodanthe, a major storm is forecast and a guest named Dr. Paul Flanner arrive. The only guest at the inn, Flanner is not on a weekend escape but rather is there to face his own crisis of conscience. Now, with the storm closing in, the two turn to each other for comfort and, in one magical weekend, set in motion a life-changing romance that will resonate throughout the rest of their lives... Written by
The house in which the movie is set is a vacation rental property, not a bed & breakfast, and is named "Serendipity". See more »
In the beginning of the film, when Dr. Paul Flanner is driving to Rodanthe, there is a short scene in which he's driving on US-17 south of Myrtle Beach, SC. (The store with the big sharks mouth entrance) This is nowhere near his supposed driving route. The store with the giant shark is actually the Shark Attack Souvenir and Gift Shop at 1295 NC Highway 210, Sneads Ferry, NC. See more »
Dr. Paul Flanner:
What keeps you safe?
Well, you fall in love with someone, you know... and you make a family... and you become what you think you're supposed to be. And you change and you give up certain things. Then they look at what you've got left and you wish you... I don't know, you just think maybe you shouldn't have.
Dr. Paul Flanner:
Dr. Paul Flanner:
Just don't do it anymore.
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Romantic, tear-jerking, but a good-quality picture
I saw this movie for the first time on TV, thought it was not worth the ticket when it was first released in movie theatres. I can now say I was wrong. "Nights in Rodanthe", based on a novel by Nicholas Sparks, may sound predictable, too melodramatic, too tear-jerking, too romantic, too much, in every sense. Indeed, you cannot find anything except what you expect to find: romanticism and drama together, through dialogues and situations which you may have heard in thousands of romance/dramas.
However, I think some merits are to be found: first, the idea of portraying a love story between two mature people, which is not so common or easy nowadays. Richard Gere and Diane Lane have a very good, long-term chemistry, going back to "The Cotton club" and later to "Unfaithful", and they are still able to convey a deep communion of soul, showing with honesty how love can always give a chance, and how past experiences can shape passion and attraction in such a tender and delicate way. The two actors are very good in the way they manage not to turn romantic scenes and sometimes a melodramatic script, into a pathetic hodgepodge, but always keeping a strong dignity of interpretation, and a very professional attitude.
I generally praise American non-pretentious pictures: however simple, and unoriginal they prove good-quality products, thanks to a high professional attitude and a talented cast, which can often make a difference. In this case, also the enchanting settings, the music at the right moments, the good photography help make the final product credible and emotionally involving
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