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Nights in Rodanthe (2008)

5.9
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Ratings: 5.9/10 from 14,335 users   Metascore: 39/100
Reviews: 87 user | 129 critic | 26 from Metacritic.com

A doctor who is traveling to see his estranged son sparks with an unhappily married woman at a North Carolina inn.

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(screenplay), (screenplay), 1 more credit »
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Title: Nights in Rodanthe (2008)

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Cast

Cast overview, first billed only:
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Dot
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Linda Molloy ...
Jill Torrelson
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Charlie Torrelson
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Jenny
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Old Gus
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Jean's Lover
Terri Denise Johnson ...
Medical Resident
Jessica Lucas ...
Admiring Nurse
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Storyline

Adrienne Willis, a woman with her life in chaos, retreats to the tiny coastal town of Rodanthe, in the Outer Banks of North Carolina, to tend to a friend's inn for the weekend. Here she hopes to find the tranquility she so desperately needs to rethink the conflicts surrounding her -- a wayward husband who has asked to come home, and a teen-aged daughter who resents her every decision. Almost as soon as Adrienne gets to Rodanthe, a major storm is forecast and a guest named Dr. Paul Flanner arrive. The only guest at the inn, Flanner is not on a weekend escape but rather is there to face his own crisis of conscience. Now, with the storm closing in, the two turn to each other for comfort and, in one magical weekend, set in motion a life-changing romance that will resonate throughout the rest of their lives. Written by Drew ToLoweJarrBar

Plot Summary | Add Synopsis

Taglines:

It's never too late for a second chance

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

26 September 2008 (USA)  »

Also Known As:

Nights in Rodanthe  »

Box Office

Opening Weekend:

£193,318 (UK) (10 October 2008)

Gross:

$41,840,908 (USA) (9 January 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

By January, 2010, shoreline erosion had left the Serendipity house completely in the surf. New owners hired one of the companies that moved the Cape Hatteras lighthouse to move Serendipity to a somewhat less spectacular but somewhat safer nearby lot in Rodanthe. Only the house's exterior appears in the film - the interiors existed only in a studio. The owners reportedly plan to remodel the house, recreating the studio interiors, to enhance its value as a vacation rental. See more »

Goofs

The wild horses do not exist where the movie takes place. They are actually about 60 miles north near Corolla. They would have to swim across a wide inlet to get to Rodanthe from Corolla. Another herd of these wild horses is on Ocracoke Island, about 35 miles south, but are penned in for their protection. Another herd of these wild horses are located on the Cape Lookout National Seashore, and freely roam between Cape Lookout, Shackleford Banks, and Carrot Island, near Beaufort, NC. See more »

Quotes

Dr. Paul Flanner: What keeps you safe?
Adrienne Willis: Well, you fall in love with someone, you know... and you make a family... and you become what you think you're supposed to be. And you change and you give up certain things. Then they look at what you've got left and you wish you... I don't know, you just think maybe you shouldn't have.
Dr. Paul Flanner: Don't.
Dr. Paul Flanner: Just don't do it anymore.
Adrienne Willis: ...Huh.
See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #19.129 (2011) See more »

Soundtracks

Before I Met You
Written by J. William Denny, Joe Cannonball Lewis, and Charles Lewis Seitz
Produced by Jeanine Tesori
Performed by Jule Garrish, Bob Zentz, Jeanne McDougall, Kevin Hardy, Jubal Creech, and Herb Price
See more »

Frequently Asked Questions

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User Reviews

 
Thank you, Ms Lane
1 October 2008 | by (United States) – See all my reviews

Oh yes! Hollywood does remember how to use the good old formula, and when lightning hits, it's a rather wonderful feeling. Rarely Hollywood creates a masterpiece because lately, there seems to be more concern with hurrying up and getting the most rewards in a hurried manner, or there is the matter of too many cooks in the mix. Usually good screenplays are the result of a talented writer who is in full control of his/her property, understand his material and is a good writer. Then, there is a little important part, often neglected by the marketing geniuses that so often lack creativity and vision: a good actor.

A good actor can make the difference between a mediocre, half-cooked try, and a fully realized film that might not be an important and relevant movie, but one that contributes to its genre and might eventually become a classic of its type. We get very few romantic comedies, and we are people who are starved for them. Buried in the sexy humor of "Sex in the City" is the romantic, yet stormy relationship of Big and Carrie, and people flocked to "Mamma Mia" because it had some romance, skillfully played by Streep and Brossnam. It could have a silly musical, but it did touch us because it was played with intensity and conviction. "Nights" offers us more of it, with the amazing talents of a woman who does magnificent work in romantic films, Ms. Diane Lane. Ever since her days as a child actor, we could appreciate how her talent, combined with her appreciative soul allowed us to see into the hearts of the story's protagonists. A few years back, she teamed up with Mr. Gere, giving us a tormented, romantic, and sexy performance as the wife who is not too sure of her actions' consequences in "Unfaithful", work that should have garnered her at least an Academy Award. She is back, doing more formidable work in this romantic gem as a woman who has given up on her romantic prospects, and suddenly she realizes there might be another chance around the corner.

Ms. Lane makes this film pulsate with intelligence and passion. Her facial expressions communicate volumes about the different emotions her character undergoes. We can read frustrations, yearnings, desperation, anger, hope, loss, and a range that is way out reach for a lot of the marketable types that Hollywood constantly push down our throats. Here is a mature performer who has the gift to project real emotions and allows us to connect with the material in such a way that we are moved as we become part of the experience.

Ms. Lane is such a triumphant joy to watch as she goes through transformations from the first scenes of the film until the very end. Her discoveries become ours as we celebrate with her the power of hope and love. She is able to bring back the unsurpassed joy of a person in love, much like a teenager does, and yet she never lets you think of her character as silly or irresponsible. Her eyes are expressive gems that can move even the cynical in the audience. She is one of the stars that can do wonders with just one look. In her the classic feel of those grand movies of yesterday are back. Her work recalls the passionate and intelligent work of Hepburn, Davis, Garson, women who played everyday types and made them memorable because they created complete characters.

We admire those superb actresses who recreate real life legends and are rewarded for it. Half their work is done by the mystique of the figures they impersonate; however as much as anyone might make you think, it is the roles such as Lane's in this movie that are a more impressive achievement because they are created from scratch, given a personal imprint and are able achieve heights without any previous theatrical material support, such as plays, and the background of a famous legend whose life is paid tribute on the silver screen. Lane's character is one woman whose experiences could be any of us. She represents our dreams and emotions with much quality, class, and just the right amount of sentiment. It is quite a remarkable achievement, and we should be grateful that we are still able to find such a remarkable performance nowadays.

There are a few adjectives I could use to pay tribute to her work, but I can only say that in my humble opinion every single frame of her work in this film is testament to one of the greatest performances ever put on celluloid by a living performer. Thank you, Ms. Lane.


54 of 90 people found this review helpful.  Was this review helpful to you?

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